Hieronymus Jones will die in forty-nine days. The Ori Ki’al’s seed uttered that massively disturbing sentence, thirty-one days ago. So Hieronymus Jones will die in eighteen days… Hooray. The Fae on the island are having their ability to hide beneath human masks, torn away from them. What does this mean? Hiero and Gerty have their snuggle time seriously curtailed when a group of non-human high-schoolers invade the library. Which frankly is unacceptable. There is more going on than is immediately apparent and Hiero and Gerty have a fairly shrewd idea that it has something to do with the vast, cannibalistic, half-insane, cephalopod nightmare that is coming to kill and consume the world... like a jerk. The Emperor has allies in his quest for the pendant, foul tentacle waggling abominations, not to mention a certain young woman named Lillith, who is rapidly working her way up Hiero's list of things that will probably kill him. Join Hiero and Gerty for the devastating final confrontation with the Emperor of the drowned, where they will lose more than they ever thought possible. They will lose... everything. The countdown has started, brace yourself.

A shadow is falling over the island, one that threatens to tear apart two exclusive best friends... figuratively and literally. Will their young hearts be ground to a fine paste under the uncaring boot heel of far too many people, things and monsters who should really be doing something more constructive than pooping all over Hiero and Gerty's good time? The Mayor and his sociopathic whack-job of a son are bad enough but even their unfortunate levels of jerk-ness can't compete with the thing that has just clawed its way into the bowels of the island. Will Gerty ever get to ask Hiero her most important question? New secrets and enemies are revealed, new feelings are realized and hope is fought for and lost. Return to a world of magic, hidden civilizations, impossibly advanced technology, and far too many blonde little snots running around with sharp objects. A world where Hiero and Gerty will be forced to remember something they never thought they would be forced to endure again. What it feels like to be alone. The third in the Hieronymus Jones series of YA fantasy romance books.

Hieronymus Jones and Gertrude Green, embark on their greatest adventure... since the last one. What do those glyphs carved into millennia old rock mean? What is the ancient mystery the island protects? Why must the hideous slime covered, viciously mutated, uproariously evil, tentacle covered monsters be sooooo obnoxious? Hiero and Gerty have always kept a part of themselves hidden, afraid the truth would drive others away but in a sea of secrets, can their most unusual friendship survive the things they dare not reveal? Hiero and Gerty will seek the answers to these questions and will also ask the most difficult question of all... Are we really just friends? Return to a world of wild magic, hidden creatures and high technology. Return to a world where not everyone is what they appear to be.

What does one do when a small cephalopod decides to make a nest in your cup of tea? Hieronymus Jones is a peculiar boy with a spectacular mind. Extraordinarily intelligent, he has secrets, dark and deadly, wonderful and pure. Secrets of hidden worlds and lost civilizations, ones that were not entirely human. Secrets of magic. When Hieronymus sees Gertrude Green for the first time, something tells him that she has secrets too. Together, they discover a connection, one that extends far deeper than either could have imagined. A connection that just might save the world. Tea-dwelling squids, mysterious pendants, and school bullies are one thing. However, when an army of maliciously malformed unpleasantness threatens to tear the two young friends apart, it’s clear the universe is against Hieronymus and Gertrude simply hiding away in the belltower to share their lunch in peace. Will they overcome all the obstacles in their way? The first book in an urban fantasy romance series, awash with bleeding-edge technology, magic, humor, and hideous tentacle-laden, Lovecraftian nightmares. Start reading now to enter Hiero and Gerty’s world today.

From the late fifteenth to the nineteenth centuries, the Hispanic Monarchy was one of the largest and most diverse political communities known in history. At its apogee, it stretched from the Castilian plateau to the high peaks of the Andes; from the cosmopolitan cities of Seville, Naples, or Mexico City to Santa Fe and San Francisco; from Brussels to Buenos Aires and from Milan to Manila. During those centuries, Spain left its imprint across vast continents and distant oceans contributing in no minor way to the emergence of our globalised era. This was true not only in an economic sense-the Hispano-American silver peso transported across the Atlantic and the Pacific by the Spanish fleets was arguably the first global currency, thus facilitating the creation of a world economic system-but intellectually and artistically as well. The most extraordinary cultural exchanges took place in practically every corner of the Hispanic world, no matter how distant from the metropolis. At various times a descendant of the Aztec nobility was translating a Baroque play into Nahuatl to the delight of an Amerindian and mixed audience in the market of Tlatelolco; an Andalusian Dominican priest was writing the first Western grammar of the Chinese language in Fuzhou, a Chinese city that enjoyed a trade monopoly with the Spanish Philippines; a Franciscan friar was composing a piece of polyphonic music with lyrics in Quechua to be played in a church decorated with Moorish-style ceilings in a Peruvian valley; or a multi-ethnic team of Amerindian and Spanish naturalists was describing in Latin, Spanish and local vernacular languages thousands of medicinal plants, animals and minerals previously unknown to the West. And, most probably, at the same time that one of those exchanges were happening, the members of the School of Salamanca were laying the foundations of modern international law or formulating some of the first modern theories of price, value and money, Cervantes was writing Don Quixote, Velázquez was painting Las Meninas, or Goya was exposing both the dark and bright sides of the European Enlightenment. Actually, whenever we contemplate the galleries devoted to Velázquez, El Greco, Zurbarán, Murillo or Goya in the Prado Museum in Madrid; when we visit the National Palace in Mexico City, a mission in California, a Jesuit church in Rome or the Intramuros quarter in Manila; or when we hear Spanish being spoken in a myriad of accents in the streets of San Francisco, New Orleans or Manhattan we are experiencing some of the past and present fruits of an always vibrant and still expanding cultural community. As the reader can infer by now, this book is about how Spain and the larger Hispanic world have contributed to world history and in particular to the history of civilisation, not only at the zenith of the Hispanic Monarchy but throughout a much longer span of time.

This work is a complete English translation of the Latin Etymologies of Isidore, Bishop of Seville (c.560–636). Isidore compiled the work between c.615 and the early 630s and it takes the form of an encyclopedia, arranged by subject matter. It contains much lore of the late classical world beginning with the Seven Liberal Arts, including Rhetoric, and touches on thousands of topics ranging from the names of God, the terminology of the Law, the technologies of fabrics, ships and agriculture to the names of cities and rivers, the theatrical arts, and cooking utensils. Isidore provides etymologies for most of the terms he explains, finding in the causes of words the underlying key to their meaning. This book offers a highly readable translation of the twenty books of the Etymologies, one of the most widely known texts for a thousand years from Isidore's time.

Pontormo's Halberdier has long been controversial. How did scholars come to identify the sitter as Duke Cosimo de' Medici and why is this open to doubt? Who was Francesco Guardi? What was the siege of Florence, and could Pontormo have made this compelling portrait during that time of deprivation and political tumult? In a fascinating piece of historical detective work, Elizabeth Cropper investigates these questions and uncovers new evidence for interpretation. She also analyzes the portrait's relationship to other works by Pontormo, explores the importance for Pontormo of Donatello, Michelangelo, and Andrea del Sarto, and looks into Bronzino's connection with the portrait.

A collection of animal fables told by the Greek slave Aesop.

The landmark text about the inner workings of the unconscious mind—from the symbolism that unlocks the meaning of our dreams to their effect on our waking lives and artistic impulses—featuring more than a hundred images that break down Carl Jung’s revolutionary ideas “What emerges with great clarity from the book is that Jung has done immense service both to psychology as a science and to our general understanding of man in society.”—The Guardian “Our psyche is part of nature, and its enigma is limitless.” Since our inception, humanity has looked to dreams for guidance. But what are they? How can we understand them? And how can we use them to shape our lives? There is perhaps no one more equipped to answer these questions than the legendary psychologist Carl G. Jung. It is in his life’s work that the unconscious mind comes to be understood as an expansive, rich world just as vital and true a part of the mind as the conscious, and it is in our dreams—those personal, integral expressions of our deepest selves—that it communicates itself to us. A seminal text written explicitly for the general reader, Man and His Symbolsis a guide to understanding the symbols in our dreams and using that knowledge to build fuller, more receptive lives. Full of fascinating case studies and examples pulled from philosophy, history, myth, fairy tales, and more, this groundbreaking work—profusely illustrated with hundreds of visual examples—offers invaluable insight into the symbols we dream that demand understanding, why we seek meaning at all, and how these very symbols affect our lives. By illuminating the means to examine our prejudices, interpret psychological meanings, break free of our influences, and recenter our individuality, Man and His Symbols proves to be—decades after its conception—a revelatory, absorbing, and relevant experience.