A scholarly translation of Leopold von Ranke's influential history of Europe during the late fifteenth and early sixteenth centuries, focusing on the Latin and Teutonic nations. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A meticulous study of the political and military factors influencing the relationship between the Latin and Teutonic nations from 1494 to 1514, product of the joint efforts of George Ravenscroft Dennis and Leopold von Rank. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A chronological history of the Latin and Teutonic nations from the years 1494 to 1514, offering detailed insight into political, economic and social assets as well as geopolitical considerations of the period. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Essays on the discipline of medieval history and its practitioners, from the late eighteenth century onwards. A hugely interesting set of essays, reflecting on a variety of ways in which medieval history has developed to the present time. Scholarship of the highest standard, deeply thought-provoking and deeply engaged with the inheritances and future tasks of medieval academic history. The collection will be essential reading for all medievalists. John Arnold, Professor of Medieval History, University of Cambridge. Medieval history is present in manyforms in our world. Monuments from the Middle Ages or inspired by them are a familiar feature of landscapes across Europe and beyond; the period between the end of the Roman Empire in Western Europe and the Reformation and European expansion is an essential part of our imagination, be it conveyed through literature, the arts, science fiction or even video games; it is also commonly invoked in political debates. Specialists in the field have played a majorrole in shaping modern perceptions of the era. But little is known about the factors that have influenced them and their work. The essays in this volume provide original insights into the fabric and dissemination of medieval history as a scholarly discipline from the late eighteenth century onwards. The case-studies range from the creation of specific images of the Middle Ages to the ways in which medievalists have dealt with European identity, contributed to making and deconstructing myths and, more specifically, addressed questions relating to land and frontiers as well as to religion. GRAHAM A. LOUD is Professor of Medieval History at the University of Leeds;MARTIAL STAUB is Professor of Medieval History at the University of Sheffield. Contributors: Christine Caldwell Ames, Peter Biller, Michael Borgolte, Patrick Geary, Richard Hitchcock, Bernhard Jussen, Joep Leerssen, G.A. Loud, Christian Lübke, Jinty Nelson, Bastian Schlüter, Martial Staub, Ian Wood.

Can today’s society, increasingly captivated by a constant flow of information, share a sense of history? How did our media-making forebears balance the tension between the present and the absent, the individual and the collective, the static and the dynamic—and how do our current digital networks disrupt these same balances? Can our social media, with its fleeting nature, even be considered social at all? In Friending the Past, Alan Liu proposes fresh answers to these innovative questions of connection. He explores how we can learn from the relationship between past societies whose media forms fostered a communal and self-aware sense of history—such as prehistorical oral societies with robust storytelling cultures, or the great print works of nineteenth-century historicism—and our own instantaneous present. He concludes with a surprising look at how the sense of history exemplified in today’s JavaScript timelines compares to the temporality found in Romantic poetry. Interlaced among these inquiries, Liu shows how extensive “network archaeologies” can be constructed as novel ways of thinking about our affiliations with time and with each other. These conceptual architectures of period and age are also always media structures, scaffolded with the outlines of what we mean by history. Thinking about our own time, Liu wonders if the digital, networked future can sustain a similar sense of history.

Visual media had a decisive impact on how the past was perceived in historicist culture in nineteenth-century Germany. The panorama, photography, and book illustrations can portray the past under the auspices of spatiality. Research on historicist culture often neglects this dimension of space and concentrates on traditional historicist paradigms, such as temporality, narrative, and teleology. By investigating the visual vocabulary of different historicist genres (academic historiography, illustrated history books, historical maps), this volume expands an understanding of German historicist culture as a multi-medial phenomenon, and shows that past is conveyed in spatial forms, such as travel locations, national and colonial spaces, as well as geographical areas. Tracing these concepts of historical space, this volume demonstrates that the image works as a powerful tool to propagate the ideology of German imperialism in the nineteenth-century, but also can critically reflect the political agendas of national historicism.

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Heritopia investigates the meanings of the past in the present, focusing on Abu Simbel in Egypt and other World Heritage sites. It explores and resolves a number of paradoxes: the past is impossible to preserve for eternity; all preservation implies change; preservation of one site normally means destruction of others; threats are important in the creation of heritage, but at the same time heritage may become a threat and threats can become heritage themselves; heritage stands in contrast to modernity and is at the same time part of it; both the increase and the decrease of modernity create heritage; and finally, heritage may be global and local at the same time. Heritopia will appeal to students and professionals in heritage studies and related subjects such as archaeology, history, ethnology and museology.