Poetry. HISTORY OF GONE is a collection of poems inspired by the life and unsolved disappearance of Barbara Newhall Follett, a once-famous child prodigy writer of the early 20th century. In the introduction, Schmeidler writes, "She's a woman we've never heard of destined to be the Next Great American Writer," who, by the age of 14 has published two books to glowing reviews. After a series of life-altering events (her father leaves; she and her mother set sail on an open-ended sea voyage; she falls in love), what begins as promise turns to uncertainty. "Because it's the Depression and she needs money. Because she's a woman. Because she's a writer. Because her editor father is no longer guiding her work into the hands of publishers. Because she falls in love. Because she travels, this time to Europe, this time with a man. Because she marries. Because she wants more, and also nothing more, than to be outside. Because all writing is in sand." All that is known of what happens is that one December night in 1939, after arguing with her husband, she leaves the house with a notebook and $30. She is never seen or heard from again. She is 25. "A daring conceptual feat of reanimated biography, HISTORY OF GONE arrives in its forms of oblique memorial drenched in lyric imagination: 'Everywhere you look there's a finger bone of some gone woman.' Schmeidler's rich lexicons frame intimate interior geographies--swoop and silhouette, beatitude and gingerbread, planets and wolfhounds--all the while replaying the 'stolen reel' of a forgotten life. As the lavish particulars unfold--a mouthbrooder, an anhinga, a purse dehisced--these poems invite charged questions about autonomy, creativity, and self-effacement: 'What kind of play is she in, 'finished by a death' or 'ended by a marriage'?' A cautionary tale of the erasures of domesticity, a vocational fable, an inside-out bildungsroman, this book envisions the prismatic possibilities when the self makes a 'clean sneak,' and the result is nothing short of levitation." --BK Fischer

Originally published in 2011, Margaret Mitchell's Gone With the Wind: A Bestseller's Odyssey from Atlanta to Hollywood presented the first comprehensive overview of how the iconic novel became an international phenomenon that has managed to sustain the public's interest for more than eighty-five years. Various Mitchell biographies and several compilations of her letters told part of the story, but until 2011, no single source had revealed the full saga. Now updated with two new chapters that bring the saga into 2021, this entertaining account of a literary and pop culture phenomenon tells how Mitchell's book was developed, marketed, distributed, and otherwise groomed for success in the 1930s—and the savvy measures taken since then by the author, her publisher, and her estate to ensure its longevity.

A parody of Gone with the wind, this novel tells the story of Cynara, the mulatto half-sister born into slavery who eventually triumphs.

The story of the tempestuous romance between Rhett Butler and Scarlet O'Hara is set amid the drama of the Civil War.

Celebrate the 50th Anniversary of an American Classic. Published in the spring of 1936, Margaret Mitchell's Gone With the Wind was an immediate and overwhelming success; millions of copies were sold in its first year alone. By the time the film opened on December 15, 1939, the anticipation and excitement were so great that the city of Atlanta declared the day an official holiday. Since then, more than 300 million people have seen the film and every year hundreds of thousands of copies of the novel are sold in dozens of languages. This lavishly illustrated book is the ultimate behind-the-scenes history of the novel, the film, and the phenomenon of Gone With the Wind. It includes wonderful anecdotes, original quotes from the stars and the directors souvenir programs from the original premiere, many rare never-before published photographs, and more, from the smell of the smoke and the heat of the flames during the filming of the "burning of Atlanta" sequence to the soft touch of the red dust at the location Tara; from the fangue on the faces of cast and crew after grueling months of shooting to the thrill of premiere night, you will experience the unfolding drama as if you were there.

When someone says, at a holiday dinner table, “Oh, those Lawrence cousins lose control all the time,” or the Davises always had more talent than luck,” you can be sure there's a lesson being passed along, from one generation to another. Who tells stories to whom and about what is never a random matter. Our family stories have a secret power: they play a unique role in shaping our identity and our sense of our place in the world. They give us values, inspirations, warnings, and incentives. We need them. We use them. We keep them. They reverberate throughout our lives, affecting our choices in love, work, friendship, and lifestyle. Elizabeth Stone, whose grandparents came from Italy to Brooklyn, artfully weaves her own family stories among the stories of more than a hundred people of all backgrounds, ages, and regions—clarifying for us predictable types of family legends, providing ways to interpret our own stories and their roles in our lives. She examines stories of birth, death, work, money, and romantic adventure—all in the context of the family storytelling ritual. And she shows how stories about our most ancient ancestors may provide answers at milestone moments in our lives, as well as how stories about our newest family members carve out places for them so that they will fit into their families, comfortably or otherwise. Upon its initial publication in 1988, Studs Terkel said that the book is “A wholly original approach to an ancient theme: family storytelling and its lasting mark on the individual.” Judy Collins noted that “Elizabeth Stone's marvelous book on family myths and fables is irresistible. It lets us in on our own secrets in a provocative and exciting way.” And Maggie Scarf wrote, “What a clever topic, and how beautifully Elizabeth Stone has written about it! I recommend Black Sheep and Kissing Cousins for everyone who has ever been raised in a family.”

Gone to Ground is an investigation into the material and political forces that transformed the cityscape of Dar es Salaam, Tanzania in the 1970s and early 1980s. It is both the story of a particular city and the history of a global moment of massive urban transformation from the perspective of those at the center of this shift. Built around an archive of newspapers, oral history interviews, planning documents, and a broad compendium of development reports, Emily Brownell writes about how urbanites navigated the state’s anti-urban planning policies along with the city’s fracturing infrastructures and profound shortages of staple goods to shape Dar’s environment. They did so most frequently by “going to ground” in the urban periphery, orienting their lives to the city’s outskirts where they could plant small farms, find building materials, produce charcoal, and escape the state’s policing of urban space. Taking seriously as historical subject the daily hurdles of families to find housing, food, transportation, and space in the city, these quotidian concerns are drawn into conversation with broader national and transnational anxieties about the oil crisis, resource shortages, infrastructure, and African socialism. In bringing these concerns together into the same frame, Gone to Ground considers how the material and political anxieties of the era were made manifest in debates about building materials, imported technologies, urban agriculture, energy use, and who defines living and laboring in the city.

New York Times Notable Book 2018; Foreign Affairs Best Book of 2018; Lois Roth Award Winner An unforgettable German bestseller about the European refugee crisis: “Erpenbeck will get under your skin” (Washington Post Book World) Go, Went, Gone is the masterful new novel by the acclaimed German writer Jenny Erpenbeck, “one of the most significant German-language novelists of her generation” (The Millions). The novel tells the tale of Richard, a retired classics professor who lives in Berlin. His wife has died, and he lives a routine existence until one day he spies some African refugees staging a hunger strike in Alexanderplatz. Curiosity turns to compassion and an inner transformation, as he visits their shelter, interviews them, and becomes embroiled in their harrowing fates. Go, Went, Gone is a scathing indictment of Western policy toward the European refugee crisis, but also a touching portrait of a man who finds he has more in common with the Africans than he realizes. Exquisitely translated by Susan Bernofsky, Go, Went, Gone addresses one of the most pivotal issues of our time, facing it head-on in a voice that is both nostalgic and frightening.

Gone to Texas: A History of the Lone Star State engagingly tells the story of the Lone Star State, from the arrival of humans in the Panhandle more than 10,000 years ago to the opening of the twenty-first century. Focusing on the state's successive waves of immigrants, the book offers an inclusive view of the vast array of Texans who, often in conflict with each other and always in a struggle with the land, created a history and an idea of Texas. An Instructor's Resource Manual and a set of approximately 400 PowerPoint slides to accompany Gone to Texas, Third Edition, are now available to adopters. Please contact your local Oxford University Press representative for details.

Based on almost 200 previously unpublished letters and extensive interviews with their closest associates, Walker's biography of Margaret Mitchell and her husband, John Marsh, offers a new look into a devoted marriage and fascinating partnership that ultimately created a Pulitzer Prize–winning novel. This edition of Walker's biography celebrates the seventy-fifth anniversary of the publication of Gone With the Wind in 1936. In lively extracts from their letters to family and friends, John and Margaret, who also went by Peggy, describe the stormy years of their courtship, their bohemian lifestyle as a young married couple, the arduous but fulfilling years when Peggy was writing her famous novel, the thrill of its acceptance for publication and its literary success, and the excitement of the making of the movie. In telling the private side of this twenty-four-year marriage, author Marianne Walker reveals a long-suspected truth: Gone With the Wind might have never been written were it not for John Marsh. He was Peggy's best friend and constant champion, and he became her editor, proofreader, researcher, business manager, and the inspiration and motivation behind her writing. At every point, including the turbulent years of Mitchell's first marriage to Red Upshaw, it was John who provided the intellectual stimulation, emotional support, and editorial insights that allowed Peggy to channel her talents into the creation of her astounding Civil War epic. From years of meticulous research, Marianne Walker details the intimate and moving love story between a husband and wife, and between a writer and her editor.