Tracing the evolution of state military institutions from the seventh through the twelfth centuries, this book challenges much of the received wisdom of Western scholarship on the origins and early development of warriors in Japan. This prelude to the rise of the samurai, who were to become the masters of Japan's medieval and early modern eras, was initiated when the imperial court turned for its police and military protection to hired swords--professional mercenaries largely drawn from the elites of provincial society. By the middle of the tenth century, this provincial military order had been handed a virtual monopoly of Japan's martial resources. Yet it was not until near the end of the twelfth century that these warriors took the first significant steps toward asserting their independence from imperial court control. Why did they not do so earlier? Why did they remain obedient to a court without any other military sources for nearly 300 years? Why did the court put itself in the potentially (and indeed, ultimately) precarious situation of contracting for its military needs with private warriors? These and related questions are the focus of the author's study. Most of the few Western treatments see the origins of the samurai in the incompetence and inactivity of the imperial court that forced residents in the provinces to take up arms themselves. According to this view, a warrior class was spontaneously generated just as one had been in Europe a few centuries earlier, and the Japanese court was doomed to eventually perish by the sword because of its failure to live by it. Instead, the author argues that it was largely court activism that put swords in the hands of rural elites, thatcourt military policy, from the very beginning of the imperial state era, followed a long-term pattern of increasing reliance on the martial skills of the gentry. This policy reflected the court's desire for maximum efficiency in its military institutions, and the policy's succes

Alex Bledsoe introduced the world to Eddie LaCrosse, the hard-boiled but soft-hearted detective known as a "sword jockey" who, for twenty-five gold pieces a day, plus expenses, will take on any case short of murder for hire. Like Philip Marlowe in shining armor or Sam Spade with a sword, Eddie goes down his mean medieval streets trying to walk the straight and narrow in a crooked, twisting fantasy world. Over the course of four novels, LaCrosse has encountered dragons, pirates, sea monsters, goddesses, ghosts, and magic, all the while keeping his cool and doing what's right. In this collection you'll receive the complete text of the first four Eddie LaCrosse novels. The Sword-Edged Blonde When a childhood friend, now a king, asks Eddie's help in clearing his queen of a murder charge, Eddie's long-buried past refuses to stay hidden. Burn Me Deadly Someone will go to any lengths, including torture and murder, to locate the last remaining dragon eggs. But dragons aren't real, are they? Dark Jenny A poisoned apple sets off political turmoil that threatens to destroy an entire Camelot-like kingdom, and take Eddie with it. Wake of the Bloody Angel Eddie searches for the vanished pirate Black Edward Tew and his legendary treasure, but even the help of a tough former pirate queen may not be enough to save him from what he finds. Swords Are My Business also includes a sample of the fifth Eddie LaCrosse novel, He Drank, and Saw the Spider. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The greatest order of chivalry in the history of Krynn. After a knight has achieved the Order of the Crown, he must then begin his training in the virtues of courage and heroism in order to achieve the Order of the Sword. This is the second tale of Sir Pirvan the Wayward, whose reluctant and inauspicious beginnings bore few clues to his potential as a Knight of the Sword or as a Knight of the Crown, nor as a mentor for another similarly dubious prospect for Krynn's greatest order of chivalry. Roland J. Green is the author of the Starcruiser Shenandoah and Wandor series and numerous Conan novels, and is coauthor (with Jerr Pournelle) of the Jannisaries series. The Warriors series details the exploits of the heroes and villains of the War of the Lance.

Four hundred light years from Earth, Kregen is a marvelous world, peopled by wonderful beings, filled with light and clamor and furor of life lived to the hilt. But Kregen has its darker side, where horror and terror bind innocent people, where sorceries rend reason, where injustice denies light. The Spikatur Cycle brings Prescot closer to the realization of many of his dreams. He is determined to do what he feels is laid upon him; but he finds it is not so easy, particularly when the Empress Delia and his comrades are determined to keep him out of trouble. But, he is Dray Prescot, Lord of Strombor and Krozair of Zy, and that canny old leem hunter will not be prevented from buckling up the brave old scarlet breechclout and hurtling off beneath the Moons of Kregen into fresh headlong adventure with a sword in his fist... The marvelous adventures of Dray Prescot on Kregen, the world of wonders that orbits the twin suns of Antares in Scorpio, have become a science fiction saga to rival and perhaps surpass the works of Edgar Rice Burroughs and others of the heroic fantasy band. Beasts of Antares:Dray Prescot, lone Earthman, once a pawn of cosmic powers, rallies the warriors of Vallia for a final stand against the foes that encircle them. Then, in an act of true Prescot bravado, undertakes single handed to rescue three old friends from slavery in a distant land. The beasts of Antares are many and terrifying, but Prescot does not belong to the faint hearted and he will need every ounce of courage this time! Rebel of Antares:At last Prescot has come in sight of his goal to overthrow the slavers and their evil empires, that he shares with the Star Lords. On the island kingdom of Hyrklana his course now seems clear: overthrow its decadent queen, lead a rebellion against the cruel Arena, and free the princess who is its rightful ruler. It is a hard task, but for Dray Prescot, against whom sorcerers and swordsmen have contended, it is the only course he could follow. Legions of Antares:For too long the iron legions of the evil empress of Hamal have devastated the neighboring lands and islands of Kregen. Dray Prescot has battled Empress Thyliss all the way, and at long last finds himself nearing the end of his long campaign. Gathering about himself old allies and former enemies, Dray prepares to challenge the empress at the very doors of her capital city, until he discovers that she is about to spring her secret weapon: the super-science of the mad wizard of Loh. Allies of Antares:Dray Prescot has made himself into a rallying point of strength on Kregen. Now, after the worst war between the humanoid lands has finally concluded, Prescot again confronts the Star Lords, only to learn that the hard won peace is just a transition to a great hemispheric invasion that was even then raiding over the horizon. This book contains a glossary of the Spikatur cycle.

Granddaughter of the sorceress Kethry, daughter of a noble house, Kerowyn had been forced to run the family keep since her mother's untimely death. Yet now at last her brother was preparing to wed, and when his bride became the lady of the keep, Kerowyn could return to her true enjoyments - training horses and hunting. But all Kerowyn's hopes and plans were shattered when her anscestral home was attacked, her father slain, her brother wounded, and his fiancee kidnapped. Drive by desperation and the knowledge that a scorcerer had led the journey which would prove but he first step on the road to the fulfillment of her destiny.

1066. William The Conqueror takes England. Wrong. That version of history is Norman revisionism and propaganda! The truth is that England did not surrender to The Bastard Duke’s rule. For the next 40 years they fought a war of resistance in the forests and moorlands. This fighting force of proto-guerrillas were called the Silvatici and became the stuff of Norman nightmares. This is their origin story. It follows Edgar The Atheling (the legitimate King of England), Princess Margaret (who becomes Queen of Scotland and Saint Margaret), Kallín of the Rohán ( the young Chieftain of a clan of indigenous mercenaries) and Luna (a ferocious young female warrior). Their adventures take us from the great courts of Normandy, London and York to the wilds of Northumbria and the moorlands which will become the killing fields of the war of resistance to come.

Swords against Cthulhu, an anthology of sword and sorcery/Cthulhu Mythos crossovers. Mighty thewed barbarians battle alien wizardry and cosmic terror in a blind, unreasoning universe where only the strong survive... The Cthulhu Mythos is best known as a horror genre, but its influence was felt on the work of seminal sword and sorcery writers Robert E Howard and Clark Ashton Smith, and its pessimistic tone has continued to predominate in the genre to this day. However mighty the hero, the forces of chaos, the blasphemous powers of an insouciant universe, are stronger-or are they? All a doomed swordsman can do is face the outer darkness, blade in hand, a song of defiance on his lips, and hope to die fighting... Including stories by Damir Salkovic, Mark Sims, Sergio Palumbo and many more!

With over 300 stunning photographs and woodblock prints along with extensive historical and cultural commentary, Japanese Swords is the ultimate authority on Samurai weaponry. Historically, Japanese warriors considered their swords to be far greater than simple weaponry. Their swords were both lethal tools and divine companions -- social and religious icons. Traditionally worn by the samurai as a sign of social status, the Japanese sword represented the junction between the reigning military class and those whom they ruled. Moreover, the samurai sword was a technological and artistic marvel. Many scholars consider it to be the finest sword ever constructed. In terms of symbolism and historical importance, no other blade comes close to the Japanese sword. With a historical, iconographical, and technological perspective, author Cohn M. Roach provides an in-depth study of these magnificent weapons in Japanese Swords. This richly illustrated sword book weaves the blade's primary influences together, tracking its history and illuminating its progress from infancy to grandeur. By studying the evolution of the Japanese sword from this perspective, we better understand Japan and its warrior archetype. Combining research materials from multiple disciplines, Roach uses his expertise as an educator to guide readers through the sword's rise to greatness in a unique way. This book discusses the history, development, and spiritual symbolism of the sword, as well as the esoteric metallurgical techniques used in making it. It also covers the difficult training practices used by skilled swordsmen. Japanese Swords also includes a companion video content featuring a beautifully-filmed documentary that explores the traditional swordmaker's craft. The video content also contains an introduction to the Japanese sword at a sword shop in Kyoto and a visit to a dojo for a beginner's class in the medieval sword-drawing art called iaido.

Karl Friday, an internationally recognised authority on Japanese warriors, provides the first comprehensive study of the topic to be published in English. This work incorporates nearly twenty years of on-going research and draws on both new readings of primary sources and the most recent secondary scholarship. It overturns many of the stereotypes that have dominated views of the period. Friday analyzes Heian -, Kamakura- and Nambokucho-period warfare from five thematic angles. He examines the principles that justified armed conflict, the mechanisms used to raise and deploy armed forces, the weapons available to early medieval warriors, the means by which they obtained them, and the techniques and customs of battle. A thorough, accessible and informative review, this study highlights the complex casual relationships among the structures and sources of early medieval political power, technology, and the conduct of war.

The Roman Empire rules the civilised world with an iron fist, seemingly all-powerful and limitless. And yet, the power of Rome is secured not by its mighty legions, but by small bands of warriors and agents fighting a secret war. Tasked by the Emperor to explore ancient temples, forgotten labyrinths and beast-haunted caverns, they seek out artefacts hidden by the gods themselves, hunt creatures of myth and face enemies that would use dark magic against the empire. Broken Legions is a set of fantasy skirmish rules for a war unknown to history, fought in the shadows of the Roman Empire. Various factions recruit small warbands to fight in tight, scenario-driven battles that could secure the mystical power to defend – or crush – Rome. A points system allows factions to easily build a warband, and mercenaries and free agents may also be hired to bolster a force. Heroes and leaders may possess a range of skills, traits and magical abilities, but a henchman's blade can be just as sharp, and a campaign can see even the lowliest henchman become a hero of renown.