How happily married are the happily married? Home, I'm Darling is a dark comedy about sex, cake and the quest to be the perfect 1950s housewife. Judy has Johnny's slippers waiting for him when he arrives home from work, the kitchen's clean, the rooms are aired...yet this is not the 1950s, but a 21st-century 'arrangement' agreed between the two of them. With clothes, furniture and a (faulty) fridge from the 1950s, Judy and Johnny try to 'live the dream', with specific roles and a perfectly ordered life.

It’s Christmas, 1934, and the citizens of Darling, Alabama, are unwrapping a big package of Christmas puzzles. Mildred Kilgore and Earlynne Biddle are planning to open a bakery on the square—if they can come up with the right recipes. Charlie Dickens faces two of the biggest puzzles of his career as an investigative reporter, and one of them involves his wife. Cute little Cupcake’s talent as a singer and dancer makes her a tempting target for an unscrupulous exploiter; Lizzy must enlist the Dahlias to protect her, while she herself is confronted by a romantic puzzle. And Sheriff Norris is forced to reopen a puzzling mystery that the town thought was solved and follow a string of clues that lead to a deadly situation at the nearby prison farm. Once again, NYT best-selling author Susan Wittig Albert takes us to a place where real people have courage, respect their neighbors, and dream of doing their best, even when they’re not sure what that is. She reminds us that Christmas is a celebration of friendship, community, and what’s right with the world. There’s nothing puzzling about that. ​Bonus—Liz Lacy’s Garden Gate column on poinsettias, plus the Dahlias’ collection of traditional sweet Southern goodies for the holiday table, garnished with some cookery history. Reading group questions, more recipes, and Depression-era background at www.DarlingDahlias.com.

A hilarious and heartwarming romance series about three sisters trying to find their love songs, from the bestselling author of Pack Up the Moon: Adele, Molly and Lana were once the world-famous country band, The Darling Songbirds. The sisters were tighter than string wrapped around sticks of dynamite, but they stopped talking and, like the dynamite songwriters they were, their relationship exploded. Dive deep into the world of hilarious reconciliation, country music, and steamy romance all set in a quaint and cozy coastal California town. Enjoy the entire three-book series today! “Rachael Herron seamlessly blends romance, friendship, and laughter.” Barbara Bretton, USA Today Bestselling Author “Relationships are at the heart of women’s fiction, and Herron could teach a master class on creating them.” Chicklit Central

Horrible, fantastical things loom just out of sight in the dying micropolitan of Darling, Iowa. Dragons and psychics exist side-by-side. Bubble worlds and terrifying prisons hide in plain sight. Even the river holds a strange secret. Paranormal thrills and chills hide around every corner in these five dark genre-spanning original stories: • Not in My Backyard • Worse Than Chicago • Whisper of the Wind Chimes • Love, Death, and Mayflies • Sleepless Nights Some people survive the dark, some don’t. Others vanish, never to be seen again. If you like your stories dark, violent, and supernatural, or if you’re a fan of urban fantasy, paranormal, or horror—Five Days in Darling has something for you.

Covid-19 has been described as a 'digital pandemic'. But who might the characterisation of the pandemic as 'digital' leave behind? This timely book reconsiders the pandemic as 'postdigital', examining tensions between a growing postdigital attitude of disenchantment with digital technologies and the increasing reliance on adapted modes of online practice mid-lockdown in both performance-making and healthcare. What emerged amidst the pandemic restrictions was a theatre that was unable to show its face, instead adapting into a variety of 'covid-safe' remote forms of engagement, from 'Zoom plays' to self-generating experiences sent by post. This book explores the ways that both performances and healthcare practices found proxies for direct touch and face-to-face encounters, deconstructing the way that care and resilience were spectacularized by political actors online. Liam Jarvis and Karen Savage explore aspects of care in relation to technology, spectacle and facilitation, and how new modes of delivery and the repurposing of theatre spaces that were displaced amidst the mass migration online have been enabling as well as controversial. The variety of case studies assessed includes internet memes, online films, performances of everyday resilience through social media and participatory theatre productions, including Thaddeus Phillips' Zoom Motel, Coney's Telephone and Nightcap's Handle with Care.