First Published in 1967. Routledge is an imprint of Taylor & Francis, an informa company.

The book that launched environmental history, William Cronon's Changes in the Land, now revised and updated. Winner of the Francis Parkman Prize In this landmark work of environmental history, William Cronon offers an original and profound explanation of the effects European colonists' sense of property and their pursuit of capitalism had upon the ecosystems of New England. Reissued here with an updated afterword by the author and a new preface by the distinguished colonialist John Demos, Changes in the Land, provides a brilliant inter-disciplinary interpretation of how land and people influence one another. With its chilling closing line, "The people of plenty were a people of waste," Cronon's enduring and thought-provoking book is ethno-ecological history at its best.

From the Publisher: Butterflies, beetles, dragonflies, and other colorful insects take center stage in this collection of Jo Whaley's dazzling photographs. Inspired by natural history dioramas of an earlier era of scientific discovery, Whaley stages her photographs to emphasize the wonder and gemlike exquisiteness of these creatures through color, texture, and lighting. These simple but captivating portraits encourage the reader to consider the connections between nature and artifice, beauty and decay. Essays by entomologist Linda Wiener, photography curator Deborah Klochko, and Whaley herself complete this volume, which will delight and inspire entomology enthusiasts and anyone fascinated by the stunning results of the intersection of art and science.

Kolb has produced a thoroughly researched essay on this painting, which is in the Getty Museum. The study focuses on Brueghel's depiction of nature, especially his exacting representation of identifiable species of animals and birds, the names of which are listed. Brueghel's collaboration with other painters, his and other painters' re-use of the same theme and composition, and the history and practice of natural history collection and representation are central themes. The volume, which is printed in a horizontal format (it's 11x8") and heavily illustrated, is written for a general audience, though art historians will also find much of interest.