Beverly Hills, 90210's Jennie Garth shares her life experiences both on screen and off in this humorous and heartwarming memoir... “Revealing myself in these pages has been at times terrifying, but also one of the most liberating experiences of my life.…” In this candid and intimate memoir, Jennie Garth explores the highs and lows of her life, both in front of the camera and behind closed doors, revealing the joys and sorrows, successes and failures that have made her one unforgettable Hollywood blonde. From her rise to fame as a golden-haired teen beauty, to redefining herself as a single working mother, Jennie Garth has defied the odds and thrived in a town that can be more than a little tough on its blondes. Since Jennie landed in Hollywood at just sixteen, she has built an enduring career as a television and film actress, producer, and director, beginning with her iconic turn as Kelly Taylor on Aaron Spelling’s smash hit Beverly Hills, 90210, a show that ran for a decade and that cemented Jennie’s place in American pop culture. Recently, Jennie found herself facing her forties from a place she never expected to be in: newly single, in demand again as an actress after years spent focusing on her family, and all over the tabloids. With candor and a bawdy sense of humor, this is the real Jennie Garth—smart, funny, and stronger than she ever realized.

Hollywood Blondes: Golden Girls of the Silver Screen examines the lives and careers of Tinseltown's most memorable blonde bombshells. Twenty-two classic actresses are profiled including Marilyn Monroe, Jean Harlow, Carole Landis, Betty Grable, Marie McDonald, Thelma Todd, Lana Turner, Jayne Mansfield, Barbara Payton, Veronica Lake, Grace Kelly, Alice Faye, Mae West, Carole Lombard, and Judy Holliday. Each chapter has a complete filmography. There are more than one hundred rare photographs featured throughout the book.

Jayne Mansfield, most people would consider her as the Marilyn Monroe successor. In fact, Jayne has played some of the Monroe's films "Gentlemen Prefer Blondes" and "Bus Stop." Many fans would compare her to Monroe in so many ways, mostly due to her physical appearance, singing and dancing abilities. However, she was quite different. Jayne had a style and often made statements with her pink Cadillac and the "pink palace" she lived in for so many years. Jayne Mansfield received more press coverage than anyone else in Hollywood at that time. In fact, she was the grand master of publicity stunts due to so many affairs, divorces, nudity, work-related enigma and more. Mansfield embraced both motherhood and being a sex symbol, setting a precedent for other leading women to follow her lead. As a result, it started to become acceptable in Hollywood to be both a mom and sexy. Jayne was one of the first of her kind regarding being sexually liberated in an era that still saw certain things as being taboo. She also proved her acting ability in movies and plays. In this biography you'll learn into some depth about the personal and professional life of Jayne Mansfield. Who she was as a person? How she succeeded in Hollywood? Why she divorced so many times? We'll also explore some of the tragedies in her life. We'll also reveal the truth about her many lovers, her three unsuccessful marriages, her love affair with Mickey Hargitay that lasted to the end and her battle against and her surrender to alcohol and drugs. Did success spoil Jayne Mansfield? Jayne was just 34 when she died, but her life was filled with adventures, struggles and determinations to break the social norms related to sexual liberation, freedom, and showcase the woman's sex powers in order to get what she wants out of life. You'll also learn into some detail about Jayne's death, reasons, causality and more. There's more than just blonde hair, seductive smile and eye-popping hourglass figure. If you want to learn more about Jayne Mansfield, grab your copy now!

The story of the William Morris Agency is the stoyr of show business itself. Founded at the turn of the century, it stood as the premier agency in Hollywood for 80 years. With unvarnished descriptions of the board that runs William Morris and the needy and demanding stars they represent, The Agency is a compelling tale that lifts the curtain on the most intriguing business in Americ today. Photos.

Hers is the show business saga you think you already know--but you ain't seen nothin' yet. Rose Thompson Hovick, mother of June Havoc and Gypsy Rose Lee, went down in theatrical history as "The Stage Mother from Hell" after her immortalization on Broadway in Gypsy: A Musical Fable. Yet the musical was 75 percent fictionalized by playwright Arthur Laurents and condensed for the stage. Rose's full story is even more striking. Born fearless on the North Dakota prairie in 1891, Rose Thompson had a kind father and a gallivanting mother who sold lacy finery to prostitutes. She became an unhappy teenage bride whose marriage yielded two entrancing daughters, Louise and June. When June was discovered to be a child prodigy in ballet, capable of dancing en pointe by the age of three, Rose, without benefit of any theatrical training, set out to create onstage opportunities for her magical baby girl--and succeeded. Rose followed her own star and created two more in dramatic and colorful style: "Baby June" became a child headliner in vaudeville, and Louise grew up to be the well-known burlesque star Gypsy Rose Lee. The rest of Mama Rose's remarkable story included love affairs with both men and women, the operation of a "lesbian pick-up joint" where she sold homemade bathtub gin, wild attempts to extort money from Gypsy and June, two stints as a chicken farmer, and three allegations of cold-blooded murder--all of which was deemed unfit for the script of Gypsy. Here, at last, is the rollicking, wild saga that never made it to the stage.

The Blondes is a hilarious and whipsmart novel where an epidemic of a rabies-like disease is carried only by blonde women, all of whom must go to great lengths to conceal their blondness. Hazel Hayes is a grad student living in New York City. As the novel opens, she learns she is pregnant (from an affair with her married professor) at an apocalyptically bad time: random but deadly attacks on passers-by, all by blonde women, are terrorizing New Yorkers. Soon it becomes clear that the attacks are symptoms of a strange illness that is transforming blondes—whether CEOs, flight attendants, students or accountants—into rabid killers. Emily Schultz's beautifully realized novel is a mix of satire, thriller, and serious literary work. With biting satiric wit, The Blondes is at once an examination of the complex relationships between women, and a merciless but giddily enjoyable portrait of what happens in a world where beauty is—literally—deadly.

From the highly acclaimed author of Corregidora and The Healing—a rare and unforgettable journey set along the US–Mexico border about identity, immigration, and “the new underground railroad.” “Jones’s great achievement is to reckon with both history and interiority, and to collapse the boundary between them.”—Anna Wiener, The New Yorker First discovered and edited by Toni Morrison, Gayl Jones has been described as one of the great literary writers of the 20th century. In Mosquito, she examines the US–Mexico border crisis through the eyes of Sojourner Nadine Jane Johnson, an African American truck driver known as Mosquito. Her journey beings after discovering a stowaway who nearly gives birth in the back of her truck, sparking her accidental and yet growing involvement in “the new underground railroad,” a sanctuary movement for Mexican immigrants. As Mosquito’s understanding of the immigrants’s need to forge new lives and identities deepens, so too does Mosquito’s romance with Ray, a gentle revolutionary, philosopher, and, perhaps, a priest. Along the road, Mosquito introduces us to Delgadina, a Chicana bartender who fries cactus, writes haunting stories, and studies to become a detective; Monkey Bread, a childhood pal who is, improbably, assistant to a blonde star in Hollywood; Maria, the stowaway who names her baby Journal, a misspelled tribute to her unwitting benefactor Sojourner; and many more.

"Piecing together the forgotten story of Jean Carroll, the first Jewish female stand-up comedian, this book reveals the history of women in comedy, American Jews, and how stand-up found its feet"--

The 1970s was an exciting decade for musical theatre. Besides shows from legends Stephen Sondheim (Company, Follies, A Little Night Music, and Sweeney Todd) and Andrew Lloyd Webber (Jesus Christ Superstar and Evita), old-fashioned musicals (Annie) and major revivals (No, No, Nanette) became hits. In addition to underappreciated shows like Over Here! and cult musicals such as The Grass Harp and Mack and Mabel, Broadway audiences were entertained by black musicals on the order of The Wiz and Raisin. In The Complete Book of 1970s Broadway Musicals, Dan Dietz examines in detail every musical that opened on Broadway during the 1970s. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues with such performers as Tony Bennett, Lena Horne, Bette Midler, and Gilda Radner. Each entry includes the following information: Opening and closing dates Plot summaries Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendixes, including a discography, filmography, and published scripts, as well as lists of Gilbert and Sullivan operettas, black-themed shows, and Jewish-themed productions. A treasure trove of information, The Complete Book of 1970s Broadway Musicals provides readers with a comprehensive view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.