Melanie Pullen's collection of more than one hundred photographs that comprise High Fashion Crime Scenes is based on vintage crime-scene images she mined from the files of the Los Angeles Police Department, the Country Coroner's Office, and other primary sources. Drawn to the rich details and compelling stories preserved in the criminal records, she began re-enacting the crime scenes, outfitting the "victims" (her selected models) in current haute coutore, and photographing them in her staged settings.

Like the popular TV series, this book walks the thin line between reality and fantasy, focusing on crime scenes from the show's most popular episodes. Includes 100+ high-quality photos in a rivet-bound, foil-stamped hardcover flawlessly replicating an authentic police blotter.

Crime Scene Management is an accessible introduction to the common forms of evidence that may be encountered at a scene of crime and the techniques used for recovery of that evidence. The book is clearly focused on the techniques for handling crime scenes from the role of the first officer attending through to the specialist personnel who may be called to deal with specific evidence types. Clearly structured to enhance student understanding, methods covered include, DNA-rich samples, fingerprints, toolmarks and footwear impressions. Later chapters move on to consider examples of specialised scenes such as arson and vehicle crime. The content of each chapter can be tested with self-assessment questions to reinforce student understanding. Written for undergraduate students studying forensic science courses, Crime Scene Management will also be of interest to scene of crime officers, police officers and legal professionals as well as students taking courses in criminalistics and law. Focuses on the crime scene and on the science underpinning the gathering of evidence at the scene Written in conjunction with experienced practitioners Supplementary website to include figures from the book and further references Suitable for delivery in a modular course. Chapters written by a team consisting of experts and academics to ensure an accessible and well-informed text.

Crime Scene Photography is a book wrought from years of experience, with material carefully selected for ease of use and effectiveness in training, and field tested by the author in his role as a Forensic Services Supervisor for the Baltimore County Police Department.While there are many books on non-forensic photography, none of them adequately adapt standard image-taking to crime scene photography. The forensic photographer, or more specifically the crime scene photographer, must know how to create an acceptable image that is capable of withstanding challenges in court. This book blends the practical functions of crime scene processing with theories of photography to guide the reader in acquiring the skills, knowledge and ability to render reliable evidence. - Required reading by the IAI Crime Scene Certification Board for all levels of certification - Contains over 500 photographs - Covers the concepts and principles of photography as well as the "how to" of creating a final product - Includes end-of-chapter exercises

Bloodstain pattern analysis helps establish events associated with violent crimes. It is a critical bridge between forensics and the definition of a precise crime reconstruction. The second edition of this bestselling book is thoroughly updated to employ recent protocols, including the application of scientific method, the use of flow charts, and the inter-relationship of crime scene analysis to criminal profiling. It provides more illustrations, including color photographs, and explains the use of computer programs to create demonstrative evidence for court.

This is a guide to recommended practices for crime scene investigation. The guide is presented in five major sections, with sub-sections as noted: (1) Arriving at the Scene: Initial Response/Prioritization of Efforts (receipt of information, safety procedures, emergency care, secure and control persons at the scene, boundaries, turn over control of the scene and brief investigator/s in charge, document actions and observations); (2) Preliminary Documentation and Evaluation of the Scene (scene assessment, "walk-through" and initial documentation); (3) Processing the Scene (team composition, contamination control, documentation and prioritize, collect, preserve, inventory, package, transport, and submit evidence); (4) Completing and Recording the Crime Scene Investigation (establish debriefing team, perform final survey, document the scene); and (5) Crime Scene Equipment (initial responding officers, investigator/evidence technician, evidence collection kits).

"Confessions of a Crime Scene Investigator" chronicles the career of New York State Police Crime Scene Unit Investigator Bill Moloney. 26 of Moloney's 30 years were spent responding to and investigating the scenes of every imaginable way a life can be taken. It is a gritty, dirty, and sobering profession that reflects none of the glamour so often highlighted on television. Story after story paints the picture of a satisfying, yet unpleasant and frequently stomach-turning job that will make you laugh, cry and cheer. But "Confessions" goes beyond the telling of funny, sad and heroic anecdotes. Its graphic depictions of daily life in the crime scene world uncover profound revelations on how we should live life. Yes, being around so much death can teach us so very much about life and how to live it! Bill Moloney has been a member of the state's busiest crime scene unit since 1989. As a forensic investigator, he has responded to thousands of crime scenes, testified as an expert in high profile cases, taught crime scene investigation to fellow law enforcement officials, been recognized for outstanding crime scene service, and worked with world renowned professionals like Dr. Michael Baden and Dr. Henry Lee. The New York State Police promoted him to the rank of Senior Investigator and supervisor of this decorated crime scene unit. Recent retirement from the State Police has afforded him the opportunity to tell his remarkable story.

A revealing guide to a career as a crime scene investigator written by acclaimed journalist Jacqueline Detwiler-George and based on the real-life experiences of the CSI team at the Baltimore police department—required reading for anyone considering a path to this profession. Becoming a Crime Scene Investigator takes you behind the scenes to find out what it’s really like, and what it really takes, to become a crime scene investigator. Acclaimed journalist Jacqueline Detwiler-George shadows the crime scene investigators of the Baltimore Police Department to show how this job becomes a reality. Forensic science is an essential component of any criminal investigation. CSI evidence can tip the scales of justice during trials, helping to free the innocent and convict the guilty. Discover what it’s like to process a crime scene by collecting evidence, documenting via photos, dusting for fingerprints, and analyzing blood spatter. Confront the gruesome realities of the job, tour their in-house crime labs, and watch as they process results. Gain wisdom and insight from the director of the forensic laboratory and the chief of the forensic division—and learn how this essential job is performed at the highest level.

Shows how the latest methods of scientific detection are used to uncover the truth about a crime scene, and to reveal how crimes were committed, explaining the techniques and equipment used by forensic investigators.

Crime Scene Investigation offers an innovative approach to learning about crime scene investigation, taking the reader from the first response on the crime scene to documenting crime scene evidence and preparing evidence for courtroom presentation. It includes topics not normally covered in other texts, such as forensic anthropology and pathology, arson and explosives, and the electronic crime scene. Numerous photographs and illustrations complement text material, and a chapter-by-chapter fictional narrative also provides the reader with a qualitative dimension of the crime scene experience.