This volume offers a comprehensive range of approaches to the work of Mark E. Smith and his band The Fall in relation to music, art and politics. Mark E. Smith remains one of the most divisive and idiosyncratic figures in popular music after a recording career with The Fall that spans thirty years.

When the most successful film studio in Hollywood is racked with failed projects, financial reversals and bizarre accidents, rumors swirl that legendary long-time studio head Nero is on the chopping block. The notorious and increasingly erratic Nero engineers a pre-emptive strike against the studio’s parent company by staging a star-studded film shoot in the desert and then orchestrating a series of increasingly traumatic accidents—prematurely triggered pyrotechnic effects, blanks switched out for live ammo, and worse—guaranteed to make the project fail so lethally that it brings down the very studio that he created. The cast and crew settle into their temporary desert home blissfully unaware that the entire location sits on top of a radioactive waste dump. As the film’s magnetic lead actor Tony Billings scrounges for drugs and cheap thrills, he is stalked by an obsessive entertainment journalist, Frederick M Barclay, who pursues his ultimate objective to once and for all lay open his subject in the most gruesome possible way.

‘If it’s me and your granny on bongos, it’s The Fall.’ As legendary frontman of post-punk outfit The Fall, Mark E. Smith was known as much for his mercurial temperament as his exceptional musical talent. Famous for his singular way with words both onstage and off, his road to the music hall of fame was paved with brilliant one-liners, eccentric behaviour, and the dozens of members of The Fall he ejected along the way. Collecting his wit and wisdom for the first time and featuring an introduction from Stuart Maconie, Messing Up the Paintwork is a tribute to a musical icon described as ‘untouchably cool’ (Lauren Laverne), an ‘uncompromising musical maverick’ (Tim Burgess) and ‘a man shouting from a prison window’ (Frank Skinner). And it’s a book for the fans who will miss him terribly.

AFTER THE APOCALYPSE the hazardous evolution of mankind continues. And in primeval response to the disaster, humanity's solutions to catastrophe carve the harsh new world in violent patterns of magic and myth, rite and religion. Brave images scar the ancient hills, the clash of swords and the ageless power of sexuality sign-post another, bloodsoaked path to civilisation.

Ever been thrown off the bus in the middle of a Swedish forest or asked to play at one of the UK's biggest music festivals with musicians you've just met who are covered in blood? If so you've probably been in The Fall. Dave Simpson made it his mission to track down everyone who has ever played in Britain's most berserk, brilliant group. He uncovers a changing Britain, tales of madness and genius, and wreaks havoc on his own life.

Tomàs Rivera quite possibly has been the most influential voice in Chicano literature. Besides his masterpiece, ƒy no se lo tragÑ la tierra / ƒAnd the Earth Did Not Devour Him, included here is the sum total of his published works, in English and Spanish, as well as many that never made print in his lifetime.

A comprehensive collection of the writings of Mark Fisher (1968-2017), whose work defined critical writing for a generation. This comprehensive collection brings together the work of acclaimed blogger, writer, political activist and lecturer Mark Fisher (aka k-punk). Covering the period 2004 - 2016, the collection will include some of the best writings from his seminal blog k-punk; a selection of his brilliantly insightful film, television and music reviews; his key writings on politics, activism, precarity, hauntology, mental health and popular modernism for numerous websites and magazines; his final unfinished introduction to his planned work on "Acid Communism"; and a number of important interviews from the last decade. Edited by Darren Ambrose and with a foreword by Simon Reynolds.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.