Dit boek is een vervolg op een eerdere gesprekkenreeks met homo's uit de wereld van film en theater. Enkele namen: Dorothy Arzner, Barbara Stanwyck en Marjorie Main. De gesprekken gaan natuurlijk vooral over film en de respectievelijke carrières van de geïnterviewden, maar er is ook plaats en tijd voor uitweidingen zoals bijvoorbeeld over vrouwen en politiek.

"Fans of Hollywood's golden age will find this collection of interviews conducted over many years revealing...an enlightening picture emerges of Tinseltown, different from that presented in the fanzines." ¬Publishers Weekly "The book is more than it seems because these women are great talkers." ¬Booklist "I was curious about 'Hollywood Lesbians.' I have now read the book. I am still stunned." ¬ Bea Arthur of "The Golden Girls" "Riveting!...an eye opener!!" ¬Ellen DeGeneres Hollywood Lesbians: From Garbo to Foster is the companion volume to Boze Hadleigh’s classic Hollywood Gays. In this rare and no-holds-barred collection of exclusive interviews with Hollywood icons from the Golden Age of movies and TV—Dame Judith Anderson, Barbara Stanwyck, Capucine, Ann B. Davis, Nancy Kulp, Sandy Dennis, Agnes Moorehead, Edith Head, Patsy Kelly — among others—renowned entertainment journalist and historian Boze Hadleigh goes straight to the source and opens the film world’s closet door into the past, and brings this volume full circle to the present with new material.

Mann looks at the influence of gay actors, directors, and set and costume designers on the development of the motion pictures.

Lesbian characters, stories, and images were barred from onscreen depiction in Hollywood films from the 1930s to the 1960s together with all forms of "sex perversion." Through close readings of gothics, ghost films, and maternal melodramas addressed to female audiences, Uninvited argues that viewers are "invited" to make lesbian "inferences." Looking at the lure of some of the great female star personae (in films such as Rebecca, Pinky, The Old Maid, Queen Christina, and The Haunting) and at the visual coding of supporting actresses, it identifies lesbian spectatorial strategies. White's archival research, textual analyses, and novel theoretical insights make an important contribution to film, lesbian, and feminist studies. Book jacket.

Part social history and part exposé, this revealing, entertaining, and provocative book spans nearly seventy years as it explores the lives and careers of some of the silver screen's foremost gays and lesbians and the effect of their high-profile lifestyles on the general public. From Charles Laughton and Greta Garbo to Nathan Lane and Ellen DeGeneres, David Ehrenstein traces the gradual transformation of Hollywood from a time when it was box-office poison to be publicly gay to the modern era when many top entertainment figures are celebrating their gay sexuality--and are in turn celebrated for it. Updated, Open Secret reveals what has happened to the key players in gay Hollywood since the original hardcover publication.

Diana McLellan reveals the complex and intimate connections that roiled behind the public personae of Greta Garbo, Marlene Dietrich, Tallulah Bankhead, and the women who loved them. Private correspondence, long-secret FBI files, and troves of unpublished documents reveal a chain of lesbian affairs that moved from the theater world of New York, through the heights of chic society, to embed itself in the power structure of the movie business. The Girls serves up a rich stew of film, politics, sexuality, psychology, and stardom.

2016 Choice Outstanding Academic Title Finalist for 2016 Richard Wall Memorial Award by the Theatre Library Long listed for the 2017 Kraszna-Krausz Best Photography Book Award from the Kraszna-Krausz Foundation Marlene Dietrich, Greta Garbo, and Katharine Hepburn all made lasting impressions with the cinematic cross-dressing they performed onscreen. What few modern viewers realize, however, is that these seemingly daring performances of the 1930s actually came at the tail end of a long wave of gender-bending films that included more than 400 movies featuring women dressed as men. Laura Horak spent a decade scouring film archives worldwide, looking at American films made between 1908 and 1934, and what she discovered could revolutionize our understanding of gender roles in the early twentieth century. Questioning the assumption that cross-dressing women were automatically viewed as transgressive, she finds that these figures were popularly regarded as wholesome and regularly appeared onscreen in the 1910s, thus lending greater respectability to the fledgling film industry. Horak also explores how and why this perception of cross-dressed women began to change in the 1920s and early 1930s, examining how cinema played a pivotal part in the representation of lesbian identity. Girls Will Be Boys excavates a rich history of gender-bending film roles, enabling readers to appreciate the wide array of masculinities that these actresses performed—from sentimental boyhood to rugged virility to gentlemanly refinement. Taking us on a guided tour through a treasure-trove of vintage images, Girls Will Be Boys helps us view the histories of gender, sexuality, and film through fresh eyes.

Interpretations of Hollywood films of the 1950s and 1960s demonstrate how Cold War homophobia focused on the femme as the lesbian who posed the greatest threat to the nation.

Helps blow the cover off the gilded cage. It opens the closet door for a look at, and conversation with, ten gay men of the silver screen.

Irresistible look at the sex lives of some of the world's most famous lesbians. Covers a selection of famous names throughout the ages, Virginia Woolf, Eleanor Roosevelt, and more.