HIT-GIRL's in Mumbai. Mindy lands in India looking for a new mission and quickly uncovers a criminal operation that mutilates children and forces them to beg in the streets. Time for Hit-Girl to track down the gang's master and serve justice. A new riot of color and bloodshed from your favorite tween superhero. Collects HIT-GIRL SEASON TWO #9-12

HIT-GIRL'S IN MUMBAI. Mindy lands in India looking for a new mission,and uncovers mutilated children forced to beg in the streets. Time for Hit-Girlto track down their gang master and serve justice. A riot of colour andbloodshed from your favorite tween superhero in the heart ofIndia. CollectsHIT-GIRL SEASON TWO issues 9-12.

A Hit-Girl chegou em Mumbai! Mindy aterrissa na Índia em busca de uma nova missão e sem demora descobre uma operação criminosa que mutila crianças e as força a mendigar pelas ruas da cidade. É hora de a Hit-Girl rastrear o chefe dessa gangue e mostrar o que significa justiça para ela. Uma nova tempestade de cores berrantes e sangue criminoso, cortesia de sua anti-heroína pré-adolescente favorita!

Assassins sent to slaughter Kick-Ass get more than they bargained for when they come face to face with a bloodthirsty twelve-year-old vigilante. With a death squad AND Hit-Girl on her back, Patience has nowhere to turn. At home, her secret life is beginning to unravel.

Hit-Girl will stop at nothing to destroy the imposter Kick-Ass’s gang activity and prevent her masquerading as Dave Lizewski. And when Mindy’s violent hunt leads Patience’s gang to turn on her, Kick-Ass will realize that she can't run forever.

THE FINAL SHOWDOWN. Will a battered and beaten Kick-Ass defend herself against Hit-Girl, ignore her instincts, and kill a child to save her own life? This explosive, bloody final issue sees Kick-Ass at war with Hit-Girl, the assassins, and herself.

Published by Advaita Ashrama, a publication house of Ramakrishna Math, Belur Math, this is Volume 6 of the nine volume series constituting 'The Complete Works of Swami Vivekananda'. In these volumes we have not only a gospel to the world at large, but also, to its own children, the Charter of the Hindu faith. For the first time in history, Hinduism itself forms here the subject of generalization of a Hindu mind of the highest order. What Hinduism had needed was the organizing and consolidating of its own idea, a rock where she could lie at anchor, and an authoritative utterance in which she might recognise herself. What the world had needed was a faith that had no fear of truth. Both are found in the words and writings of Swami Vivekananda. It is the latest gospel of a modern Prophet of religion and spirituality to the mankind.

A marathon dance mix consisting of thousands of mashed up text and image samples, In the House of the Hangman tries to give a taste of what life is like there, where it is impolite to speak of the noose. It is the third part of the life project Zeitgeist Spam. If you can't afford a copy ask me for a pdf.

The latest compilation of 200 fun-filled, pun-filled puzzles from the pages of the Los Angeles Times. Edited with care by renowned puzzlers Sylvia Bursztyn and Barry Tunick, who have been puzzle-writing partners since 1980 and have written nearly 1,500 Sunday crosswords for the Los Angeles Times.

Asha Parekh was to the movies born. Ever since she was knee-high, she faced the camera as a child artiste, while performing simultaneously at dance fetes. An alumnus of Bombay’s The J. B. Petit Girls’ High School, she devoted after-school hours to learning classical dance from exacting gurus. Given a break as a leading lady by Filmalaya Studio’s Sashadhar Mukherjee, she debuted opposite Shammi Kapoor in the romantic entertainer Dil Deke Dekho. Instantaneously, the audience and the critics agreed: “A star is born.” Followed a concatenation of silver and golden jubilee hits, which established her as the quintessential Hit Girl. Possessed of all the requisites of the cinema of the 1960s and the ’70s – felicity at instinctive acting, intricate dance skills and the ability to invest conviction into the roles of zestful, glamour-exuding film heroines – she made an impact, too, with parts demanding gravitas. Apart from films in Hindi, she has also acted in films in Gujarati, Punjabi and a film in Kannada. The Mumbai film trade, to date, acknowledges her as one of the heroines with the highest number of successes. Her innumerable dance ballets on stage have earned her untold acclaim, at home and overseas. Among her other facets, she has been involved since decades in running a charitable hospital. She was Chairperson of the Central Board of Film Certification (1998-2001) and has been associated with the Cine and TV Artistes’ Associations and other organisations dedicated to the welfare of film industry workers, technicians and actors. She turned producer and director with several top TRP-rated TV serials like ‘Kora Kagaz’ and ‘Palash ke Phool’ and programmes like ‘Baaje Paayal’. Currently she has chosen to retire from acting, but adds, “Never say never.” She lives by the famed Juhu shoreline in Mumbai.