Armenia as a cultural and political entity has existed for over 3000 years. Buffeted for the last 1000 years between Russians, Turks, Persians and the various peoples of the Caucasus, Armenians have survived the looming presence of much more powerful neighbours. The existence of the country has been recorded by mapmakers since the beginnings of cartography - including the various configurations of borders of the Armenian homeland which have shifted back and forth with the political fortunes of the peoples. This book brings together a collection of the most important maps of Armenia, from the oldest known version - a Babylonian clay tablet of the 6th century BC - to the renderings of Greek and Alexandrian cartographers, early Christian maps as well as versions from Ottoman and other Islamic centres. The text includes works by some of the greatest mapmakers, including Mercator and Ortelius. The cartographic treasures in this book include maps from the most important collections in Europe and America. With his detailed descriptions of 125 and his introductory text, the author has produced a work of reference and artistic distinction, which should prove a valuable tool to all who follow the history of Armenia, the Caucasus, the Ottoman and Iranian worlds, as well as to collectors and enthusiasts of cartography.

This book covers the history of Armenia from the most ancient literate peoples of Mesopotamia, who had commercial interests in the land of Armenia (c. 2500 BC), to the end of the Middle Ages.

Inludes a chronology and tables of transliteration, symbols and abbreviations; Includes bibliographical references and index.

As the Soviet Union entered its death throes, the self-determination of the nations within its republics became an issue over which people were prepared to die. When Azerbaijan declared its independence, the Armenian enclave of Nagorno-Karabagh followed suit. Before long, pogrom and war were the order of the day, resulting in thousands of Armenian and Azeri casualties. This book examines the history of Mountainous Karabagh, the ancient Artsakh of the Armenians, and assesses the mass of archaeological material and documentary evidence supporting the conflicting Azeri and Armenian claims. The authors follow the populations of the area from antiquity through periods of Mongol, Turkmen and Persian occupation, on to Turkey's and Russia's entry onto the scene, the period of Bolshevik rule, perestroika and, finally, the war with Azerbaikjan. This book highlights the Armenian culture of the enclave, traces Karabagh's demographic evolution and situates the current hostilities in terms of the interests of neighbouring Russia, Iran and Turkey. The picture that emerges of a clash of nationalistic passions and of Russian economic, military and diplomatic calculation is a signpost for future conflicts on both sides of the Caucasus. The assertion of Armenian and Azeri identity and culture remain at the heart of this tragedy. This book helps us to understand why the Armenians feel so strongly that Artsakh is theirs and is worth dying for.

There is a great deal of interest in the history of Armenia since its renewed independence in the 1990s and the ongoing debate about the genocide - an interest that informs the strong desire of a new generation of Armenian Americans to learn more about their heritage and has led to greater solidarity in the community. By integrating themes such as war, geopolitics, and great leaders, with the less familiar cultural themes and personal stories, this book will appeal to general readers and travellers interested in the region.

The book is addressed to Armenians in all the world and to readers living in various countries who are interested in ancient history and culture of Biblical Armenia.

Instructive, amusing, colorful—pictorial maps have been used and admired since the first medieval cartographer put pen to paper depicting mountains and trees across countries, people and objects around margins, and sea monsters in oceans. More recent generations of pictorial map artists have continued that traditional mixture of whimsy and fact, combining cartographic elements with text and images and featuring bold and arresting designs, bright and cheerful colors, and lively detail. In the United States, the art form flourished from the 1920s through the 1970s, when thousands of innovative maps were mass-produced for use as advertisements and decorative objects—the golden age of American pictorial maps. Picturing America is the first book to showcase this vivid and popular genre of maps. Geographer Stephen J. Hornsby gathers together 158 delightful pictorial jewels, most drawn from the extensive collections of the Library of Congress. In his informative introduction, Hornsby outlines the development of the cartographic form, identifies several representative artists, describes the process of creating a pictorial map, and considers the significance of the form in the history of Western cartography. Organized into six thematic sections, Picturing America covers a vast swath of the pictorial map tradition during its golden age, ranging from “Maps to Amuse” to “Maps for War.” Hornsby has unearthed the most fascinating and visually striking maps the United States has to offer: Disney cartoon maps, college campus maps, kooky state tourism ads, World War II promotional posters, and many more. This remarkable, charming volume’s glorious full-color pictorial maps will be irresistible to any map lover or armchair traveler.

Here is a fully annotated translation of an Armenian literary classic, the first made from the critical Armenian text. The sixth-century History of Vardan and the Armenian War describes a revolt of Armenians against the shah of Sasanian Iran in 450-451 in protest against the persecution of Christianity. Elishē uses this occasion to express in more general terms his attitude as a Christian Armenian to the problems of cultural survival and patriotism in a hostile environment. His history profoundly influenced Armenian writers from classical times to the present; its hero, Vardan, remains the ideal figure of a patriot even in Soviet Armenia. Mr. Thomson's introduction places the work in its historical context, while extensive notes identify people and places, explain allusions, and clarify details of the account.