From a city that boasts itself as the ?Crossroads of America?, has the nation's third largest rail hub, 15th busiest air cargo hub, and one of the busiest ports in the Great Lakes, Historic Photos of Toledo is a photographic history collected from the areas top archives. With around 200 photographs, many of which have never been published, this beautiful coffee table book shows the historical growth from the mid 1800's to the late 1900's of the ?Glass City? in stunning black and white photography. The book follows life, government, events and people important to Toledo history and the building of this unique city. Spanning over two centuries and two hundred photographs, this is a must have for any long-time resident or history lover of Toledo!

From a city that boasts itself as the "Crossroads of America," has the nation's third largest rail hub, 15th busiest air cargo hub, and one of the busiest ports in the Great Lakes, Historic Photos of Toledo is a photographic history collected from the areas top archives. With around 200 photographs, many of which have never been published, this beautiful coffee table book shows the historical growth from the mid-1800's to the late 1900's of the "Glass City" in stunning black and white photography. The book follows life, government, events and people important to Toledo history and the building of this unique city. Spanning over two centuries and two hundred photographs, this is a must-have for any long-time resident or history lover of Toledo!

With savory fruits, crisp vegetables, fresh herbs and more, the Toledo Farmers Market attests to the rich and bountiful goodness available in Northwest Ohio and Southeast Michigan. Join historian Trini L. Wenninger as she guides you through the markets history, from its humble origins in the 1830s through its survival during rough times in the Glass City. Select the ripest tomatoes from Konstantinoss stall, crunch into one of the seventy different varieties of apples from Witts Orchards or savor honey from Wines Bee Yards apiaries. This collection is complete with selection tips, cooking and baking advice and mouth-watering recipes inspired by the market that will bring the taste of Toledo to your table.

From the glacier-flattened northwest to the Appalachian hills and valleys to the east and south, barns dot the Ohio landscape. Built with wooden nails and mortise-and-tenon joints and assembled with beams hand-hewn from nearby trees, some of these magnificent structures have witnessed three centuries. Many display the unique carpentry of masterful barn builders, including "mystery" wooden spikes and tongue-and-groove two-inch flooring. Sadly, a number of these barns, neglected for years, risk crumbling any day. Join artist and author Robert Kroeger on a trip to each of Ohio's eighty-eight counties to view some of the state's oldest and most historic barns before they're gone.

Old-House Journal is the original magazine devoted to restoring and preserving old houses. For more than 35 years, our mission has been to help old-house owners repair, restore, update, and decorate buildings of every age and architectural style. Each issue explores hands-on restoration techniques, practical architectural guidelines, historical overviews, and homeowner stories--all in a trusted, authoritative voice.

This multi-functional reference is a useful tool to find information about history-related organizations and programs and to contact those working in history across the country.

In half a century Toledo was transformed from a fever-ridden swamp into a prosperous town with all the amenities of a major Midwestern city. The 1890s signaled the beginning of Toledos greatest architectural era, with new-fangled skyscrapers being constructed up and down Madison Avenue (without any power tools), grand theaters, a new luxury hotel, and the most lavish mansions in the Old West End. New inventions gave Toledoans more time to visit Walbridge Park, shop at Tiedtkes, or attend a Mud Hens game at Swayne Field. Toledo: A History in Architecture 18901914 looks at the cities most notable buildings and at the personalities and institutions of a long vanished era. Innovations like steel framed and reinforced concrete construction were revolutionizing architecture, and Toledos architects were working overtime on what would be their most important commissions, including the Nasby Building, Valentine Theater, and Lucas County Courthouse. Elegant churches rose on Collingwood Avenue, and in 1912 the white marble Toledo Museum of Art, the citys glittering jewel, was built.

From Carlos Fonseca comes a dazzling, kaleidoscopic epic of art, politics, and hidden realities Just before the dawn of the new millennium, a curator at a New Jersey museum of natural history receives an unusual invitation from a celebrated fashion designer. She shares the curator’s fascination with the secrets of the animal kingdom—with camouflage and subterfuge—and she proposes that they collaborate on an exhibition, the nature of which remains largely obscure, even as they enter into a strange relationship marked by evasion and elision. Seven years later, after the designer’s death, the curator recovers the archive of their never-completed project. During a long night of insomnia, he finds within the archive a series of clues about the true history of the designer’s family, a mind-bending puzzle that winds from Haifa, Israel, to bohemian 1970s New York to the Latin American jungles. As he follows this trail, the curator discovers a cast of characters whose own fixations interrogate the unstable frontiers between art, science, politics, and religion. An aging photographer, living nearly alone in an abandoned mining town where subterranean fires rage without end, creates miniature replicas of ruined cities. A former model turned conceptual artist becomes the star defendant in a trial over the very soul and purpose of art. A young indigenous boy receives a vision of the end of the world. Reality is a curtain, the curator realizes, and to draw it back is to reveal the theater of the obsessed. Natural History is a portrait of a world trapped between faith and irony, tragedy and farce. An urgent and impressively ambitious novel in the tradition of Italo Calvino and Ricardo Piglia, it confirms Carlos Fonseca as one of the most daring writers of his generation.