The centuries that followed the Roman withdrawal from the British Isles have not been called 'Dark' for nothing; in the sources that survive, fact and legend seem inextricably intertwined, and the work of later medieval writers has only deepened the confusion. Dr. Dumville has done much to help dissect and disentangle these sources, probing the cultural history of the Insular Middle Ages, tracing the channels through which historical knowledge was transmitted and the interaction of political thought and historical writing - ideologically based historiography looms large as evidence in any attempt to grasp how medieval people comprehended their past. In these essays, he concentrates on the historiographical practices of the Irish, Britons and English, which shared much in common. Specific themes are the Insular cultivation of genealogy, the classic British pseudo-history (as in the Historia Brittonum and Geoffrey of Monmouth), the important Cistercian school of historical studies at Sawley, and the traditions of annalistic chronicling. An important section of Addenda is also provided.Les siècles qui ont suivi le retrait romain des îles britanniques n'ont pas été qualifiés d' 'Obscurs' sans raison; dans les sources, faits et légendes semblent être irrémédiablement embrouillés et les traveaux d'écrivans médiéaveaux postérieurs n'ont guère fait que d'ajouter à la confusion qui régnait déjà. Le Dr Dumville a beaucoup fait, afin d'aider à disséquer et démêler ces sources, en explorant l'histoire culturelle du Moyen Age. Insulaire, en retraçant les voies par lesquelles la connaissance historiquefut transmise, ainsi que celles l'internaction de la pensée politique et de l'écriture historique. Ces essais se concentre sur les pratiques historiographes des Irlandais, des Britanniques et des Anglais qui possèdent un bon nombre d'aspects en commun. Les thèmes les plus spécifiques sont ceux de la culture Insulaire de la généalogie, de la pseudo-histoire classique britannique (telle qu'on la retrouve dans l'Historia Brittonium et Geoffroy de Monmouth), de l'importante école cistercienne d'études historiques de Sawley et des traditions de chroniques annalistes. On y trouve aussi une importante section d'addenda.

Geoffrey of Monmouth’s immensely popular Latin prose Historia regum Britanniae (c. 1138), followed by French verse translations – Wace’s Roman de Brut (1155) and anonymous versions including the Royal Brut, the Munich, Harley, and Egerton Bruts (12th -14th c.), initiated Arthurian narratives of many genres throughout the ages, alongside Welsh, English, and other traditions. Arthur, Origins, Identities and the Legendary History of Britain addresses how Arthurian histories incorporating the British foundation myth responded to images of individual or collective identity and how those narratives contributed to those identities. What cultural, political or psychic needs did these Arthurian narratives meet and what might have been the origins of those needs? And how did each text contribute to a “larger picture” of Arthur, to the construction of a myth that still remains so compelling today?

The period from the fifth century to the eighth century witnessed massive political, social and religious change in Europe. Geographical and historical thought, long rooted to Roman ideologies, had to adopt the new perspectives of late antiquity. In the light of expanding Christianity and the evolution of successor kingdoms in the West, new historical discourses emerged which were seminal in the development of medieval historiography. Taking their lead from Orosius in the early fifth century, Latin historians turned increasingly to geographical description, as well as historical narrative, to examine the world around them. This book explores the interdependence of geographical and historical modes of expression in four of the most important writers of the period: Orosius, Jordanes, Isidore of Seville and the Venerable Bede. It offers important readings of each by arguing that the long geographical passages with which they were introduced were central to their authors' historical assumptions and arguments.

Crucial texts from ninth- and tenth-century Wales analysed to show their key role in identify formation. WINNER OF THE FRANCIS JONES PRIZE 2022 Early medieval writers viewed the world as divided into gentes ("peoples"). These were groups that could be differentiated from each other according to certain characteristics - by the language they spoke or the territory they inhabited, for example. The same writers played a key role in deciding which characteristics were important and using these to construct ethnic identities. This book explores this process of identity construction in texts from early medieval Wales, focusing primarily on the early ninth-century Latin history of the Britons (Historia Brittonum), the biography of Alfred the Great composed by the Welsh scholar Asser in 893, and the tenth-century vernacular poem Armes Prydein Vawr ("The Great Prophecy of Britain"). It examines how these writers set about distinguishing between the Welsh and the other gentes inhabiting the island of Britain through the use of names, attention to linguistic difference, and the writing of history and origin legends. Crucially important was the identity of the Welsh as Britons, the rightful inhabitants of the entirety of Britain; its significance and durability are investigated, alongside its interaction with the emergence of an identity focused on the geographical unit of Wales.

Geoffrey of Monmouth and the Feminist Origins of the Arthurian Legend provides the first feminist analysis of both the Arthurian section of The History of the Kings of Britain and The Life of Merlin .

There are several reasons why the chronicle is particularly suited as the topic of a yearbook. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. The yearbook The Medieval Chronicle aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds. The Medieval Chronicle is published in cooperation with the "Medieval Chronicle Society".

This volume presents a series of penetrating analyses of particular poems and problems of literary history illustrating the many sides of medieval poetry and the interactions of learned, popular and courtly traditions. The first and longest essay, 'Waltharius-Gaiferos', aims to characterize the diverse treatments of one of the major European heroic themes - in modes that include lay and epic, saga and ballad, and range from pre-Carolingian times to the Renaissance. There follow three interrelated essays on the medieval transformations of Ovid, and a larger group devoted to close reading of medieval lyrics. After discussing some brilliant Latin compositions, of the 9th-12th centuries, both sacred and profane, and the work of two of the most captivating 'goliard' poets, Peter Dronke looks at the earliest formations of love-lyric in two vernaculars, Spanish and English. Finally, he explores the unique symbiosis of Latin and vernacular imagery in two key moments of Dante's Divine Comedy. Ce volume contient une série d’analyses perspicaces de poèmes spécifiques et de certains problèmes de l’histoire littéraire illustrant les multiples facettes de la poésie médiévale et l’interaction des traditions érudites, populaires et courtoises. Le premier essai, "Waltharius-Gaïferos", tente de décrire les divers traitements de l’un des principaux thèmes héroïques européens selon des modes qui incluent: le lai et l’épique, la saga et la ballade et qui s’étendent sur une période allant de l’époque pré-carolingienne à la Renaissance. Suivent trois articles corrélatifs sur les adaptations médiévales des textes d’Ovide, ainsi qu’un groupe d’études voue à la lecture détaillée de la poésie lyrique médiévale. Après avoir considéré l’oeuvre de deux des plus passionnants poètes "goliards" et un certain nombre de remarquables compositions latines, sacrées et profanes, datant du 9e-12e siècles, Peter Dronke se tourne vers les pre

Kleinschmidt approaches the western European middle ages as a modern anthropologist would approach analysis of a remote culture. His objectives have something in common with Le Goff, as he seeks to identify with medieval society and culture without the encumbrance of later historical attitudes. This radical study traces the transformation of ideas in western Europe during more than one thousand years between the fifth and sixteenth centuries. Its central concern is to interpret and understand changing attitudes towards time, space, the human body, human and social relationships, productivity and distribution, travel, modes of thought, attitudes to the past, age versus youth, war, faith, and social and political order. Illustrations and narrative work together in this book to present medieval culture as one shaped by the spoken word and the visual image. Drawing extensively from a wide range of primary source material, the breadth and originality of Kleinschmidt's study will have an important influence on scholarly perception of the middle ages, as a period of continual change and continually changing attitudes. HARALD KLEINSCHMIDT teaches in the College of International Studies at the University of Tsukuba, Japan.

This book collects and republishes 14 key academic works by Dai Morgan Evans FSA (1944–2017). Spanning early medieval studies, the management and conservation of ancient monuments, histories of antiquarianism, and the Welsh church of Llangar, the chapters have been freshly edited and published together for the first time with new illustrations.