Considered Hokusai's masterpiece, this series of images -- which first appeared in the 1830s in three small volumes -- captures the simple, elegant shape of Mount Fuji from every angle and in every context.

Presents Hokusai fascination for nature with a focus on the development of landscape prints, along with a presentation of the Mt Fuji series. Before each engraving, this work includes a note listing the specifications and a description of the drawing that focuses on the symbolism of the images and places the work in its cultural context.

Mount Fuji is renowned worldwide as Japan's highest and most perfectly shaped mountain. Serving as a potent metaphor in classical love poetry and revered since ancient times by mountain-climbing sects of both the Shinto and Buddhist faiths, Fuji has taken on many roles in pre-modern Japan. This volume explores a wide range of manifestations of the mountain in more recent visual culture, as portrayed in more than 100 works by Japanese painters and print designers from the 17th century to the present. Featured alongside traditional paintings of the Kano, Sumiyoshi, and Shijo schools are the more individualistic print designs of Katsushika Hokusai, Utagawa Hiroshige, Munakata Shiko, Hagiwara Hideo, and others. New currents of empiricism and subjectivity have enabled artists of recent centuries to project a surprisingly wide range of personal interpretations onto what was once regarded as such an eternal, unchanging symbol.

Hokusai’s “Great Wave,” as it is commonly known today, is arguably one of Japan’s most successful exports, its commanding cresting profile instantly recognizable no matter how different its representations in media and style. In this richly illustrated and highly original study, Christine Guth examines the iconic wave from its first publication in 1831 through the remarkable range of its articulations, arguing that it has been a site where the tensions, contradictions, and, especially, the productive creativities of the local and the global have been negotiated and expressed. She follows the wave’s trajectory across geographies, linking its movements with larger political, economic, technological, and sociocultural developments. Adopting a case study approach, Guth explores issues that map the social life of the iconic wave across time and place, from the initial reception of the woodblock print in Japan, to the image’s adaptations as part of “international nationalism,” its place in American perceptions of Japan, its commercial adoption for lifestyle branding, and finally to its identification as a tsunami, bringing not culture but disaster in its wake. Wide ranging in scope yet grounded in close readings of disparate iterations of the wave, multidisciplinary and theoretically informed in its approach, Hokusai’s Great Wave will change both how we look at this global icon and the way we study the circulation of Japanese prints. This accessible and engagingly written work moves beyond the standard hagiographical approach to recognize, as categories of analysis, historical and geographic contingency as well as visual and technical brilliance. It is a book that will interest students of Japan and its culture and more generally those seeking fresh perspectives on the dynamics of cultural globalization.

A major publication on Hokusai's remarkable late work, incorporating fresh scholarship on the sublime paintings and prints the artist created in the last thirty years of his life

A beautiful collection of Hokusai's prints, all from the largest collection of Japanese prints from outside of Japan The best known of all Japanese artists, Katsushika Hokusai was active as a painter, book illustrator and print designer throughout his ninety-year lifespan. Yet his most famous works of all - the colour woodblock landscape prints issued in series, beginning with Thirty-Six Views of Mount Fuji - were produced within a relatively short time, in an amazing burst of creative energy that lasted from about 1830 to 1836. Hokusai's landscapes not only revolutionized Japanese printmaking but within a few decades of his death had become icons of world art as well. With stunning colour reproductions of works from the largest collection of Japanese prints outside Japan, this book examines the magnetic appeal of Hokusai's designs and the circumstances of their creation. All published prints of his eight major landscape series are included.

Mount Fuji has always stirred the imagination of artists. Many Japanese print artists, including some of the greatest, such as Hokusai and Hiroshige, have attempted to capture the spirit of the mountain in their designs. This book offers an overview of the many faces of Mount Fuji as seen through the eyes of such artists. The introduction focuses on Mount Fuji in mythology, early portrayal, pilgrimage history, and its depiction in Japanese prints -- in particular, in the work of Hokusai and Hiroshige. The book also contains chapters on Mount Fuji seen from the Ttkaidt, Fuji and the "Ch{shingura" drama, Fuji and poetry ("surimono"), Fuji seen from Edo (present-day Tokyo) and "The thirty-six views of Mount Fuji."

Hokusai was one of the great masters of the Japanese woodblock print. His exquisite compositions and dynamic use of color set him apart from other printmakers, and his unequalled genius influenced both Japanese and a whole generation of Western artists. Now available for the first time in paperback, this book reproduces the artist's finest works in plates that convey the full variety of his invention, each of which is provided with an informative commentary. In his introduction, Hokusai expert Matthi Forrer traces the artist's career and defines his place in relation to his contemporaries and to the history of Japanese art. Examining all genres of the artist's prolific output -- including images of city life, maritime scenes, landscapes, views of Mount Fuji, bird and flower illustrations, literary scenes, waterfalls and bridges -- Hokusai, Prints and Drawings provides a detailed account of the artist's genius.

One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!

'The Great Wave' is a colour woodblock print designed by Japanese artist Hokusai in around 1830. The print, of which numerous multiples were made, shows a monster of a wave rearing up and about to come crashing down on three fishing boats and their crews. One of a monumental series known as 'Thirty-six views of Mount Fuji', Hokusai's Great Wave - with the graceful snow-clad Mount Fuji on the horizon, unperturbed but wittily dwarfed by the towering strength of the wave that threatens to engulf the struggling boats - has become an iconic image of the power of nature and the relative smallness of man. One of the most famous pieces of Japanese art, this extraordinary artwork has had a huge impact worldwide and has served as a source of inspiration to artists, both past and present. This beautifully illustrated book explores the meaning behind Hokusai's Great Wave, in the context of the Mount Fuji series and Japanese art as a whole. Taking an intimate look at the Wave's artistic and historical significance and its influence on popular culture, this concise introduction explains why Hokusai's modern masterpiece had such an impact after its creation in 1830 and why it continues to fascinate, inspire and challenge today.