Includes its Report, 1896-19 .

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ History Of The Oranges To 1921: Reviewing The Rise, Development And Progress Of An Influential Community; Volume 3 Of History Of The Oranges To 1921; David Lawrence Pierson; History Of The Oranges To 1921: Reviewing The Rise, Development And Progress Of An Influential Community; David Lawrence Pierson David Lawrence Pierson Lewis Historical Publishing Co., 1922 Orange (N.J.)

Charged with murdering her husband in 1879, Margaret Meierhofer became the last woman executed by the state of New Jersey. Murder on the Mountain considers all sides of this fascinating and mysterious true crime story, investigating how the case's sensational details about domestic violence and female sexuality gripped the nation.

The hidden life of Alfred C. Kinsey, the principal architect of the sexual revolution. In this brilliant, groundbreaking biography, twenty years in the making, James H. Jones presents a moving and even shocking portrait of the man who pierced the veil of reticence surrounding human sexuality. Jones shows that the public image Alfred Kinsey cultivated of disinterested biologist was in fact a carefully crafted public persona. By any measure he was an extraordinary man—and a man with secrets. Drawing upon never before disclosed facts about Kinsey's childhood, Jones traces the roots of Kinsey's scholarly interest in human sexuality to his tortured upbringing. Between the sexual tensions of the culture and Kinsey's devoutly religious family, Jones depicts Kinsey emerging from childhood with psychological trauma but determined to rescue humanity from the emotional and sexual repression he had suffered. New facts about his marriage, family life, and relationships with students and colleagues enrich this portrait of the complicated, troubled man who transformed the state of public discourse on human sexuality.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Violet Oakley: An Artist's Life is the first full-length biography of Violet Oakley (1874–1961), the only major female artist of the beaux-arts mural movement in the United States, as well as an illustrator, stained glass artist, portraitist and author. There is much human interest here: a pampered and spoiled young woman who suddenly finds herself in near poverty, forced to make a living in illustration to support her parents; a sensitive and idealistic young woman who, in a desperate attempt to save her neurasthenic father, embraces Christian Science, a religion derided by her family and friends; a 28 year old woman who receives one of the plum commissions of the era, a mural cycle in the Pennsylvania State Capitol, in a field dominated by much older and predominantly male artists; a woman in her forties who although professionally successful finds herself very much alone and bonds with her student, Edith Emerson; a friend of artists like dancer Ruth St. Denis and violinist Albert Spalding who nevertheless was supremely conscious of social mores, the “Miss Oakley” of the Social Register who preferred the company of upper class to bohemian society; the tireless self-promoter who traveled abroad to become the unofficial visual historian of the League of Nations yet who ironically was increasingly regarded as a local artist.

This work argues that Blakelock was one of the greatest American painters of the 19th-century, whose art ranges from the "romantic visionary" school to a more realistic physically experimental style. It pays special attention to the pre- and post- 1880s an

"Using George Washington's diary as the primary source, Nagy tells the story of [his] experiences during the French and Indian War and his first steps in the field of espionage. Despite what many believe, Washington did not come to the American Revolution completely unskilled in this area of warfare. Espionage was a skill he honed during the French and Indian War and upon which he heavily depended during the Revolutionary War. He used espionage to level the playing field and then exploited it on to final victory"--Amazon.com.