This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"History of Embalming and of Preparations in Anatomy, Pathology, and Natural History" by J.-N. Gannal is a significant work that delves into the fascinating history of embalming techniques and their applications in anatomy, pathology, and natural history. Gannal's comprehensive exploration offers readers a detailed understanding of the evolution of embalming practices, shedding light on its pivotal role in preserving and studying the human body. This book serves as a valuable resource for those interested in the intricate history of preservation methods and their impact on various scientific disciplines.

First published in 1840, this pioneering work traces the history of embalming and its applications in the fields of anatomy, pathology, and natural history. Gannal draws on the latest scientific research and his own experiences as a practitioner to provide a detailed account of embalming techniques and their uses. With practical advice and insights into the science of preservation, this book is an essential resource for historians, medical professionals, and anyone interested in the history of science. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excavations of medical school and workhouse cemeteries undertaken in Britain in the last decade have unearthed fascinating new evidence for the way that bodies were dissected or autopsied in the eighteenth and nineteenth centuries. This book brings together the latest discoveries by these biological anthropologists, alongside experts in the early history of pathology museums in British medical schools and the Royal College of Surgeons of England, and medical historians studying the social context of dissection and autopsy in the Georgian and Victorian periods. Together they reveal a previously unknown view of the practice of anatomical dissection and the role of museums in this period, in parallel with the attitudes of the general population to the study of human anatomy in the Enlightenment.

For centuries, arsenic's image as a poison has been inextricably tied to images of foul play. In King of Poisons, John Parascandola examines the surprising history of this deadly element. From Gustave Flaubert to Dorothy Sayers, arsenic has long held a place in the literary realm as an instrument of murder and suicide. It was delightfully used as a source of comedy in the famous play Arsenic and Old Lace. But as Parascandola shows, arsenic has had a number of surprising real-world applications. It was frequently found in such common items as wallpaper, paint, cosmetics, and even candy, and its use in medical treatments was widespread. American ambassador Clare Boothe Luce suffered from exposure to arsenical paint in her study, and Napoleon's death has long been speculated to be the result of accidental or intentional poisoning. But arsenic poisoning is still a public menace. In the neighborhood surrounding American University in Washington, D.C., the army has undertaken a massive cleanup of artillery shells and bottles containing chemical warfare agents such as arsenical lewisite after a number of workmen and residents became ill. Arsenic contamination of the water supply in Bangladesh and in West Bengal, India, is a major public health problem today as well. From murder to crime fiction, from industrial toxin to chemical warfare, arsenic remains a powerful force in modern life.

"A haunting voyage through the peculiar--and peculiarly American--world of human skull collecting. Ann Fabian's remarkable and moving study illuminates as few other works have the powerful hold that the dead and their remains continue to have upon the living". Karl Jacoby, author of Shadows at Dawn: A Borderlands Massacre and the Violence of History.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.