This is a fun lively adventure book suitable for preschoolers to age 7 Zeus is a very clever dog who somehow has turned up missing. And nine year old Jacob is determined to find him even if it thrust him into some scary situations. I got the idea for my book from an actual event that happened here at my home in Atlanta, GA where I live with my husband, three children and three dogs. And by the way, Zeus is real dog and still very clever.

Code Name: Zeus is a story about immigrants from several countries coming together in a remote place in Texas to make their way as Americans. They left their grim existences in faraway parts of the world with no assurance they would find success and happiness. Kursk, TX and surrounding area, settled by German Russian immigrants in the early 20th century, suffered greatly from the dual impact of the Dust Bowl years and the Great Depression, only to be saved by two other newcomers from Europe who are great believers in capitalism and the American way of life. After making a vast fortune starting on the streets of New Orleans, Louisiana, and around Beaumont, Texas, Russian immigrant Robert Barzinsky and his junior partner, Jack Barnett, a native of Ireland, move to Kursk. They ranch, drill for oil, and create a secret project to prepare for a major worldwide disaster with help of several techies. Government agencies and sinister organizations in the United States and around the world closely follow the activities in and around the small town.

This volume presents an essential but underestimated role that Dionysus played in Greek and Roman political thought. Written by an interdisciplinary team of scholars, the volume covers the period from archaic Greece to the late Roman Empire. The reader can observe how ideas and political themes rooted in Greek classical thought were continued, adapted and developed over the course of history. The authors (including four leading experts in the field: Cornelia Isler-Kerényi, Jean-Marie Pailler, Richard Seaford andRichard Stoneman) reconstruct the political significance of Dionysus by examining different types of evidence: historiography, poetry, coins, epigraphy, art and philosophy. They discuss the place of the god in Greek city-state politics, explore the long tradition of imitating Dionysus that ancient leaders, from Alexander the Great to the Roman emperors, manifested in various ways, and shows how the political role of Dionysus was reflected in Orphism and Neoplatonist philosophy. Dionysus and Politics provides an excellent introduction to a fundamental feature of ancient political thought which until now has been largely neglected by mainstream academia. The book will be an invaluable resource to students and scholars interested in ancient politics and religion.

When ten-year-old Zeus is kidnapped, he discovers he can defend himself with a magical thunderbolt.

The personality and characteristics of Zeus can often be seen in tales that modern writers and filmmakers weave. The name Zeus still stands for the ultimate in power and authority, which is why it graces modern companies and their products. A study of the starry night sky reveals constellations named after the twin sons of Zeus. Indeed, if mighty Zeus were to look down at the earth today from his lofty Olympian perch, he may well be pleased at the impact he still has on the modern world.

A haunting and triumphant story of a difficult and keenly felt life, Change Me into Zeus's Daughter is a remarkable literary memoir of resilience, redemption, and growing up in the South. Barbara Robinette Moss was the fourth in a family of eight children raised in the red-clay hills of Alabama. Their wild-eyed, alcoholic father was a charismatic and irrationally proud man who, when sober, captured his children's timid awe, but when (more often) drunk, roused them from bed for severe punishment or bizarre all-night poker games. Their mother was their angel: erudite and stalwart -- her only sin her inability to leave her husband for the sake of the children. Unlike the rest of her family, Barbara bore the scars of this abuse and neglect on the outside as well as the inside. As a result of childhood malnutrition and a complete lack of medical and dental care, the bones in her face grew abnormally ("like a thin pine tree"), and she ended up with what she calls "a twisted, mummy face." Barbara's memoir brings us deep into not only the world of Southern poverty and alcoholic child abuse but also the consciousness of one who is physically frail and awkward, relating how one girl's debilitating sense of her own physical appearance is ultimately saved by her faith in the transformative powers of artistic beauty: painting and writing. From early on and with little encouragement from the world, Barbara embodied the fiery determination to change her fate and achieve a life defined by beauty. At age seven, she announced to the world that she would become an artist -- and so she did. Nightly, she prayed to become attractive, to be changed into "Zeus's daughter," the goddess of beauty, and when her prayers weren't answered, she did it herself, raising the money for years of braces followed by facial surgery. Growing up "so ugly," she felt the family's disgrace all the more acutely, but the result has been a keenly developed appreciation for beauty -- physical and artistic -- the evidence of which can be seen in her writing. Despite the deprivation, the lingering image from this memoir is not of self-pity but of the incredible bond between these eight siblings: the raucous, childish fun they had together, the making-do, and the total devotion to their desperate mother, who absorbed most of the father's blows for them and who plied them with art and poetry in place of balanced meals. Gracefully and intelligently woven in layers of flashback, the persistent strength of Barbara Moss's memoir is itself a testament to the nearly lifesaving appreciation for literature that was her mother's greatest gift to her children.

From Greece to Palmyra, Tyre or Babylon, the names of the gods, like 'Thundering Zeus', 'Three-faced Moon', 'Baal of the Force' or the enigmatic YHWH, reveal their history, family ties, fields of competence and capacity for action. Shared or specific, these names bring to light networks of gods: the Saviour gods, the Ancestral gods, the gods of a city or a family. Names tell stories about the relationship between men and gods, gods and places, places and cultures and so on. They show how gods travel and spread, how they appear and disappear, how they participate in the political, social, intellectual history of each community. Through the study of divine names, the twelve chapters of this book unfold a gallery of portraits that reveal the changing aspects of the divine throughout the ancient Mediterranean.