Well known as a university town, Chapel Hill's rich and fascinating past dates back to the eighteenth century. Learn all about the origins of the 1,200-acre Strowd plantation and its complete transformation into a modern neighborhood. Robert Strowd was v

While giving the laundry room of Grace Chapel Inn a thorough cleaning, Alice Howard finds an old hatbox containing her father's journal from the early 1900s. As she reads it aloud each evening to her sisters Louise and Jane they discover fascinating events their beloved father had never even hinted at. With Alice dressing up for a change, Jane concocting delicious new recipes for the inn's guests and Louise knitting a beautiful pink sweater--for a pig--the sisters move through the one year anniversary of their father's death with a deeper love and respect for their life together.

Delve into the forgotten past of town and university. Well known as a university town, Chapel Hill's rich and fascinating history dates back to the eighteenth century. Learn all about the origins of the 1,200-acre Strowd plantation and its complete transformation into a modern neighborhood. Robert Strowd was vital to the town's prosperity, growth and image. Meet aristocratic slaveholder Hardy Morgan, who grew tobacco in today's Glen Lennox area and wealthy dry goods merchant Jesse Hargrave, whose plantation home stood in today's Greenwood. Learn about Adelaide Walters, who in 1957 became the town's first female alderman, and Harold Foster, the Black high schooler who spearheaded the 1960s fight against segregation. Witness the thirteen-year controversy over fluoridating water and dig into the details of a mysterious case of cyanide poisoning on the UNC campus. Author Brian Burns recounts lesser known tales of Chapel Hill.

History is being made in U.S.-Cuban relations. Now in paperback and updated to tell the real story behind the stunning December 17, 2014, announcement by President Obama and President Castro of their move to restore full diplomatic relations, this powerful book is essential to understanding ongoing efforts toward normalization in a new era of engagement. Challenging the conventional wisdom of perpetual conflict and aggression between the United States and Cuba since 1959, Back Channel to Cuba chronicles a surprising, untold history of bilateral efforts toward rapprochement and reconciliation. William M. LeoGrande and Peter Kornbluh here present a remarkably new and relevant account, describing how, despite the intense political clamor surrounding efforts to improve relations with Havana, negotiations have been conducted by every presidential administration since Eisenhower's through secret, back-channel diplomacy. From John F. Kennedy's offering of an olive branch to Fidel Castro after the missile crisis, to Henry Kissinger's top secret quest for normalization, to Barack Obama's promise of a new approach, LeoGrande and Kornbluh uncovered hundreds of formerly secret U.S. documents and conducted interviews with dozens of negotiators, intermediaries, and policy makers, including Fidel Castro and Jimmy Carter. They reveal a fifty-year record of dialogue and negotiations, both open and furtive, that provides the historical foundation for the dramatic breakthrough in U.S.-Cuba ties.

In Hidden History, Lynn Rainville travels through the forgotten African American cemeteries of central Virginia to recover information crucial to the stories of the black families who lived and worked there for over two hundred years. The subjects of Rainville’s research are not statesmen or plantation elites; they are hidden residents, people who are typically underrepresented in historical research but whose stories are essential for a complete understanding of our national past. Rainville studied above-ground funerary remains in over 150 historic African American cemeteries to provide an overview of mortuary and funerary practices from the late eighteenth century to the end of the twentieth. Combining historical, anthropological, and archaeological perspectives, she analyzes documents—such as wills, obituaries, and letters—as well as gravestones and graveside offerings. Rainville’s findings shed light on family genealogies, the rise and fall of segregation, and attitudes toward religion and death. As many of these cemeteries are either endangered or already destroyed, the book includes a discussion on the challenges of preservation and how the reader may visit, and help preserve, these valuable cultural assets.

The immigration station at New York's Ellis Island opened in 1892 and remained the largest U.S. port for immigrant entry until World War I. In popular memory, Ellis Island is typically seen as a gateway for Europeans seeking to join the "great American melting pot." But as this fresh examination of Ellis Island's history reveals, it was also a major site of immigrant detention and exclusion, especially for Chinese, Japanese, and other Asian travelers and maritime laborers who reached New York City from Europe, the Americas and the Caribbean, and even within the United States. And from 1924 to 1954, the station functioned as a detention camp and deportation center for a range of people deemed undesirable. Anna Pegler-Gordon draws on immigrants' oral histories and memoirs, government archives, newspapers, and other sources to reorient the history of migration and exclusion in the United States. In chronicling the circumstances of those who passed through or were detained at Ellis Island, she shows that Asian exclusion was both larger in scope and more limited in force than has been previously recognized.

"This book traces the trajectory of the first fifty years of PlayMakers Repertory Company (PRC). As you will read in the pages that follow, when Tom Haas and Arthur Housman conceived of PlayMakers Repertory Company in 1975, they created a unique institution, a professional theatre company not only located on the campus of a major research university, but one embedded within UNC's Department of Dramatic Art. That combination of professional artistic achievement coupled with the highest quality theatrical training characterizes PlayMakers Repertory Company from its inception to the present day. Then as now, the core of the resident company--composed of faculty who are both teachers and practitioners--along with the graduate students in the Department's three MFA programs, is constantly supplemented by the best directors, designers, and performers working in the field today. Graduate students receive professional training during the day from teachers who become their collaborators at night both off and onstage. Undergraduates learn from faculty members who are constantly moving back and forth between the classroom and the stage, with the knowledge gained in one realm sparking creativity in the other"--

The academy may claim to seek and value diversity in its professoriate, but reports from faculty of color around the country make clear that departments and administrators discriminate in ways that range from unintentional to malignant. Stories abound of scholars--despite impressive records of publication, excellent teaching evaluations, and exemplary service to their universities--struggling on the tenure track. These stories, however, are rarely shared for public consumption. Written/Unwritten reveals that faculty of color often face two sets of rules when applying for reappointment, tenure, and promotion: those made explicit in handbooks and faculty orientations or determined by union contracts and those that operate beneath the surface. It is this second, unwritten set of rules that disproportionally affects faculty who are hired to "diversify" academic departments and then expected to meet ever-shifting requirements set by tenured colleagues and administrators. Patricia A. Matthew and her contributors reveal how these implicit processes undermine the quality of research and teaching in American colleges and universities. They also show what is possible when universities persist in their efforts to create a diverse and more equitable professorate. These narratives hold the academy accountable while providing a pragmatic view about how it might improve itself and how that improvement can extend to academic culture at large. The contributors and interviewees are Ariana E. Alexander, Marlon M. Bailey, Houston A. Baker Jr., Dionne Bensonsmith, Leslie Bow, Angie Chabram, Andreana Clay, Jane Chin Davidson, April L. Few-Demo, Eric Anthony Grollman, Carmen V. Harris, Rashida L. Harrison, Ayanna Jackson-Fowler, Roshanak Kheshti, Patricia A. Matthew, Fred Piercy, Deepa S. Reddy, Lisa Sanchez Gonzalez, Wilson Santos, Sarita Echavez See, Andrew J. Stremmel, Cheryl A. Wall, E. Frances White, Jennifer D. Williams, and Doctoral Candidate X.

Recent scholarship on slavery has explored the lives of enslaved people beyond the watchful eye of their masters. Building on this work and the study of space, social relations, gender, and power in the Old South, Stephanie Camp examines the everyday containment and movement of enslaved men and, especially, enslaved women. In her investigation of the movement of bodies, objects, and information, Camp extends our recognition of slave resistance into new arenas and reveals an important and hidden culture of opposition. Camp discusses the multiple dimensions to acts of resistance that might otherwise appear to be little more than fits of temper. She brings new depth to our understanding of the lives of enslaved women, whose bodies and homes were inevitably political arenas. Through Camp's insight, truancy becomes an act of pursuing personal privacy. Illegal parties ("frolics") become an expression of bodily freedom. And bondwomen who acquired printed abolitionist materials and posted them on the walls of their slave cabins (even if they could not read them) become the subtle agitators who inspire more overt acts. The culture of opposition created by enslaved women's acts of everyday resistance helped foment and sustain the more visible resistance of men in their individual acts of running away and in the collective action of slave revolts. Ultimately, Camp argues, the Civil War years saw revolutionary change that had been in the making for decades.

Think you know about British history and the causes of the First World War? Think again. This fascinating and gripping study of events at the turn of the Twentieth Century is a remarkable insight into how political and social factors that we widely accept to be the causes of The Great War, were really just a construct put together by a very small, but powerful, political elite... 'Thought-provoking . . . Docherty and Macgregor do not mince their words . . . their arguments are powerful' -- Britain at War 'Simply astonishing' -- ***** Reader review 'Very illuminating' -- ***** Reader review 'You simply MUST read this book' -- ***** Reader review 'This is a page-turner' -- ***** Reader review *********************************************************************************** Hidden History uniquely exposes those responsible for the First World War. It reveals how accounts of the war's origins have been deliberately falsified to conceal the guilt of the secret cabal of very rich and powerful men in London responsible for the most heinous crime perpetrated on humanity. For ten years, they plotted the destruction of Germany as the first stage of their plan to take control of the world. The assassination of Archduke Franz Ferdinand was no chance happening. It lit a fuse that had been carefully set through a chain of command stretching from Sarajevo through Belgrade and St Petersburg to that cabal in London. Our understanding of these events has been firmly trapped in a web of falsehood and duplicity carefully constructed by the victors at Versailles in 1919 and maintained by compliant historians ever since. The official version is fatally flawed, warped by the volume of evidence they destroyed or concealed from public view. Hidden History poses a tantalising challenge. The authors ask only that you examine the evidence they lay before you . . .