Book two in the riotous caper series starring Shay O'Hanlon and her trouble-prone pals When Shay O'Hanlon's ill-mannered friend Baz steals a stuffed snake from a wealthy businessman, he wasn't expecting it to be filled with money. Nor was he expecting his aunt Agnes to take it with her on vacation to the Big Easy. With trigger-happy thugs in hot pursuit, Shay leads her friends on a rowdy rescue mission from Minneapolis to New Orleans and back. Along the way, a bungled burglary puts the gang in a drug cartel's cross hairs, and a beautiful professor offers the only way out. But can Shay and the gang trust her with their lives? Praise: "The entourage of loveable and multigenerational characters is just right for those looking for a madcap romp."—Library Journal "A rip-roaring sequel. Fans of comic cozies are in for a wild, enjoyable ride."—Publishers Weekly "Chandler follows up her Bingo Barge Murder with another tricky plot fully worthy of your suspension of disbelief."—Lavender Magazine "Fast paced and witty. It is peopled with wonderfully colorful characters, making it a strong second novel in the Shay O’Hanlon Caper series."—Lamda Literary "After reading her novels, I have come to believe Jessie Chandler is the illegitimate child of Raymond Chandler and Dorothy L. Sayers. She's funny—and she's good!"—Lori L. Lake, author of The Gun Series and The Public Eye Series "Wild and wacky Hide and Snake Murder will keep readers guessing all the way to a slam bang finale."—Carolyn Hart, New York Times bestselling author "Hide and Snake Murder takes us to the beginning and end of the Mississippi, New Orleans and Minneapolis, capturing the quirky charm of both cities. It's a rollicking read with an entertaining cast of funny and fascinating characters. You won't be able to turn the pages fast enough."—J.M. Redmann, author of The Goldie Award-winning novel Water Mark: A Micky Knight Mystery "Jessie Chandler makes me laugh. A talented storyteller with a deft hand at pacing, she writes rollicking, raucous adventures that are sure to entertain."—Julie Hyzy, bestselling author of The Manor Mysteries and White House Chef Mystery Series

When a friend of Shay's steals a stuffed snake from a wealthy businessman, which is then taken by his aunt to New Orleans, a rollicking rescue mission is in order as they try to escape gun-toting thugs and a Latin cartel.

Privy to Murder Shay O’Hanlon never knew the Minnesota Renaissance Festival was such a strange and bawdy event until JT Bordeaux—her badge-wearing, medieval-loving girlfriend—drags her along for a visit. The sixteenth-century faire is full of thrilling jousts, feisty wenches, and pickle vendors showing off their tasty tonsil ticklers, but Shay is distracted by the call of her full bladder. While trying to rein in her newest dog’s overactive nose, she finds a dead body with a pickle stuffed in his mouth. A real dead body. In the privy. And before Shay can shout “Huzzah!” JT is arrested for being the porta-potty body’s murderer. Together with her quirky crew of caper-solving pals, Shay must scramble for clues to free JT from the clink . . . and her troubled past.

Ambition will fuel him. Competition will drive him. But power has its price. It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He's been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined - every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute . . . and must weigh his need to follow the rules against his desire to survive no matter what it takes.

From Pulitzer Prize winner Raymond Bonner, the gripping story of a grievously mishandled murder case that put a twenty-three-year-old man on death row. In January 1982, an elderly white widow was found brutally murdered in the small town of Greenwood, South Carolina. Police immediately arrested Edward Lee Elmore, a semiliterate, mentally retarded black man with no previous felony record. His only connection to the victim was having cleaned her gutters and windows, but barely ninety days after the victim's body was found, he was tried, convicted, and sentenced to death. Elmore had been on death row for eleven years when a young attorney named Diana Holt first learned of his case. With the exemplary moral commitment and tenacious investigation that have distinguished his reporting career, Bonner follows Holt's battle to save Elmore's life and shows us how his case is a textbook example of what can go wrong in the American justice system. Moving, enraging, suspenseful, and enlightening, Anatomy of Injustice is a vital contribution to our nation's ongoing, increasingly important debate about inequality and the death penalty.

This anthology features 20 original stories of murder by acclaimed and award-winning science fiction and fantasy writers.

Placed on a medical leave of absence from her job as a special agent in the National Protection and Investigation Unit, Mikala Flynn is a woman on the edge—guilt-ridden, depressed, battling war wounds and personal demons. The world and the relationships as she knew them no longer exist. Now, the streets of New York, the bottle, and anonymous sex have become her solace. In the midst of a fire escape bender, Flynn overhears her crazy-like-a-fox grandmother and her art-world cronies planning a daring theft of a valuable historical document. Eventually Flynn crashes the party and agrees to take on the heist herself. Along the way, Flynn runs into, both literally and figuratively, her now wheelchair-bound best friend, an alluring, mysterious thief who throws multiple wrenches into the works, and the ex-love of her life. Can Flynn pull off the job without falling victim to vodka and lost love…and somehow begin to find herself again along the way?

During the 1940s, in response to the charge that his writing was filled with violence, Richard Wright replied that the manner came from the matter, that the “relationship of the American Negro to the American scene [was] essentially violent,” and that he could deny neither the violence he had witnessed nor his own existence as a product of racial violence. Abdul R. JanMohamed provides extraordinary insight into Wright’s position in this first study to explain the fundamental ideological and political functions of the threat of lynching in Wright’s work and thought. JanMohamed argues that Wright’s oeuvre is a systematic and thorough investigation of what he calls the death-bound-subject, the subject who is formed from infancy onward by the imminent threat of death. He shows that with each successive work, Wright delved further into the question of how living under a constant menace of physical violence affected his protagonists and how they might “free” themselves by overcoming their fear of death and redeploying death as the ground for their struggle. Drawing on psychoanalytic, Marxist, and phenomenological analyses, and on Orlando Patterson’s notion of social death, JanMohamed develops comprehensive, insightful, and original close readings of Wright’s major publications: his short-story collection Uncle Tom’s Children; his novels Native Son, The Outsider, Savage Holiday, and The Long Dream; and his autobiography Black Boy/American Hunger. The Death-Bound-Subject is a stunning reevaluation of the work of a major twentieth-century American writer, but it is also much more. In demonstrating how deeply the threat of death is involved in the formation of black subjectivity, JanMohamed develops a methodology for understanding the presence of the death-bound-subject in African American literature and culture from the earliest slave narratives forward.

Secrets. It all begins with secrets. A long-held secret is about to implode with potentially catastrophic results. It’s St. Paddy’s Day, and Shay O’Hanlon is finishing her shift at the Rabbit Hole, anticipating the grand reopening of her father’s bar, the Leprechaun. Two suspicious-looking strangers show up at the Hole demanding to speak to Eddy Quartermaine, the closest person Shay has to a mother. That visit sparks a firestorm spanning twenty-five years in a deadly mix of love gone wrong, stolen money, murder, and betrayal. Will Shay and her sister Lisa pay the ultimate price for Eddy’s sins, or will Eddy confront her twenty-five year secret head-on before time runs out? “Blood Money Murder is fast-paced and skilled—and the ending comes all too soon.” -Lee Lynch, award-winning author of An American Queer

A world-renowned criminal profiler takes a fascinating look at one of the most tragic mysteries in history. For more than two thousand years, the great pharaoh Cleopatra VII has been portrayed as a failed monarch. Various ancient sources state that she desperately ended her life with the bite of an asp, as her nemesis - the Roman general Octavian, later known as Augustus, the first Roman emperor - stormed Alexandria. Now, a completely unique interpretation of history is brought to light by world-renowned criminal profiler Pat Brown in her new myth-busting book, The Murder of Cleopatra. As host and profiler of The Mysterious Death of Cleopatra (Discovery 2005), Brown challenged the long-enduring myth that Cleopatra died via snakebite and that she committed suicide to avoid further humiliation. Using the techniques and methodology of investigative criminal profiling and crime reconstruction, The Murder of Cleopatra takes up where the Discovery Channel documentary left off. Brown's findings, borne of scientific method, rigorous inquiry, and deductive reasoning, will be revealed against a historical backdrop of mystery, drama, politics, danger, and romantic intrigue. The result: a thought-provoking analysis of the amazing woman Cleopatra truly was, a fascinating account of the queen's final desperate attempt to escape Egypt with her ships and treasure, and the brutal homicide that ended her life as the last Egyptian pharaoh.