Teyler’s Foundation in Haarlem and its ‘Book and Art Room’ of 1779, edited by Ellinoor Bergvelt and Debora Meijers, examines for the first time this remarkable institution in the context of scientific, museological, political, artistic, religious and philosophical developments.

When science’s “black boxes” are pried open, its workings become accessible. Like time-travellers into history but grounded in today’s cultures, learners interact directly with authentic instruments and replicas. Chapters describe educational experiences sparked through collaborations interrelating museum, school and university.

History of museum presentation within the context of the nineteenth- and twentieth-century visual culture. Taking the remarkable display history at the Boijmans Van Beuningen Museum in Rotterdam as a point of departure, it reflects on the history of presentation in museums in Western Europe and North America. Museums communicated with their audiences through their presentations. Boekbespreking in: Boekman. 16(2004)61(herfst. 167-169).

Cabinets of Experimental Philosophy in Eighteenth-Century Europe is an ambitious contribution to the growing interest in how science came to engage the attention of a public outside the academic and professional spheres and how collections of instruments played a formative role in this development. Collections of physical instruments for research and demonstration appeared throughout Europe in the eighteenth century and the coverage of the book is correspondingly broad. While collections in different cultural and geographical locations had much in common, there were significant local modifications. The essays in this book illustrate how science, sometimes thought to be monolithic and universal, can maintain core intellectual characteristics and practical techniques while adapting to particular sites and circumstances. Contributors include: Jim Bennett, Sofia Talas, Huib J. Zuidervaart, Hans Hooijmaijers, Ad Maas, Tiemen Cocquyt, Inga Elmqvist Söderlund, Paola Bertucci, Marta C. Lourenço, David Felismino, Ivano Dal Prete, Ewa Wyka, Martin Weiss, and Paolo Brenni.