Historic Architecture in Northwest Philadelphia is a colorful and comprehensive look at the rich architectural history of the Wissahickon Valley, and the people who made it possible with a locally sourced building stone, the Wissahickon schist. The simple stone structures of Germantown's origins as a village of German immigrants laid the groundwork for the more elaborate buildings for Philadelphia's rising mercantile class that followed. From the colonial period to the 1930s, this architectural tour explores 450 structures, many still standing and well preserved, in the area from Wayne Junction in Germantown to Northwest Avenue in Chestnut Hill. A wide variety of architectural styles and influences are captured in nearly 750 modern day and archival images, including the Georgian, Colonial, and Federal styles of the eighteenth and early nineteenth centuries; the Revival of those styles and others; Italianate; Second Empire; and Romantic Eclecticism. This extensive architectural review is ideal for architects, historians, and residents of Northwest Philadelphia.

This photographic story of three dynamic neighborhoods in Philadelphia's twenty-first ward traces the evolution of each community as defined by its architecture. From the outstanding Tudor Historic District to elegant homes near Wissahickon Avenue, East Falls is a must-see neighborhood for connoisseurs of fine domestic architecture. Manayunk, once known as the Manchester of America, still retains its European hill town character, preserved in its worker homes, churches, and mills. Roxborough has its own unique architectural profile, with suburban residences of the Victorian era and the rural setting of Upper Roxborough. Historic Ridge Avenue is dotted with venerable structures from the eighteenth and nineteenth centuries. Brimming with nearly 500 full color photographs and archival images, and supplemented by selected biographies of the featured architects and firms, this book will charm history buffs, lovers of vintage architecture, and Philadelphia enthusiasts.

This book covers the 20 years that transformed Philadelphia into a city of neighborhoods, from Kingsessing to Wissahickon. At the turn of the 20th century, Philadelphia was the "workshop of the world," with builders toiling tirelessly to fill the staggering demand for housing. This golden age of construction resulted in whole new neighborhoods for the city's burgeoning population, transforming it into a place where immigrants could easily find jobs and a community to call their own. More than 200 vintage photos and postcards whisk readers back to the neighborhoods as they once were, exactly as our grandparents and great-grandparents knew them, before modern influences altered them beyond recognition. Arranged by neighborhood, this Philadelphia family album, a scrapbook for the city, is filled with rare vintage photographs and comprehensive information about the houses, the builders, the neighborhoods, and the people who lived in them.

Philadelphia Stories is a kind of family album. As in their earlier volume, Still Philadelphia: A Photographic History, 1890-1940, Miller, Vogel, and Davis have collected photographs of ordinary lives and daily events from 1920 to 1960 that have shaped the collective memory of people in the Philadelphia area. Through a series of photo essays, Philadelphia Stories evokes the mood of an era that embraced the Great Depression, World War II, the Cold War, and the complacent prosperity of the 1950s. Contemporary photos document physical changes in the metropolitan area: the developing skyline, the streets of rowhouses, the expanding suburbs. Details on homelife, food prices, school activities, local politics, shopping, social mores, and neighborhood customs chronicle experiences that are in many ways distinct to Philadelphians but also indicative of dramatic social, political, and economic shifts in the United States over forty years. Using photojournalism as the dominant style of documentary photography—and consciousness making—the book also features three prototypical family albums. These collections of snapshots taken by local residents to record weddings, holidays, and other family events not only depict how people saw themselves at various times but reveal the kinds of memories they wanted to keep. While major national events create the context for this social history, the book focuses on the daily lives of Philadelphians: as they cope with the Depression, participate in New Deal programs, buy automobiles and television sets, grow Victory Gardens, hold air raid drills, visit the Freedom Train, move to the suburbs, cling to old neighborhoods, and maintain tradition amid flux.Philadelphia Stories celebrates the recent past in the words and images of those who experienced it. It is a family album for all who know and love the city. Author note: Fredric M. Miller is Curator of the Urban Archives Center, Paley Library, Temple University.Morris J. Vogel is Professor of History, Temple University.Allen F. Davis is Professor of History, Temple University.

Incorporating more than 3,000 illustrations, Kornwolf's work conveys the full range of the colonial encounter with the continent's geography, from the high forms of architecture through formal landscape design and town planning. From these pages emerge the fine arts of environmental design, an understanding of the political and economic events that helped to determine settlement in North America, an appreciation of the various architectural and landscape forms that the settlers created, and an awareness of the diversity of the continent's geography and its peoples. Considering the humblest buildings along with the mansions of the wealthy and powerful, public buildings, forts, and churches, Kornwolf captures the true dynamism and diversity of colonial communities - their rivalries and frictions, their outlooks and attitudes - as they extended their hold on the land.

A detailed study of early historical preservation efforts between the 1780s and the 1850s In Historic Real Estate, Whitney Martinko shows how Americans in the fledgling United States pointed to evidence of the past in the world around them and debated whether, and how, to preserve historic structures as permanent features of the new nation's landscape. From Indigenous mounds in the Ohio Valley to Independence Hall in Philadelphia; from Benjamin Franklin's childhood home in Boston to St. Philip's Episcopal Church in Charleston, South Carolina; from Dutch colonial manors of the Hudson Valley to Henry Clay's Kentucky estate, early advocates of preservation strove not only to place boundaries on competitive real estate markets but also to determine what should not be for sale, how consumers should behave, and how certain types of labor should be valued. Before historic preservation existed as we know it today, many Americans articulated eclectic and sometimes contradictory definitions of architectural preservation to work out practical strategies for defining the relationship between public good and private profit. In arguing for the preservation of houses of worship and Indigenous earthworks, for example, some invoked the "public interest" of their stewards to strengthen corporate control of these collective spaces. Meanwhile, businessmen and political partisans adopted preservation of commercial sites to create opportunities for, and limits on, individual profit in a growing marketplace of goods. And owners of old houses and ancestral estates developed methods of preservation to reconcile competing demands for the seclusion of, and access to, American homes to shape the ways that capitalism affected family economies. In these ways, individuals harnessed preservation to garner political, economic, and social profit from the performance of public service. Ultimately, Martinko argues, by portraying the problems of the real estate market as social rather than economic, advocates of preservation affirmed a capitalist system of land development by promising to make it moral.

"Examines 40 properties in detail with over 300 archival and contemporary photographs, drawings, and floor plans." -- Dust jacket.

Frank Furness' energy, confidence, brashness, vulgarity, and full-throated love of life vibrate in his architecture.

Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.