This fascinating study reconstructs the tradition of the Legend of the True Cross in text and image, from its tentative beginnings in 4th-century Jerusalem to the culminating expression of its multi-layered cosmic content in 14th and 15th-century monumental cycles in Germany and Italy.

For those within the fields of art history and Byzantine studies, Professor Henry Maguire needs no introduction. His publications transformed the way art historians approach medieval art through his insightful integration of rhetoric, poetry and non-canonical objects into the study of Byzantine art. His ground-breaking studies of Byzantine art that consider the natural world, magic and imperial imagery, among other themes, have redefined the ways medieval art is interpreted. From notable monuments to small-scale and privately used objects, Maguire’s work has guided a generation of scholars to new conclusions about the place of art and its function in Byzantium. In this volume, 23 of Henry Maguire’s colleagues and friends have contributed papers in his honour, resulting in studies that reflect the broad range of his scholarly interests.

A look into the paranormal legends, lore, mythology, and monsters featured on the hit television show Supernatural. From angels to demons, The Mythology of Supernatural explores the religious roots and the ancient folklore of the otherworldly entities that brothers Sam and Dean Winchester face on the hit television show Supernatural—and that have inhabited the shadows of human imagination across countless cultures and centuries.

With little scholarly attention having been given to the late medieval iconography that features on rood screens in the southwest of England, the significance of the figures painted at Berry Pomeroy has long been underappreciated. The unlocking of their meaning by the author has led to the discovery of a unique iconographic program. The gestures adopted by many of these figures belong to a common visual culture in the art and drama of the medieval church. The iconography, which reflects a Gothic Mannerist style of the early sixteenth century, displays a marked theatricality giving expression to the mysteries of the faith in the form of a drama. The narrative recorded has notable similarities to that found in a dramatic trilogy which was once performed in Cornwall called the Ordinalia. This book makes an important contribution to scholarship in the genre of mysticism in art and to our understanding of popular devotional practices on the eve of the Reformation.

This is unlike any book you have ever read! What if the pharaoh of Egypt could post on social media using the moniker "@atmakeegypt greatagain" and he describes his encounters with Moses? In this book he does. What if eighteen characters are in a movie theater watching dozens of films about Bible stories, and they are free to comment or yell about absurdities and errors they see on the screen? In this book they are. For example, in the famous scene of the parting of the Red Sea in the Ten Commandments what does a drunken defrocked minister yell when it parts from the wrong direction? In this book you will find out. What if there is a radio station that has been broadcasting since the time of Noah? In this case there is, with the exception of the two times it is destroyed and the announcer, The Salty Dog, is killed each time. First in the flood of Noah and the second time when he is playing the song, Great Balls of Fire as Sodom is being incinerated. As you enter the theater, be prepared to laugh out loud, as you see how "Holy Wood" has changed Bible stories. By the time you finish this book you will realize you have learned a few things while you were laughing, and in some cases these things do make a difference.

More than five hundred years after the fact, present-day writers still use hyperbolic adjectives to describe the “discovery” of the Americas. Columbus’s crossing of the Atlantic—and the age of exploration that ensued—dramatically and forever changed the early modern world. The societies, economies, cultures, arts, and burgeoning sciences of Europe were quickly transformed by the ongoing encounter with the New World. The meeting of the New and the Old Worlds, however, was more than a meeting of disparate civilizations. It was also a confluence of exciting and often surprising associations that continually created new interfaces between materials and knowledge. The Western and Eastern Hemispheres, brought together by sailing ships for the first time on a large scale, helped create the global landscape we take for granted today. Central to this formative moment in global history were New World plants. The agriculture of indigenous peoples mythically and materially shaped English society and, subsequently, its literature in new and startling ways. Sacred Seeds examines New World plants—tobacco, amaranth, guaiacum, and the prickly pear cactus—and their associated Native myths as they moved across the Atlantic and into English literature. Edward McLean Test reinstates the contributions of indigenous peoples to European society, charting an alternative cultural history that explores the associations and assemblages of transatlantic multiplicity rather than Eurocentric homogeny.

In a chaotic future world where no one can expect to live past 16, four teensset out to find the "Old Guys" who may hold the key to their survival. 5 7/16x 8 5/16.

Reprint of the original, first published in 1839.