This book deals with the early development of Śaivism in ancient Dakṣiṇa Kosala, the region that roughly corresponds to the modern state of Chhattisgarh, plus the districts of Sambalpur, Balangir and Kalahandi of Odhisha (formerly Orissa). At the end of the sixth and the beginning of the seventh century, this region was under the control of the Pāṇḍava king Śivagupta alias ‘Bālārjuna’ hailing from Śrīpura (the modern village of Sirpur), who was a great patron of religion. Epigraphical evidence, supported by archaeological remains, has shown that by the time of Śivagupta’s reign, which lasted for at least fifty-seven years, Dakṣiṇa Kosala was already a rich center of early Śaivism. In the context of this setting the following research questions were formulated: what circumstances fostered the rise and development of Śaivism in this area, and did the Skandapurāṇa, an important and contemporaneous religious scripture, play any role in that development? An answer to these questions would not only shed light on the religious processes at work in Dakṣiṇa Kosala, but would also touch upon the interplay of political, social, economic and geographical factors.

An extensive study of self-sacrificial images in Indian art, this book examines concepts such as head-offering, human sacrifice, blood, suicide, valour, self-immolation, and self-giving in the context of religion and politics to explore why these images were produced and how they became paradigms of heroism.

This volume is a detailed exposition of the visual retellings from the Rāmāyaṇa, Mahābhārata and Bhāgavata Purāṇa on specific South Indian Hoysaḷa temples. The first part of the book deals with the Amṛteśvara temple, particularly its narrative panels depicting the Rāmāyaṇa, Mahābhārata and Bhāgavata Purāṇa. The text is a résumé of episodes paired with photographs which illustrate and review the visual retellings and explore Indian techniques of visual narrative. Corollary material from other Hoysaḷa temples with narrative reliefs, including new sites, is presented in the second part. There are very few published contextual studies of Indian narrative sculptures, and so the book is a contribution to the documentation of Indian medieval art, examining visual narratives within the context of the Hindu temple. The book is illustrated with 150 photographs.

It Is A Collection Of Thirty Essays On Various Aspects Of Hindu And Buddhist Art And Iconography Contributed By Indian And Foreign Scholars. These Represent Deep Insight And New Interpretation Based On Sound Scholarship And Accounts. While Intended To Commemorate The Loving Memory Of Professor Kalyan Kumar Dasgupta, The Book Is A Fitting Tribute To The Great Savant. Professor P.K. Mishra And Publisher M/S Abhinav Publications Have Spared No Pains To Make It An Outstanding Publication Of The Year

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.

This contextual study of narrative reliefs depicting Hindu epics and puranas on specific South Indian Hoysal a temples provides a detailed exposition of narrative episodes paired with photographs, illustrating and reviewing the stories and exploring techniques of Indian visual narrative.