Carmel-by-the-Sea was established in the early 1900s and has been described as a quaint, European-like village among the trees along Central California's coast. The architectural styles that shaped the downtown character emerged predominantly in the 1920s and 1930s and were mostly Northern and Southern European-influenced Romantic Revival styles. The Court of the Golden Bough features Tudor Revival-style buildings, with medieval influence, while many of the larger buildings and hotels downtown are in the Mediterranean and Spanish Revival styles. Fairy-tale storybook designs add to the town's one-of-a-kind charm. A few Western false-front and Craftsman-style buildings from the start of the 20th century, some post-World War II modernist works in the Second and Third Bay Region styles, and ones inspired by Frank Lloyd Wright's organic architecture all add to the eclectic mix. Carmel-by-the-Sea has emphasized walking and the outdoors, with its courtyards and passageways, parks, gardens, and landscaping. Take a journey and discover the historic buildings that make up the downtown of this unique seaside town.

Carmel-by-the-Sea was established in the early 1900s and has been described as a quaint, European-like village among the trees along Central California's coast. The architectural styles that shaped the downtown character emerged predominantly in the 1920s and 1930s and were mostly Northern and Southern European-influenced Romantic Revival styles. The Court of the Golden Bough features Tudor Revival-style buildings, with medieval influence, while many of the larger buildings and hotels downtown are in the Mediterranean and Spanish Revival styles. Fairy-tale storybook designs add to the town's one-of-a-kind charm. A few Western false-front and Craftsman-style buildings from the start of the 20th century, some post-World War II modernist works in the Second and Third Bay Region styles, and ones inspired by Frank Lloyd Wright's organic architecture all add to the eclectic mix. Carmel-by-the-Sea has emphasized walking and the outdoors, with its courtyards and passageways, parks, gardens, and landscaping. Take a journey and discover the historic buildings that make up the downtown of this unique seaside town.

Carmel is a microcosm of California's architectural heritage, sited at one of the most scenic meetings of land and sea in the world. Mission San Carlos Borromeo became a root building for California's first regional building style, the Mission Revival. "Carmel City," as it was called in the 1880s, was marketed as a seaside resort for Catholics. Its pine-studded sand dunes survived the imposition of a standard American gridiron street pattern, with a Western, false-front main street, to become "Carmel-by-the-Sea." Artists, academics, and writers embraced the arts-and-crafts aesthetic of handcrafted homes built from native materials, informally sited in the landscape. In the mid-1920s, Tudor Revival and Spanish Romantic Revival styles enhanced the storybook quality of the community. Carmel's architectural character is primarily the product of working builders. Its design traditions have been interpreted and modified for modern times by noted architects, building designers, and craftsmen. Individual expression continues as an ongoing aesthetic theme.

Historic Homes and Inns of Carmel-by-the-Sea showcases the creativity, talent, and originality of the town's residents, designers, and builders over a span of 80 years, from the pioneering days of the 1880s through the more contemporary ones of the 1960s. One-of-a-kind creations by top-name architects Frank Lloyd Wright, Julia Morgan, Charles Greene, Albert Farr, Gardner Dailey, Henry Hill, and Mark Mills are featured. The designs by the three most influential people who shaped Carmel-by-the-Sea architecturally in its first half-century are well-represented: M.J. Murphy, who literally built the town, with hundreds of homes and buildings to his credit; Hugh Comstock, who defined it with his storybook cottages that gave the village its fairy-tale charm; and Jon Konigshofer, who modernized it through his trademarked, postwar Hillside House. Throughout its history, Carmel-by-the-Sea, California, has attracted unique, spirited, and sometimes eclectic individuals, and this is reflected in its architecture. In combination with the breathtaking beauty, remarkable scenery, and coastal setting, these historic homes and inns give the village its distinct look and make it unlike any place else.

A local poet once described Carmel-by-the-Sea, with its haunting pines, fog, and white sand, as "our inevitable place." The area had been inhabited for more than 3,000 years when Fr. Junipero Serra chose the site for his mission headquarters in 1771. The romantic name, Carmel-by-the-Sea, was the gift of a group of women real estate developers, later used in advertising lots for "brain workers at in-door employment." Many Stanford and UC Berkeley professors, artists, writers, and musicians left a lasting legacy here in their art and in their rejection of largescale commercial development. Although impoverished artists may no longer afford to live here, many residents and millions of sojourners still consider the lovely village packed with galleries and eateries their "inevitable place."

History of the places around Carmel and the people who lived there. With lists of animals, birds, and plants of Point Lobos.

Bright, a research assistant at the environmental educational non- profit organization Worldwatch Institute, describes and evaluates the spread of alien or "exotic" organisms that are destroying ecosystems around the world. Annotation copyrighted by Book News, Inc., Portland, OR

From the palace hotels of the elite to cheap lodging houses, residential hotels have been an element of American urban life for nearly two hundred years. Since 1870, however, they have been the target of an official war led by people whose concept of home does not include the hotel. Do these residences constitute an essential housing resource, or are they, as charged, a public nuisance? Living Downtown, the first comprehensive social and cultural history of life in American residential hotels, adds a much-needed historical perspective to this ongoing debate. Creatively combining evidence from biographies, buildings and urban neighborhoods, workplace records, and housing policies, Paul Groth provides a definitive analysis of life in four price-differentiated types of downtown residence. He demonstrates that these hotels have played a valuable socioeconomic role as home to both long-term residents and temporary laborers. Also, the convenience of hotels has made them the residence of choice for a surprising number of Americans, from hobo author Boxcar Bertha to Calvin Coolidge. Groth examines the social and cultural objections to hotel households and the increasing efforts to eliminate them, which have led to the seemingly irrational destruction of millions of such housing units since 1960. He argues convincingly that these efforts have been a leading contributor to urban homelessness. This highly original and timely work aims to expand the concept of the American home and to recast accepted notions about the relationships among urban life, architecture, and the public management of residential environments.

Millions of people come to Santa Cruz every year to enjoy the beach and eat at one of the many popular restaurants. Favorite places have come and gone, but they haven't been forgotten. From the treasured Miramar Fish Grotto, in business for more than seventy years, to Nature's Harvest, local, seasonal food has always been a staple of this little slice of paradise. Food trends were embodied in places like the Wild Thyme Café and the Sāba Club alongside longtime fixtures such as the Tea Cup and Adolph's Italian Family Restaurant, catering to locals and tourists alike. Author Liz Pollock combines wonderful stories and classic cocktail recipes from bygone eras in this trip down memory lane.