Acclaimed for his writings on Malcolm X and Martin Luther King, Jr., as well as his passionate defense of black youth culture, Michael Eric Dyson has emerged as the leading African American intellectual of his generation. Now Dyson turns his attention to one of the most enigmatic figures of the past decade: the slain hip-hop artist Tupac Shakur. Five years after his murder, Tupac remains a widely celebrated, deeply loved, and profoundly controversial icon among black youth. Viewed by many as a "black James Dean," he has attained cult status partly due to the posthumous release of several albums, three movies, and a collection of poetry. But Tupac endures primarily because of the devotion of his loyal followers, who have immortalized him through tributes, letters, songs, and celebrations, many in cyberspace. Dyson helps us to understand why a twenty-five-year-old rapper, activist, poet, actor, and alleged sex offender looms even larger in death than he did in life. With his trademark skills of critical thinking and storytelling, Dyson examines Tupac's hold on black youth, assessing the ways in which different elements of his persona-thug, confused prophet, fatherless child-are both vital and destructive. At once deeply personal and sharply analytical, Dyson's book offers a wholly original way of looking at Tupac Shakur that will thrill those who already love the artist and enlighten those who want to understand him. "In the tradition of jazz saxophonists John Coltrane and Charlie Parker, Dyson riffs with speed, eloquence, bawdy humor, and startling truths that have the effect of hitting you like a Mack truck."-San Francisco Examiner "Such is the genius of Dyson. He flows freely from the profound to the profane, from popular culture to classical literature." -- Washington Postbr Philadelphia Inquirer "Among the young black intellectuals to emerge since the demise of the civil rights movement" -- undoubtedly the most insightful and thought-provoking is Michael Eric Dyson." -- Manning Marable, Director of African American Studies, Columbia University

After a decade as an education professor, Greg Michie decided to return to his teaching roots. He went back to the same Chicago neighborhood, the same public school, and the same grade level and subject he taught in the 1990s. But much had changed—both in schools and in the world outside them. Same As It Never Was chronicles Michie’s efforts to navigate the new realities of public schooling while also trying to rediscover himself as a teacher. Against a backdrop of teacher strikes and anti-testing protests, the movement for Black lives and the deepening of anti-immigrant sentiment, this book invites readers into an award-winning teacher’s classroom as he struggles to teach toward equity and justice in a time where both are elusive for too many children in our nation’s schools. Book Features: A follow-up to the author’s bestseller, Holler If You Hear Me, a long-time staple in teacher education programs. An examination of current issues, such as the importance of teacher unions, anti-racist/culturally relevant teaching, resistance to standardized testing, teacher evaluation, and the political nature of teaching. A rare memoir of a professor returning to public school teaching that will inform and inspire a broad audience.

Gregory Michie's first bestseller, Holler If You Hear Me, put him on the map as a compelling and passionate voice in urban education. In his new book, Michie turns his attention to young teachers of colour, and once again provides readers with a unique and penetrating look inside public school classrooms. Featuring portraits of five young teachers (two African Americans, two Latinas, and one Asian American) who are working for change, Michie weaves the teachers' powerful voices with classroom vignettes and his own experiences. Along the way, he examines what motivates and sustains these teachers, as well as what they see as the challenges and possibilities of public education. In these times of national standards, high-stakes accountability, and calls for reforming teacher education and preparation, See You When We Get There/i> is essential reading.

The National Political Science Review is the official publication of the National Conference of Black Political Scientists. This new volume, Contemporary Patterns of Politics, Praxis, and Culture reflects major research focuses across religion, race, gender, culture, and of course, politics. Themes that engage a community of scholars also engage them in praxis as individual citizens and practitioners in a democratic society, and collectively as member-participants in a changing culture. Two themes, religion and culture are relatively new areas of intellectual curiosity for political scientists. Articles in this volume extend the beachheads already established by African-American political scientists in studies that guage the significance and influence of religion in both individual and group behavior. They chart religion's inevitable move onto the center stage of U.S. public affairs. The study of culture has essentially languished for almost a generation within political science, especially with regard to the study of American politics and society. During this time the emphasis has also shifted significantly from an almost exclusive focus on civic culture to an expanding focus on the broad expanse of popular culture in the contemporary period. Culture is the crucible within which politics, race, religion, and gender both foment and ferment, and artistic products of the culture are manifestations and mirrors of how we envision and construct a changing reality. Issues of race, religion, gender and culture are all dimensions of individual and group identity. The dynamics of changing individual and group identities change the underlying cultural canvas against which identity is displayed and politics is acted out. The concept of praxis is relatively new to the lexicon of political science. However, engagement in the practice of politics is not a new idea for African-American social scientists. Indeed, particularly for this group, and clearly for many others, scholarship influences praxis, and praxis influences scholarship. This volume will be of particular interest to ethnic studies specialists, African-American studies scholars, political scientists, historians, and sociologists. Georgia A. Persons is professor of political science in the School of Public Policy at Georgia Institute of Technology where she also directs the Center for the Study of Social Change.

We all dream about it, but Wade Rouse actually did it. Discover his journey to live the simple life in this hilarious memoir. Finally fed up with the frenzy of city life and a job he hates, Wade Rouse decided to make either the bravest decision of his life or the worst mistake since his botched Ogilvie home perm: to uproot his life and try, as Thoreau did some 160 years earlier, to "live a plain, simple life in radically reduced conditions." In this rollicking and hilarious memoir, Wade and his partner, Gary, leave culture, cable, and consumerism behind and strike out for rural Michigan—a place with fewer people than in their former spinning class. There, Wade discovers the simple life isn’t so simple. Battling blizzards, bloodthirsty critters, and nosy neighbors equipped with night-vision goggles, Wade and his spirit, sanity, relationship, and Kenneth Cole pointy-toed boots are sorely tested with humorous and humiliating frequency. And though he never does learn where his well water actually comes from or how to survive without Kashi cereal, he does discover some things in the woods outside his knotty-pine cottage in Saugatuck, Michigan, that he always dreamed of but never imagined he’d find–happiness and a home. At Least in the City Someone Would Hear Me Scream is a sidesplitting and heartwarming look at taking a risk, fulfilling a dream, and finding a home–with very thick and very dark curtains.

This heartwarming picture book reassures children that a parent’s love never lets go—based on the poignant lyrics of JJ Heller’s beloved lullaby “Hand to Hold.” “May the living light inside you be the compass as you go / May you always know you have my hand to hold.” With delightful illustrations and an engaging rhyme scheme, this book offers the promise of security and love every child’s heart longs to know. From skipping stones and counting stars to climbing trees and telling stories, every moment is wrapped snugly in the certain warmth of a parent’s presence and God’s blessing. With poignancy and joy, this bedtime read captures the unconditional love parents want their children to know but so often fail to express amid the chaos of daily life.

A stunningly designed, richly photographed companion to the much-anticipated documentary from MTV Films, "Resurrection" brings unprecedented clarity and soulful intimacy to the writings and life of Tupac Shakur. 100 photos.

This beautifully written book argues that educators need to understand the social worlds and complex literacy practices of African-American males in order to pay the increasing educational debt we owe all youth and break the school-to-prison pipeline. Moving portraits from the lives of six friends bring to life the structural characteristics and qualities of meaning-making practices, particularly practices that reveal the political tensions of defining who gets to be literate and who does not. Key chapters on language, literacy, race, and masculinity examine how the literacies, languages, and identities of these friends are shaped by the silences of societal denial. Ultimately, A Search Past Silence is a passionate call for educators to listen to the silenced voices of Black youth and to re-imagine the concept of being literate in a multicultural democratic society.

A collection of verse by the late hip-hop star Tupac Shakur includes more than one hundred poems confronting such wide-ranging topics as poverty, motherhood, Van Gogh, and Mandela.

On Auburn Avenue, downtown Atlanta, a person can get just about anything life has to offer. You can buy groceries, get your teeth fixed or cop a vial of crack cocaine; you can get a seven-dollar haircut, a good game of nine-ball and a partner for the night, all on the same block. But things are changing, for white people are moving into the historically black neighbourhood, threatening to price-out the local residents, and Barlowe Reed, a single, forty-something African American, is not happy at all. When Sean and Sandy Gilmore, a young white couple move in next door to his ramshackle rented home, Barlowe and Sandy develop a reluctant friendship as they hold frustrating conversations over the backyard fence. But fear and suspicion build all around them as more and more white people move in, changing the face of the neighbourhood. House by house, street by street, battle lines are drawn; it's only a matter of time before someone gets really hurt.