History of Magic and Experimental Science is a two-volume study by Lynn Thorndike, American historian of medieval science and alchemy. The book covers a period from antique until the thirteen century. Thorndike writes about magic and science in medieval times with the goal of finding a historical truth. Table of Contents: Volume 1: Book I. The Roman Empire Book II. Early Christian Thought Book III. The Early Middle Ages Volume 2: Book IV. The Twelfth Century Book V. The Thirteenth Century

Science is a living, organic activity, the meaning and understanding of which have evolved incrementally over human history. This book, the first in a roughly chronological series, explores the development of the methodology and major ideas of science, in historical context, from ancient times to the decline of classical civilizations around 300 A.D. It includes details specific to the histories of specialized sciences including astronomy, medicine and physics--along with Roman engineering and Greek philosophy. It closely describes the contributions of such individuals as Pythagoras, Hippocrates, Socrates, Plato, Aristotle, Alexander the Great, Euclid, Archimedes, Ptolemy, Seneca, Pliny the Elder, and Galen.

The Kitāb Naʿt al-Ḥayawān is the earliest of a group of illustrated manuscripts dealing with the characteristics of animals and their medicinal uses. The present study considers both the confluence of textual traditions within this work and the stylistic and iconographic relationships of its illustrations, which make it a key witness to early thirteenth-century Arab painting. After a re-evaluation of previous approaches, emphasis is placed on relating image to text, on stylistic affiliations, and on the modalities of production, supported by technical analyses undertaken for the first time. In elucidating the particular context of this unique manuscript, the study contributes to our understanding of a critical period in the development of Middle Eastern painting and art.

An illustrated archeology of the imagination that reveals how artists and writers from the late 16th to the early 19th century, most of whom had never seen North America, portrayed the natural history and landscape of North America to European readers.

Most people have heard of pyrite, the brassy yellow mineral sometimes known as fool's gold. Pyrite behaves like stone and shines like metal, and its dual nature makes it a source of both metals and sulfur. Despite being the most common sulfide mineral on the earth's surface, pyrite's bright crystals have attracted the attention of many different cultures, and its nearly identical visual appearance to gold has led to tales of fraud, trickery, and claims of alchemy. Pyrite occupies a unique place in human history: it became an integral part of mining culture in America during the 19th century, and it has a presence in ancient Sumerian texts, Greek philosophy, and medieval poetry, becoming a symbol for anything overvalued. In Pyrite, geochemist and author David Rickard blends basic science and historical narrative to describe the many unique ways pyrite is integral to our world. He explains the basic science of oxidation, showing us why the mineral looks like gold, and inspects death zones of present oceans where pyrite-related hydrogen sulfide destroys oxygen in the waters. Rickard analyzes pyrite's role in manufacturing sulfuric acid and discusses the significant appearance of the mineral in literature, history, and the development of societies. The mineral's influence extends from human evolution and culture, through science and industry, to our understanding of ancient, modern, and future earth environments. Energetic and accessible, Pyrite is the first book to show readers the history and science of a mineral that helped make the modern world.

This collection of essays considers the place of magic in the modern world, first by exploring the ways in which modernity has been defined in explicit opposition to magic and superstition, and then by illuminating how modern proponents of magic have worked to legitimize their practices through an overt embrace of evolving forms such as esotericism and supernaturalism. Taking a two-track approach, this book explores the complex dynamics of the construction of the modern self and its relation to the modern preoccupation with magic. Essays examine how modern “rational” consciousness is generated and maintained and how proponents of both magical and scientific traditions rationalize evidence to fit accepted orthodoxy. This book also describes how people unsatisfied with the norms of modern subjectivity embrace various forms of magic—and the methods these modern practitioners use to legitimate magic in the modern world. A compelling assessment of magic from the early modern period to today, Magic in the Modern World shows how, despite the dominant culture’s emphatic denial of their validity, older forms of magic persist and develop while new forms of magic continue to emerge. In addition to the editors, contributors include Egil Asprem, Erik Davis, Megan Goodwin, Dan Harms, Adam Jortner, and Benedek Láng.