Leigh Schmidt explores the historical development of a particular Scottish religious festival, the communion season, from the Reformation to the nineteenth century, and documents its extension to colonial America and its important relationship to evangelical revivalism on both sides of the Atlantic. Held in summer or early fall and usually lasting for four days, communion occasions attracted thousands of people for a celebration of the Lord's Supper that was part holy day and part holiday. The festivals, long viewed with condescension, have been too easily ignored by scholars, but they were central to both popular Scottish Presbyterianism and early American revivalism, serving indeed as the primary basis of the camp meetings of the Great Revival. Schmidt fully interprets the rituals of these holy fairs, as Robert Burns called them, and reconstructs in detail the spirituality of the pastors and people who attended them. Finally, he suggests how they were "reformed" in the face of Enlightenment and then Victorian critiques. Schmidt brings the history of Christian worship and spirituality into conjunction with social and cultural history, anthropological approaches to ritual, histories of popular religion, and studies on ethnicity, gender issues, and material culture. This work will appeal not only to a wide range of scholars but also to general readers with an interest in the history of Christianity.

Winner of the Frank S. and Elizabeth D. Brewer Prize of the American Society of Church History, Holy Fairs traces the roots of American camp-meeting revivalism to the communion festivals of early modern Scotland. This new paperback edition of Leigh Eric Schmidt's seminal work features updated material, a dozen illustrations, and a new preface by the author.

Contains everything needed to celebrate the Saints' days, principal holy days and special occasions in the Church of England calendar. It brings together all the prayers and Collects needed for these days with Eucharistic material and music, plus Holy Communion Order One in the centre of the book for easy access.

The mass protests that greeted attempts to open the 1893 Chicago World's Fair on a Sunday seem almost comical today in an era of seven-day convenience and twenty-four-hour shopping. But the issue of the meaning of Sunday is one that has historically given rise to a wide range of strong emotions and pitted a surprising variety of social, religious, and class interests against one another. Whether observed as a day for rest, or time-and-a-half, Sunday has always been a day apart in the American week.Supplementing wide-ranging historical research with the reflections and experiences of ordinary individuals, Alexis McCrossen traces conflicts over the meaning of Sunday that have shaped the day in the United States since 1800. She investigates cultural phenomena such as blue laws and the Sunday newspaper, alongside representations of Sunday in the popular arts. Holy Day, Holiday attends to the history of religion, as well as the histories of labor, leisure, and domesticity.

NEW YORK TIMES BESTSELLER The “paradigm-influencing” book (Christianity Today) that is fundamentally transforming our understanding of white evangelicalism in America. Jesus and John Wayne is a sweeping, revisionist history of the last seventy-five years of white evangelicalism, revealing how evangelicals have worked to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism—or in the words of one modern chaplain, with “a spiritual badass.” As acclaimed scholar Kristin Du Mez explains, the key to understanding this transformation is to recognize the centrality of popular culture in contemporary American evangelicalism. Many of today’s evangelicals might not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex—and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical culture is teeming with muscular heroes—mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done. Challenging the commonly held assumption that the “moral majority” backed Donald Trump in 2016 and 2020 for purely pragmatic reasons, Du Mez reveals that Trump in fact represented the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values: patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community. A much-needed reexamination of perhaps the most influential subculture in this country, Jesus and John Wayne shows that, far from adhering to biblical principles, modern white evangelicals have remade their faith, with enduring consequences for all Americans.