Bringing together distinguished scholars in honor of Professor Teofilo F. Ruiz, this volume presents original and innovative research on the critical and uneasy relationship between authority and spectacle in the period from the twelfth to the sixteenth centuries, focusing on Spain, the Mediterranean and Latin America. Cultural scholars such as Professor Ruiz and his colleagues have challenged the notion that authority is elided with high politics, an approach that tends to be monolithic and disregards the uneven application and experience of power by elite and non-elite groups in society by highlighting the significance of spectacle. Taking such forms as ceremonies, rituals, festivals, and customs, spectacle is a medium to project and render visible power, yet it is also an ambiguous and contested setting, where participants exercise the roles of both actor and audience. Chapters in this collection consider topics such as monarchy, wealth and poverty, medieval cuisine and diet and textual and visual sources. The individual contributions in this volume collectively represent a timely re-examination of authority that brings in the insights of cultural theory, ultimately highlighting the importance of representation and projection, negotiation and ambivalence.

Traces the history of chivalric fiction in Western Europe, from the earliest Celtic tales to the conflict between romance and realism in Don Quixote.

Sonic Ruins of Modernity shows how social, cultural and cognitive phenomena interact in the making and distribution of folksongs beyond their time. Through Judeo-Spanish (or Ladino) folksongs, the author illustrates a methodology for the interplay of individual memories, artistic initiatives, political and media policies, which ultimately shape “tradition” for the past century. He fleshes out in a series of case studies how folksongs can be conceived, performed and circulated in the post-tradition era – constituting each song as a “sonic ruin,” as an imagined place. At the same time, the book overall provides a unique perspective on the history of the Judeo-Spanish folksong.

Uriel Simon describes the fascinating controversy that raged from the tenth to the twelfth centuries regarding the theological status and literary genre of the Psalms. Saadiah Gaon, who initiated the controversy, claimed that the Psalter was a second Torah--the Lord's word to David--and by no means man's prayer to God. Salmon ben Yerucham and Yefet ben Ali insisted on the Karaite view that the Book of Psalms was the prophetic common prayerbook of Israel. Totally opposing both of these concepts, Rabbi Moses Ibn Giqatilah regarded the Psalms as non-prophetic prayers authored by different poets, beginning with David and ending with the captive Levites in the Babylonian exile. Finally, Rabbi Abraham Ibn Ezra reverted to the belief held by the Talmudic sages--that the Psalms were Israel's divinely inspired and most sacred poetry. The book also includes the full text of a previously unknown introduction to Ibn Ezra's lost commentary on the Psalms, which is much more elaborate and revealing than the introduction to his familiar classical commentary.

Since it emergence in the 19th century in response to feudalism, nationalism has been a mixed blessing. Originally seen as a positive force, often enough it has resulted in warfare and persecution of minorities, so much so that, over time, it has been considered a social evil whose apparent decline has been greeted as a positive development. The author disputes this or rather, he maintains that the picture that emerges is more complex: nationalism is not disappearing but has taken on a different form. What we are experiencing is an increasing autonomy of ethnonations, i.e. nations without a state, in the wake of a weakening of the multinational states and the transfer of their sovereignty upwards, in the case of Europe to the federation of the European Union, and downwards to the "ethnonations." Catalonia is the major case study in this book but it is embedded in a comprehensive theoretical framework as well as the historical and contemporary reality of Europe, opening up a new perspective. The author, one of the foremost scholars in this field, brilliantly succeeds in developing an original, clear and comprehensive vision of nationalism that is accessible to a wide readership.