Hip Hop Slop takes a lot at the impact the hip hop culture has had on society and its youth.

The Hip Hop Movement offers a critical theory and alternative history of rap music and hip hop culture by examining their roots in the popular musics and popular cultures of the Civil Rights Movement and Black Power Movement. Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. Ultimately, this book’s remixes (as opposed to chapters) reveal that black popular music and black popular culture have always been more than merely “popular music” and “popular culture” in the conventional sense and reflect a broader social, political, and cultural movement. With this in mind, sociologist and musicologist Reiland Rabaka critically reinterprets rap and neo-soul as popular expressions of the politics, social visions, and cultural values of a contemporary multi-issue movement: the Hip Hop Movement. Rabaka argues that rap music, hip hop culture, and the Hip Hop Movement are as deserving of critical scholarly inquiry as previous black popular musics, such as the spirituals, blues, ragtime, jazz, rhythm & blues, rock & roll, soul, and funk, and previous black popular movements, such as the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Civil Rights Movement, Black Power Movement, Black Arts Movement, and Black Women’s Liberation Movement. This volume, equal parts alternative history of hip hop and critical theory of hip hop, challenges those scholars, critics, and fans of hip hop who lopsidedly over-focus on commercial rap, pop rap, and gangsta rap while failing to acknowledge that there are more than three dozen genres of rap music and many other socially and politically progressive forms of hip hop culture beyond DJing, MCing, rapping, beat-making, break-dancing, and graffiti-writing.

Come and join an emotional story about social redemption as seen through the eyes of Donald 'Hip Hop' Berry, a teenage high school bully. After experiencing head trauma from an automobile accident Hip Hop lies comatose on a hospital gurney when a devilish nightmare transports him back to the year 1855 and thrust him in the role of a plantation slave so he can get a taste of the disrespect he slam dunked on his fellow students. Hence, our story follows his torment when he is beaten with a bull whip; branded with a red-hot poker; forced to pick cotton; and forced to eat rotting food from a pig's trough. Finally, we will follow him and his adopted family's desperate attempt to flee the plantation with a pack of hungry dogs hot on their trail. We shall see how Hip Hop is forced to learn some valuable lessons about tolerating people different from himself, lessons that are remedial to the violent breaking news we see on TV every day. So for the sake of our families let's learn Hip Hop's lesson together; after all, can't one great lesson be enough for all of us?

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Delves into the history of this unique cultural movement through an examination of its origins, influences, music, style, and evolution as expressed throughout the world.

Booklist Top of the List Reference Source The heir and successor to Eric Partridge's brilliant magnum opus, The Dictionary of Slang and Unconventional English, this two-volume New Partridge Dictionary of Slang and Unconventional English is the definitive record of post WWII slang. Containing over 60,000 entries, this new edition of the authoritative work on slang details the slang and unconventional English of the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge's own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English published sources given for each entry, often including an early or significant example of the term’s use in print. hundreds of thousands of citations from popular literature, newspapers, magazines, movies, and songs illustrating usage of the headwords dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning New to this edition: A new preface noting slang trends of the last five years Over 1,000 new entries from the US, UK and Australia New terms from the language of social networking Many entries now revised to include new dating, new citations from written sources and new glosses The New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language.

The volume is a collection of scholarly essays and personal responses that contextualizes Hamilton: An American Musical in various frameworks: hip-hop theatre and history, American history, musicals, contemporary politics, queer theory, feminism, and more. Hamilton is arguably the most important piece of American theatre in 25 years in terms of both national impact and shaping influence on American theatre. It is part of a larger history of American theatre that reframes the United States and shows the nation its face in a manner not before seen but that is resolutely true. With essays from a number of scholars, artists, political scientists, and historians, the book engages with generational differences in response to the play, transformations of the perception of the musical between the Obama and Trump administrations, youth culture, color-conscious casting, feminist critiques, comparisons with black-ish, The Mountaintop, Assassins, and In the Heights, as well as Hamilton's place in hip hop theatre.

Never in my life did I ever contemplate composing a book of Poetry so I didn't and my apologies to those of you out there who thought I would dare categorize it as such when comparing it to the classics. For some unknown reason during the past two years, there has been an avalanche of rhymes materialising in my head on a daily and sometimes even an hourly basis. Everything that my eyes dropped on to or what somebody might have happened to mention in passing was automatically filtered into the verse as opposed to the voice box or voice-versa and summarily twisted and turned into a rhyming subject. Silly ,serious or just amusing, most were given an added ingredient of poignancy or irony that may have directly related to the complex world we live in. Flowing with the phenomonom, my thoughts seemed to urge me into re- producing other experiences that may have been lying dormant somewhere in the back of my mind since my first tangible recollections of life and the initial flexing of brain muscle back at the school of learning right up to the present moment. The anecdotes are again observations and stories picked up and stored over many, many years and embellished to produce an occasional break from rhyme reading. The Human Race warms to laughter and happiness in a serious, demanding enviroment and hopefully this book will bring some small ray of sunshine into your life to provide a welcome break from the daily grind. This is an enigmatic look at that life so to speak and like a drink, I trust you will enjoy it responsibly.