Hikayat Abu al-Qasim, probably written in the 11th century by the otherwise unknown al-Azdi, tells the story of a gate-crasher from Baghdad named Abu al-Qasim, who shows up uninvited at a party in Isfahan. Dressed as a holy man and reciting religious poetry, he soon relaxes his demeanour, and, growing intoxicated on wine, insults the other dinner guests and their Iranian hometown. Widely hailed as a narrative unique in the history of Arabic literature, a ikA yah also reflects a much larger tradition of banquet texts. Painting a picture of a party-crasher who is at once a holy man and a rogue, he is a figure familiar to those who have studied the ancient cynic tradition or other portrayals of wise fools, tricksters and saints in literatures from the Mediterranean and beyond. This study therefore compares a ikA yah, a mysterious text surviving in a single manuscript, to other comical banquet texts and party-crashing characters, both from contemporary Arabic literature and from Ancient Greece and Rome.

Hikayat Abu al-Qasim, probably written in the 11th century by the otherwise unknown al-Azdi, tells the story of a gate-crasher from Baghdad named Abu al-Qasim, who shows up uninvited at a party in Isfahan. Dressed as a holy man and reciting religious poetry, he soon relaxes his demeanour, and, growing intoxicated on wine, insults the other dinner guests and their Iranian hometown. Widely hailed as a narrative unique in the history of Arabic literature, a ikA yah also reflects a much larger tradition of banquet texts. Painting a picture of a party-crasher who is at once a holy man and a rogue, he is a figure familiar to those who have studied the ancient cynic tradition or other portrayals of wise fools, tricksters and saints in literatures from the Mediterranean and beyond. This study therefore compares a ikA yah, a mysterious text surviving in a single manuscript, to other comical banquet texts and party-crashing characters, both from contemporary Arabic literature and from Ancient Greece and Rome.

The 20 years' caliphate of al-Maʾmūn began as a stormy period in Middle Eastern history; after the comparatively peaceful reign of his father Hārūn al-Rashīd, the caliphate was plunged into violent civil warfare in both Iraq and Arabia, involving the sons of al-Rashīd, rivals for the supreme authority, and various other sectarian rebels and aspirants for power. Yet once peace was secured and the caliphate lands united once more, al-Maʾmūn's reign settled down into one of the most exciting and innovative of the mediaeval caliphate. The Caliph himself was a highly cultivated man who possessed a keen intellectual curiosity and who interested himself in the practical sciences, astronomy and mathematics. He also encouraged the translating of Greek philosophical, scientific and medical works from Greek and Syriac into Arabic and involved himself in theological controversies in which the dialectical techniques of the Greek thinkers were to figure. Ṭabarī's history of this period constitutes a prime source for political and military history. His racy and vivid style, including many verbatim conversations and documents, brings the Caliphate of al-Maʾmūn very much alive. A discounted price is available when purchasing the entire 39-volume History of al-Ṭabarī set. Contact SUNY Press for more information.

The 20 years' caliphate of al-Maʾmūn began as a stormy period in Middle Eastern history; after the comparatively peaceful reign of his father Hārūn al-Rashīd, the caliphate was plunged into violent civil warfare in both Iraq and Arabia, involving the sons of al-Rashīd, rivals for the supreme authority, and various other sectarian rebels and aspirants for power. Yet once peace was secured and the caliphate lands united once more, al-Maʾmūn's reign settled down into one of the most exciting and innovative of the mediaeval caliphate. The Caliph himself was a highly cultivated man who possessed a keen intellectual curiosity and who interested himself in the practical sciences, astronomy and mathematics. He also encouraged the translating of Greek philosophical, scientific and medical works from Greek and Syriac into Arabic and involved himself in theological controversies in which the dialectical techniques of the Greek thinkers were to figure. Ṭabarī's history of this period constitutes a prime source for political and military history. His racy and vivid style, including many verbatim conversations and documents, brings the Caliphate of al-Maʾmūn very much alive. A discounted price is available when purchasing the entire 39-volume History of al-Ṭabarī set. Contact SUNY Press for more information.

Baghdad: The City in Verse captures the essence of life lived in one of the world’s great enduring metropolises. In this unusual anthology, Reuven Snir offers original translations of more than 170 Arabic poems—most of them appearing for the first time in English—which represent a cross-section of genres and styles from the time of Baghdad’s founding in the eighth century to the present day. The diversity of the fabled city is reflected in the Bedouin, Muslim, Christian, Kurdish, and Jewish poets featured here, including writers of great renown and others whose work has survived but whose names are lost to history. Through the prism of these poems, readers glimpse many different Baghdads: the city built on ancient Sumerian ruins, the epicenter of Arab culture and Islam’s Golden Age under the enlightened rule of Harun al-Rashid, the bombed-out capital of Saddam Hussein’s fallen regime, the American occupation, and life in a new but unstable Iraq. With poets as our guides, we visit bazaars, gardens, wine parties, love scenes (worldly and mystical), brothels, prisons, and palaces. Startling contrasts emerge as the day-to-day cacophony of urban life is juxtaposed with eternal cycles of the Tigris, and hellish winds, mosquitoes, rain, floods, snow, and earthquakes are accompanied by somber reflections on invasions and other catastrophes. Documenting the city’s 1,250-year history, Baghdad: The City in Verse shows why poetry has been aptly called the public register of the Arabs.

Highlights the merit of the Syrian playwrights, Durayd Lahham and Muhammad al-Maghout, whose plays are representative of the Arab theatrical realisation, in general, and Syrian protest plays, in particular. This book portrays their works that combine art with politics, lower class-consciousness and identity with Pan-Arab nationalism.

Ibrahim al-Mazini was one of the great humorists and stylists of twentieth-century Arabic prose literature. Like an Egyptian James Thurber, he captured the foibles and triumphs of Cairo's middle classes of the 1930s and 1940s in exceptionally stylish prose. This collection gathers in one volume some of al-Mazini's best short fiction, including two novellas: Midu and His Accomplices and Ten Again. Midu is an engaging, well-liked army officer who--assisted by almost every other character in the story--arranges a faux heist from his uncle's library in order to allow young love to run its course. In Ten Again, a man awakes to find that he has returned to childhood, on the day of his tenth birthday: his wife, who is being wooed by a most obnoxious suitor, is now his mother, and his two sons torment him mercilessly at his birthday party. In al-Mazini's skillful hands, the short stories included here illuminate a lively fictional world: from a drunken encounter with a parrot to an undertaker's attempt to provide a cadaver with a believer's contented smile. An unmarried woman dreams of her unborn daughter, who is impatient to be born; and a reclusive author who has chosen to disappear from Cairo's literary scene is tracked down--to his obvious disgust--by an intrepid researcher. Rich in insight, imagination, and humor, these stories are a splendid introduction to a major figure in the early generation of Egyptian writers.

This reference work covers the classical, transitional and modern periods. Editors and contributors cover an international scope of Arabic literature in many countries.

Ibrahim al-Mazini was one of the great humorists and stylists of twentieth-century Arabic prose literature. Like an Egyptian James Thurber, he captured the foibles and triumphs of Cairo's middle classes of the 1930s and 1940s in exceptionally stylish prose. This collection gathers in one volume some of al-Mazini's best short fiction, including two novellas: Midu and His Accomplices and Ten Again. Midu is an engaging, well-liked army officer who assisted by almost every other character in the story arranges a faux heist from his uncle's library in order to allow young love to run its course. In Ten Again, a man awakes to find that he has returned to childhood, on the day of his tenth birthday: his wife, who is being wooed by a most obnoxious suitor, is now his mother, and his two sons torment him mercilessly at his birthday party. In al-Mazini's skillful hands, the short stories included here illuminate a lively fictional world: from a drunken encounter with a parrot to an undertaker's attempt to provide a cadaver with a believer's contented smile. An unmarried woman dreams of her unborn daughter, who is impatient to be born; and a reclusive author who has chosen to disappear from Cairo's literary scene is tracked down to his obvious disgust by an intrepid researcher. Rich in insight, imagination, and humor, these stories are a splendid introduction to a major figure in the early generation of Egyptian writers.