The most sophisticated and complete work to date of punk and metal artist Alexander Heir.

Relics were everywhere in medieval society. Saintly morsels such as bones, hair, teeth, blood, milk, and clothes, and items like the Crown of Thorns, coveted by Louis IX of France, were thought to bring the believer closer to the saint, who might intercede with God on his or her behalf. In the first comprehensive history in English of the rise of relic cults, Charles Freeman takes readers on a vivid, fast-paced journey from Constantinople to the northern Isles of Scotland over the course of a millennium.In "Holy Bones, Holy Dust," Freeman illustrates that the pervasiveness and variety of relics answered very specific needs of ordinary people across a darkened Europe under threat of political upheavals, disease, and hellfire. But relics were not only venerated--they were traded, collected, lost, stolen, duplicated, and destroyed. They were bargaining chips, good business and good propaganda, politically appropriated across Europe, and even used to wield military power. Freeman examines an expansive array of relics, showing how the mania for these objects deepens our understanding of the medieval world and why these relics continue to capture our imagination.

A collection of imagery from the multidisciplinary artist Jesse Draxler's career, 2013- present.

Leap across time with bestselling author Harvey Rachlin as he collects over 50 of the most fascinating objects in the world, under one book. The Mounted Hide of Stonewall Jackson's Battle Horse, The Black Obelisk, The Rosetta Stone, George Washington's False Teeth, Vice Admiral Lord Nelson's Uniform Coat, The Elephant Man's Skeleton, and Lincoln's Death Bed are just some of the objects Rachlin explores with wit, pick and an amazing sense of spectacle. Publisher's Weekly calls Lucy's Bone's, Sacred Stones, and Einstein's Brain "entertaining and enlightening." Library Journal declares Rachin's work "fascinating." Parade says it is "detailed and authoritative." It is also intensely moving as Rachlin weaves together seemingly disparate histories into a holistic statement that celebrates human endeavor. This book is not simply wonderful -- it is full of wonder.

"There was never an artist who came close to capturing horror and dread like Lee Brown Coye. He was master of the weird and grotesque illustration. Coye's sketches had the shape of nightmares."—Robert Weinberg, The Weird Tales Story "It was always my belief that a good drawing was a good drawing, whether it was in the archives of the Metropolitain Museum or in a pulp magazine."— Lee Brown Coye No other artist working in mid-century pulp fiction created work as twisted as Lee Brown Coye. By the 1970s, after surviving a life-threatening illness, Coye would outdo himself, creating lurid illustrations exclusive to rare privately published books and fanzines. With nearly one hundred gloriously rendered Coye-penned images, Pulp Macabre showcases Coye's final and darkest era, containing some of the most passionately ghoulish artwork ever made. Mike Hunchback is an enthusiast of various eras of extreme and bizarre underground art, and is currently working on a biography of original Fangoria magazine editor Robert "Uncle Bob" Martin. Caleb Braaten operates Sacred Bones Records, which has recently teamed with David Lynch to release his new album The Big Dream.

The most thorough and thoughtful treatment of the Heavy Metal dress code and the culture it lives and breathes to date.

A fascinating, intelligent, and sometimes funny tour of the human relics at the root of the world’s major religions By examining relics—the bits and pieces of long-dead saints at the heart of nearly all religious traditions—Peter Manseau delivers a book about life, and about faith and how it is sustained. The result of wide travel and the author’s own deep curiosity, filled with true tales of the living and dubious legends of the dead, Rag and Bone tells of a California seeker who ended up in a Jerusalem convent because of a nun’s disembodied hand; a French forensics expert who travels on the metro with the rib of a saint; two young brothers who collect tickets at a Syrian mosque, studying English beside a hair from the Prophet Muhammad’s beard; and many other stories, myths, and peculiar histories. With these, and an array of other digits, limbs, and bones, Manseau provides a respectful, witty, informed, inquisitive, thoughtful, and fascinating look into the "primordial strangeness that is at the heart of belief," and the place where the abstractions of faith meet the realities of physical objects, of rags and bones.

"'The air is on fire' is the first exhibition to comprehensively present David Lynch's work as a visual artist. Created for the Fondation Cartier pour l'art contemporain and shown in Paris from March 3 to May 27, 2007, it includes diverse forms of his artistic expression, culled from his extensive collection of his own artwork that dates back to 1965. Initially trained as a painter, he has continued to prolifically produce artwork - from paintings to photographs to drawings - throughout his career as a filmmaker, and has broadened his practice to include animation, music composition and sound production." - page [15]