"This two-tiered approach makes the book of compelling interest to scholars of women's studies and Italian culture and history as well as to musicologists."--BOOK JACKET.

Julia Rombough explores the regulation of sound in women's residential institutions in early modern Florence. Silence was tied to ideals of feminine purity and spiritual discipline, yet enclosed women still laughed, shouted, sang, and conversed. A Veil of Silence offers a revealing history of the political and spiritual meanings of the senses.

Continuing the tradition of historiographic studies, this volume provides an update on research in Reformation and early modern Europe. Written by expert scholars in the field, these eighteen essays explore the fundamental points of Reformation and early modern history in religious studies, European regional studies, and social and cultural studies. Authors review the present state of research in the field, new trends, key issues scholars are working with, and fundamental works in their subject area, including the wide range of electronic resources now available to researchers. Reformation and Early Modern Europe: A Guide to Research is a valuable resource for students and scholars of early modern Europe.

Women and the Counter-Reformation in Early Modern Münster examines how women from different social backgrounds encountered the Counter-Reformation. The focus is on Münster, a city in the north of Germany, which was exposed to powerful Protestant influences which culminated in the notorious Anabaptist kingdom of 1534. After the defeat of the radical Protestants, the city was returned to Catholicism and a stringent programme of reform was enforced. By examining concubinage, piety, marriage, deviance, and convent reform, core issues of the Counter-Reformation's quest for renewal, this fascinating study shows how women participated in the social and religious changes of the time, and how their lives were shaped by the Counter-Reformation. Employing research into the political, religious, and social institutions, and using an impressive variety of sources, Simone Laqua-O'Donnell engages with the way women experienced the new religiosity, morality, and discipline that was introduced to the city of Münster during this turbulent time.

Over the past three decades scholars have transformed the study of women and gender in early modern Europe. This Ashgate Research Companion presents an authoritative review of the current research on women and gender in early modern Europe from a multi-disciplinary perspective. The authors examine women’s lives, ideologies of gender, and the differences between ideology and reality through the recent research across many disciplines, including history, literary studies, art history, musicology, history of science and medicine, and religious studies. The book is intended as a resource for scholars and students of Europe in the early modern period, for those who are just beginning to explore these issues and this time period, as well as for scholars learning about aspects of the field in which they are not yet an expert. The companion offers not only a comprehensive examination of the current research on women in early modern Europe, but will act as a spark for new research in the field.

How did Catholicism sound in the early modern period? What kinds of sonic cultures developed within the diverse and dynamic matrix of early modern Catholicism? And what do we learn about early modern Catholicism by attending to its sonic manifestations? Editors Daniele V. Filippi and Michael Noone have brought together a variety of studies — ranging from processional culture in Bavaria to Roman confraternities, and catechetical praxis in popular missions — that share an emphasis on the many and varied modalities and meanings of sonic experience in early modern Catholic life. Audio samples illustrating selected chapters are available at the following address: https://doi.org/10.6084/m9.figshare.5311099. Contributors are: Egberto Bermúdez, Jane A. Bernstein, Xavier Bisaro, Andrew Cichy, Daniele V. Filippi, Alexander J. Fisher, Marco Gozzi, Robert L. Kendrick, Tess Knighton, Ignazio Macchiarella, Margaret Murata, John W. O’Malley, S.J., Noel O’Regan, Anne Piéjus, and Colleen Reardon.

By looking in a new way at works of art and acts of patronage, the volume restores to visibility some women who were previously invisible in the historical record, and offers a more nuanced understanding of the place of women and gender in early modern Italy.

First published in 2006. Routledge is an imprint of Taylor & Francis, an Informa company.

First published in 2005, this title provides extensive knowledge on seventeenth-century music.

Janet K. Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. In the first full-length study of its kind, she reveals a golden age of convent music in Vienna and the convents' surprising engagement with contemporary politics.