Following the Nazi annexation of Austria in March of 1938, Desider Furst, his wife, and his daughter suddenly found themselves hunted outlaws, holders of a German passport branded with a red "J" for Jewish. They escaped from Vienna and eventually settled in England, where they spent the war years as "enemy aliens." In 1971 they emigrated once more, this time voluntarily, to the United States. Home is Somewhere Else is a dual-voice, autobiographical narration by father and daughter, recounting the family's displacements, obstacles, and repeated reversals. The experiences documented here are typical of many Central Europeans whose lives were radically and painfully affected by the Nazis. This book's originality lies in its narrative format and its revelation of what befell the "lucky" ones merely on the margins of the Holocaust.

While other birds are seeing the world, George the duck is content to stay at home--or so it seems until he confesses the truth to Pascal, a visiting bear. Spectacularly detailed collage art featuring a jaw-dropping Paris panorama make this a special treat. Full color. 10 x 10.

A compelling debut collection from the first Coptic American poet to be published in the United States.

From the author of the critically acclaimed The Imaginary comes a powerful story about friendship in the vein of Roald Dahl and Neil Gaiman. A School Library Journal Best Book of 2017 A Wall Street Journal Best Book of 2017 Frank thought her summer couldn't get any worse--until big, weird, smelly Nick Underbridge rescues her from a bully, and she winds up at his house. Frank quickly realizes there's more to Nick than meets the eye. When she's at his house, she hears the strangest, most beautiful music, music which leads her to a mysterious, hidden door. Beyond the door are amazing creatures that she never even dreamed could be real. For the first time in forever, Frank feels happy . . . and she and Nick start to become friends. But Nick's incredible secrets are also accompanied by great danger. Frank must figure out how to help her new friend, the same way that he has helped her. Paired with gorgeous black-and-white illustrations from Levi Pinfold, acclaimed author A. F. Harrold weaves a powerful story about unlikely friendship, strange magic, and keeping the shadows at bay.

Some might call it a proposal. Violet Burton knows it's blackmail, and she refuses to give in. She won't marry the unscrupulous banker who holds the mortgage on her Virginia home. Instead, she'll find employment in New York City, earning enough to pay her debts before returning home. Virginia's where she belongs…even if reconnecting with childhood friend Michael Heaton makes her long to stay permanently at his mother's boardinghouse. The freckle-faced girl Michael knew is now a lovely woman. Helping Violet find her way is a simple act of friendship—at least at first. But soon he'll do anything to keep her safe, and hope she'll see that the home she seeks is one they can share together.

What If We Were Somewhere Else is the question everyone asks in these linked stories as they try to figure out how to move on from job losses, broken relationships, and fractured families. Following the employees of a nameless corporation and their loved ones, these stories examine the connections they forge and the choices they make as they try to make their lives mean something in the soulless, unforgiving hollowness of corporate life. Looking hard at the families to which we are born and the families we make, What If We Were Somewhere Else asks its own questions about what it means to work, love, and age against the uncertain backdrop of modern America.

“A groundbreaking work about race and the American landscape, and a deep meditation on nature…wise and beautiful.”—Helen Macdonald, author of H is for Hawk A Foreword Reviews Best Book of the Year and Nautilus Silver Award Winner In me, there is the red of miry clay, the brown of spring floods, the gold of ripening tobacco. All of these hues are me; I am, in the deepest sense, colored. Dating back to slavery, Edgefield County, South Carolina—a place “easy to pass by on the way somewhere else”—has been home to generations of Lanhams. In The Home Place, readers meet these extraordinary people, including Drew himself, who over the course of the 1970s falls in love with the natural world around him. As his passion takes flight, however, he begins to ask what it means to be “the rare bird, the oddity.” By turns angry, funny, elegiac, and heartbreaking, The Home Place is a meditation on nature and belonging by an ornithologist and professor of ecology, at once a deeply moving memoir and riveting exploration of the contradictions of black identity in the rural South—and in America today. “When you’re done with The Home Place, it won’t be done with you. Its wonders will linger like everything luminous.”—Star Tribune “A lyrical story about the power of the wild…synthesizes his own family history, geography, nature, and race into a compelling argument for conservation and resilience.”—National Geographic

After leaving the Russian homeland, Jess Klassen's Mennonite forebearers carved out an existence in the Saskatchewan prairie, separate from wider society. Jess is sixteen and aware that, despite her father's intellectual leanings, she is in an impossible position--being the homosexual daughter of the president of the Mennonite college. She hits the road in search of a language and the freedom to speak it. On the train to Winnipeg she is found by Freya, Icelandic princess of her dreams. Halfsteinn, reliable fisherman and expert in the fine art of handrolling cigarettes, enters Jess' life, helping her escape emotional captivity. Jess runs further and faster, embracing pot-head, videogame-playing housemates in the world away from her Mennonite being. After visiting the bed of every available (or reasonably available) woman in her small university town, she meets Shea. Jess can barely utter the name--afraid of the word, the woman, the possibility, and her own past. Moving forward, Jess makes her move back.

Despite her parents' struggles with addiction, Lilly Dancyger always thought of her childhood as a happy one. But what happens when a journalist interrogates her own rosy memories to reveal the instability around the edges? Dancyger's father, Joe Schactman, was part of the iconic 1980s East Village art scene. He created provocative sculptures out of found materials like animal bones, human hair, and broken glass, and brought his young daughter into his gritty, iconoclastic world. She idolized him—despite the escalating heroin addiction that sometimes overshadowed his creative passion. When Schactman died suddenly, just as Dancyger was entering adolescence, she went into her own self-destructive spiral, raging against a world that had taken her father away. As an adult, Dancyger began to question the mythology she'd created about her father—the brilliant artist, struck down in his prime. Using his sculptures, paintings, and prints as a guide, Dancyger sought out the characters from his world who could help her decode the language of her father's work to find the truth of who he really was.

A personal journey through the challenges of adulting, revealing the difference Jesus makes This book is for you if: * You dread family occasions because relatives will ask you what you’re doing with your life * Social media leaves you with the miserable suspicion that most of your friends have more fun/a better relationship/more money/a better house/more friends than you do * Watching sitcoms from your adolescence on Netflix makes everything feel better * You’ve ended up in a job that has absolutely nothing to do with what you dreamed of doing when you were six (or eleven, or sixteen) * You still keep loads of stuff at your parent’s house Sooner or later, most of us find that adult life is not all it’s cracked up to be. At some point most of us take a look at where we’ve got to and wonder: “Is this it? Why did no one warn me that adult life was going to be this... difficult?” Rachel Jones is 20-something, trying to keep it together, and ready to say what we’re all thinking. Whether you’re just feeling a bit lost or having a full “quarter life crisis”, this funny, honest, hopeful book reveals the difference Jesus makes to the angst of adulting.