The Royal Inscription of Esarhaddon, King of Assyria (680–669 BC) is the inaugural volume of the Royal Inscriptions of the Neo-Assyrian Period Project. The volume provides reliable, up-to-date editions of all of the known royal inscriptions of Esarhaddon, a son of Sennacherib who ruled Assyria for twelve years (680–669 BC). Editions of 143 firmly identifiable texts (which mostly describe successful battles and the completion of building projects, all done ad maiorem gloriam deorum), 29 poorly preserved late Neo-Assyrian inscriptions that may be attributed to him, and 10 inscriptions commissioned by his mother Naqia (Zakutu) and his wife Esharra-hammat are included. To make this corpus more user-friendly to both specialist and laymen, each text edition (with its English translation) is supplied with a brief introduction containing general information, a catalogue containing basic information about all exemplars, a commentary containing further technical information and notes, and a comprehensive bibliography (arranged chronologically from earliest to latest). The volume also includes: (1) a general introduction to the reign of Esarhaddon, the corpus of inscriptions, previous studies, and dating and chronology; (2) translations of the relevant passages of three Mesopotamian chronicles; (3) 19 photographs of objects inscribed with texts of Esarhaddon; (4) indexes of museum and excavation numbers and selected publications; and (5) indexes of proper names (Personal Names; Geographic, Ethnic, and Tribal Names; Divine, Planet, and Star Names; Gate, Palace, Temple, and Wall Names; and Object Names). The book is accompanied by a CD-ROM containing transliterations of selected inscriptions arranged in a ‘musical score’ format. The Royal Inscriptions of the Neo-Assyrian Period (RINAP) series will present up-to-date editions of the royal inscriptions of a number of late Neo-Assyrian rulers, beginning with Tiglath-pileser III (744–727 BC). This new series is modeled on the publications of the now-defunct Royal Inscriptions of Mesopotamia (RIM) series and will carry on where its RIMA (Royal Inscriptions of Mesopotamia, Assyrian Periods) publications ended. The project is under the direction of G. Frame (University of Pennsylvania) and is supported by the National Endowment for the Humanities.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A compilation of cuneiform inscriptions, with translations, concerning the Assyrian king Esarhaddon, who reigned c.681-669 BCE.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Esarhaddon, King of Assyria continues Josette Elayi's narrative journey through the lives of the kings of the Neo-Assyrian Empire. Using both archaeological and textual evidence, Elayi examines the contentious circumstances surrounding Esarhaddon's accession to the throne in 681 BCE, his rebuilding of Babylon, which had been destroyed by his father Sennacherib, his successful campaigns in Media, the Arabian Peninsula, Anatolia, the Caucasus, and the Levant, and his ultimate achievement, the conquest of Egypt in 671 BCE. Throughout, Elayi presents a rich portrait of this enigmatic figure, whose short but impactful reign was plagued by chronic illness and a complex--and ultimately fatal--relationship with his court officials. Yet, through it all, Esarhaddon emerges as one of the most scholarly and most politically successful kings of the empire.

The letters edited in this volume represent the correspondence of various priests and high temple officials in the Assyrian realm during the third through fifth decades of the seventh century BC. They consist chiefly of reports to Esarhaddon and Assurbanipal about cultic concerns and matters connected with the construction and renovation of temple edifices in the major cities of the Assyrian empire, both in the heartland and in the provinces. These fascinating letters throw light on the buildings, refurbishment, and maintenance of temples, the fashioning and installation of statues of the king, the provisioning of the cult, the performance of sacrifices, the rite of sacred marriage, and the processions of divine images.

This Is A New Release Of The Original 1880 Edition.