The Holy Bible: Complete and How to Understand It, published by author Roswell Hitchcock in 1869, breaks down the verses of the Bible (more than 30,000) based on their meaning into 27 Books, 242 Chapters, and 2,369 Sections. Topics include Scripture, Jesus Christ, Miracles, the Hebrews, Civil and Social Law, Fallen Man, and Eschatology. It also contains Hitchcock's "Bible Name Dictionary," which describes more than 2,500 Bible and related names and their definitions. Verses are cataloged with like verses, and, though large, the book is extremely navigable. The Cosimo version is unabridged, including the original illustrations by Nast and Carpenter and Cruden's Complete Concordance to the Holy Scriptures; all in all, a unique collection. The Holy Bible: Complete and How to Understand It is a perfect tool for the serious Bible scholar and those who want to break the Bible down into its most essential parts. ROSWELL DWIGHT HITCHCOCK (1817-1887) was an American theologian and writer who graduated from Amherst in 1836 and studied at Andover theological seminary. Hitchcock was a professor at Bowdoin College in Maine and Union Theological Seminary in New York City and was also the pastor of the First Congregational Church in Exeter, New Hampshire, from 1945-1952. He was elected president of the American Palestine Exploration Society in 1871 (after his many travels to Palestine and the Middle East) and of Union Theological Seminary in 1880. He is the author of several books, including The New and Complete Analysis of the Holy Bible, Life of Edward Robinson, and Carmina Sanctorum, among others.

Hitchcock's compendium of Bible names and their definitions demystifies the meanings of every Bible name from A to Z - thus, it is a superb reference manual for spiritual study. A good supplement to Biblical studies, Hitchcock's book lists the meanings behind the various names. This allows readers to discover the etymological origins of the most famous figures in the Bible, place these names in their proper context, and thus perform readings of the holy scripture from a more informed perspective. Many of the names pertain directly to the qualities of their holders. For example the name Behemoth from the Book of Job simply means 'monstrous', while the name 'Iscariot' (as in Judas Iscariot) means 'a man of murder; a hireling'. Other names are however more nuanced - the name 'Baal' means 'master, or lord', contrasting the demonic connotations applied by 17th century Gothic fiction.

Has the final countdown to the end days begun? Are the heavens telling us we are nearing the end? Astronomers have noticed it is coming. Historians have noted its significance. In 2014 and 2015, there will be a phenomenon in the skies of four blood moons falling during Jewish feasts. This has only happened three times in recorded history: 1493-94, 1949-50 and 1967-68. Each time these dates have had extraordinary significance for the Israelites. From the discovery of the New World to the creation of modern-day Israel, these years of the four blood moons have truly been turning points in history. Bible prophecy describes the moon being darkened and turned to blood. What is the significance of these signs in the skies? What will the future bring? Prophecy expert Mark Hitchcock guides you through the relevant Bible passages so you can understand the times in which you live.

This title was originally published in 1998. Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well. The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.

This study examines the dynamics of critical Internet culture after the medium opened to a broader audience in the mid 1990s. It is Geert Lovink's PhD thesis, submitted late 2002, written in between his two books on the same topic: Dark Fiber (2002) and My First Recession (2003). The core of the research consists of four case studies of non-profit networks: the Amsterdam community provider, The Digital City (DDS); the early years of the nettime mailinglist community; a history of the European new media arts network Syndicate; and an analysis of the streaming media network Xchange. The research describes the search for sustainable community network models in a climate of hyper growth and increased tensions and conflict concerning moderation and ownership of online communities.

A theologian and pastor offers a comprehensive, easy-to-use guide to biblicalprophecy.