This book is a groundbreaking study of one of the greatest science fiction writers, the Polish master Stanisław Lem. It offers a new direction in research on his oeuvre and corrects several errors commonly appearing in his biographies. The author painstakingly recreates the context of Lem’s early life and his traumatic experiences during the Second World War due to his Jewish background, and then traces these through original and brilliant readings of his fiction and non-fiction. She considers language, worldbuilding, themes, motifs and characterization as well as many buried allusions to the Holocaust in Lem’s published and archival work, and uses these fragments to capture a different side of Lem than previously known. The book discusses various issues concerning the writer’s life, such as his upbringing in a Jewish, Zionist-minded family, the extensive relations between the Lem family and the elite of Lviv at that time, details of the Lem family killed during the German occupation and attempts to reconstruct what happened to Lem’s parents and to the writer himself after escaping the ghetto. Part of the Studies in Global Genre Fiction series, this English translation of the Polish original, which has already been considered a milestone in Lem studies, offers a fresh perspective on the writer and his work. It will be an important intervention for scholars and researchers of Jewish studies, Holocaust literature, science fiction studies, English literature, world war studies, minority studies, popular culture, history and cultural studies.

In Nazi-occupied Denmark, ten-year-old Annemarie Johansen is called upon for a selfless act of bravery to help save her best friend from a terrible fate. Winner of the Newbery Medal, newly reissued in the Essential Modern Classics range. "They plan to arrest all the Danish Jews. They plan to take them away. And we have been told that they may come tonight." It is 1943 and life in Copenhagen is becoming complicated for Annemarie. There are food shortages and curfews, and soldiers on every corner. But it is even worse for her Jewish best friend, Ellen, as the Nazis continue their brutal campaign. With Ellen's life in danger, Annemarie must summon all her courage to help stage a daring escape. Inspired by true events of the Second World War, this gripping novel brings the past vividly to life for today's readers.

Drawing on oral histories, diaries, letters, photographs, and archival records, the author presents a look at the lives of the children who lived and died during the Holocaust

In March 1939, seven-year-old Eva Weiss’s innocence was shattered by Germany’s invasion of her homeland, Slovakia. Over the next five years, as the Nazi persecution of Europe’s Jews gathered momentum, Eva’s parents were forced to send their children into hiding, but she and her sister Marta could not avoid capture. In this remarkable memoir, Eva recounts her experiences at the Auschwitz-Birkenau concentration camp. There, she witnessed countless horrors and was herself subjected to torture, extreme deprivation, and medical experimentation at the hands of the notorious Dr Josef Mengele. When the Soviet army liberated the survivors of Auschwitz early in 1945, Eva and Marta faced a new challenge: crossing war-torn Europe to be reunited with their family. Narrated with the heartbreaking innocence of a young girl and the wisdom of a woman of eighty-three, Gazing at the Stars is a record of survival in the face of unimaginable evil. It is the culmination of Eva Slonim’s lifelong commitment to educating the world about the Holocaust, and to keeping alive the memory of the many who perished. Eva Slonim (née Weiss) was born in Bratislava, Slovakia, in 1931. A survivor of the Holocaust, Eva relocated with her family to Melbourne in 1948. She married Ben Slonim in 1953, and together they had five children, and many grandchildren and great- grandchildren, fulfilling Eva’s wish to rebuild what was lost in Europe. A gifted storyteller, and deeply passionate about the importance of education and community, Eva has for many years given public talks on her experiences during the war.

Yellow Star, Red Star asks why Holocaust memory continues to be so deeply troubled—ignored, appropriated, and obfuscated—throughout Eastern Europe, even though it was in those lands that most of the extermination campaign occurred. As part of accession to the European Union, Jelena Subotić shows, East European states were required to adopt, participate in, and contribute to the established Western narrative of the Holocaust. This requirement created anxiety and resentment in post-communist states: Holocaust memory replaced communist terror as the dominant narrative in Eastern Europe, focusing instead on predominantly Jewish suffering in World War II. Influencing the European Union's own memory politics and legislation in the process, post-communist states have attempted to reconcile these two memories by pursuing new strategies of Holocaust remembrance. The memory, symbols, and imagery of the Holocaust have been appropriated to represent crimes of communism. Yellow Star, Red Star presents in-depth accounts of Holocaust remembrance practices in Serbia, Croatia, and Lithuania, and extends the discussion to other East European states. The book demonstrates how countries of the region used Holocaust remembrance as a political strategy to resolve their contemporary "ontological insecurities"—insecurities about their identities, about their international status, and about their relationships with other international actors. As Subotić concludes, Holocaust memory in Eastern Europe has never been about the Holocaust or about the desire to remember the past, whether during communism or in its aftermath. Rather, it has been about managing national identities in a precarious and uncertain world.

Through narrative poetry, BENEATH WHITE STARS brings to life a wide variety of individuals suffering the Holocaust. Holly Mandelkern melds historical detail and keen insights with the grace of poetry. Brief biographical sketches, black and white illustrations, maps, and a personalized timeline further animate these courageous individuals.

For readers of The Nightingale by Kristin Hannah who are looking for an immersive true account of Nazi-occupied Paris, Star-Crossed is an epic story of love and resistance during WW2 from the award-winning author of Pen America Literary Award Finalist and Goodreads Choice Award Nominee, 999. Part historical portrait of life during the Occupation, part valentine to The City of Light and the resilience of its people, this transportive love story follows the romance between a Catholic Resistance fighter and a Holocaust victim who meet at the famous Café Flore before war, prejudice, and disapproving families set them on divergent and tragically inevitable paths. “What a beautiful, heartbreaking story.” —Erica Robuck, National Bestselling Author of Sisters of Night and Fog Paris, 1940. The City of Light has fallen under German occupation. Among patriotic Parisians, the pursuit of art, culture, and jazz has become a bold act of defiance. So has forbidden love for talented and spirited Jewish teenager Annette Zelman, a student at the Beaux-Arts, and dashing young Catholic poet Jean Jausion. Despite their devout families’ vehement opposition, the young couple finds acceptance at the famed Café de Flore, whose habitues includeSimone de Beauvoir, Jean-Paul Sartre, Pablo Picasso, Django Reinhardt, and other luminaries of the Latin Quarter. For a time, Annette and Jean feel they have eluded the brute might of the relentless Nazis -- and more immediately, their parents’ threats and demands. But as restrictions on the Jewish community escalate to arrests and deportations, the maleficent forces gathering around the young lovers set them on divergent and tragically inevitable paths. Drawn from never-before-published family letters and other treasures, as well as archival sources and exclusive interviews, Star-Crossed offers us precious insight into the Holocaust and the lives French people bravely led under the Hitler regime. This breathtaking true story of beauty, art, liberation, and the transformative power of love resonates with an intimate story of undying devotion, seen through the prism of history.

Nine-year-old Helen is confused by the disappearance of her Jewish friend during the German occupation of Paris.

The Nazi Holocaust is often said to dominate the study of modern Jewish history. Engel demonstrates that, to the contrary, historians of the Jews have often insisted that the Holocaust be sequestered from their field, assigning it instead to historians of Europe, Germany, or the Third Reich. He shows that reasons for this counterintuitive situation lie in the evolution of the Jewish historical profession since the 1920s. This one-of-a-kind study takes readers on a tour of twentieth-century scholars of the history of European Jewry, and the social and political contexts in which they worked, in order to understand why many have declined to view their subject from the vantage point of Jews' encounter with the Third Reich. Engel argues vehemently against this separation and describes ways in which a few exceptional scholars have used the Holocaust to illuminate key problems in the Jewish past.

The Silesian town of Bedzin lies a mere twenty-five miles from Auschwitz; through the linked ghettos of Bedzin and its neighbouring town, some 85,000 Jews passed on their way to slave labour or the gas chambers. The principal civilian administrator of Bedzin, Udo Klausa, was a happily married family man. He was also responsible for implementing Nazi policies towards the Jews in his area - inhumane processes that were the precursors of genocide. Yet he later claimed, like so many other Germans after the war, that he had 'known nothing about it'; and that he had personally tried to save a Jew before he himself managed to leave for military service. A Small Town Near Auschwitz re-creates Udo Klausa's story. Using a wealth of personal letters, memoirs, testimonies, interviews and other sources, Mary Fulbrook pieces together his role in the unfolding stigmatization and degradation of the Jews under his authoritiy, as well as the heroic attempts at resistance on the part of some of his victims. She also gives us a fascinating insight into the inner conflicts of a Nazi functionary who, throughout, considered himself a 'decent' man. And she explores the conflicting memories and evasions of his life after the war. But the book is much more than a portrayal of an individual man. Udo Klausa's case is so important because it is in many ways so typical. Behind Klausa's story is the larger story of how countless local functionaries across the Third Reich facilitated the murderous plans of a relatively small number among the Nazi elite - and of how those plans could never have been realized, on the same scale, without the diligent cooperation of these generally very ordinary administrators. As Fulbrook shows, men like Klausa 'knew' and yet mostly suppressed this knowledge, performing their day jobs without apparent recognition of their own role in the system, or any sense of personal wrongdoing or remorse - either before or after 1945. This account is no ordinary historical reconstruction. For Fulbrook did not discover Udo Klausa amongst the archives. She has known the Klausa family all her life. She had no inkling of her subject's true role in the Third Reich until a few years ago, a discovery that led directly to this inescapably personal professional history.