This book provides a detailed overview of the formation and early years of the first London County Council. It presents a comprehensive account of the Council's legislative and administrative actions during a time of immense political and social change. The book is an essential resource for anyone interested in the history of London and the development of municipal governance in Britain. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Explores the central role of petitions in reshaping the political culture of the United Kingdom in their nineteenth-century heyday.

In the London summer of 1894, members of the National Vigilance Society, led by the well-known social reformer Laura Ormiston Chant, confronted the Empire Theatre of Varieties, Leicester Square, and its brilliant manager George Edwardes as he applied for a routine license renewal. On grounds that the Empire's promenade was the nightly resort of prostitutes, that the costumes in the theatre's ballets were grossly indecent, and that the moral health of the nation was imperiled, Chant demanded that the London County Council either deny the theatre its license or require radical changes in the Empire's entertainment and clientele before granting renewal. The resulting license restriction and the tremendous public controversy that ensued raised important issues--social, cultural, intellectual, and moral--still pertinent today.Fantasies of Empire is the first book to recount in full the story of the Empire licensing controversy in all its captivating detail. Contemporaneous accounts are interwoven with Donohue's identification and analysis of the larger issues raised: What the controversy reveals about contemporary sexual and social relations, what light it sheds on opposing views regarding the place of art and entertainment in modern society, and what it says about the pervasive effect of British imperialism on society's behavior in the later years of Queen Victoria's reign. Donohue connects the controversy to one of the most interesting developments in the history of modern theatre, the simultaneous emergence of a more sophisticated, varied, and moneyed audience and a municipal government insistent on its right to control and regulate that audience's social and cultural character and even its moral behavior.Rich in illustrations and entertainingly written, Fantasies of Empire will appeal to theatre, dance, and social historians and to students of popular entertainment, the Victorian period, urban studies, gender studies, leisure studies, and the social history of architecture.

This book was first published in 1986.

Sir John Lubbock (1834-1913), first Lord Avebury, was a leading figure in the scientific, political and economic world of Victorian Britain, and his life provides an illuminating case study into the ways that these different facets were interlinked during the nineteenth century. Born into a Kent banking family, Lubbock's education was greatly influenced by his neighbour, Charles Darwin, and after the publication of The Origin of Species, he was one of his most vocal supporters. A pioneer of both entomology and archaeology and a successful author, Lubbock also ran the family bank from 1865 until his death in 1913, and served as a Liberal MP from 1870 until his ennoblement in 1900. In all these roles he proved extremely successful, but it is the inter-relations between science, politics and business that forms the core of this book. In particular it explores the way in which Lubbock acted as a link between the scientific worlds of Darwin, Huxley and Tyndall, the political world of Gladstone and Chamberlain and the business world of Edison and Carnegie. By tying these threads together this study shows the important role Lubbock played in defining and popularising the Victorian ideal of progress and its relationship to society, culture and Empire.