From the prizewinning author of HHhH, “the most insolent novel of the year” (L’Express) comes a romp through the French intelligentsia of the twentieth century. Paris, 1980. The literary critic Roland Barthes dies—struck by a laundry van—after lunch with the presidential candidate François Mitterand. The world of letters mourns a tragic accident. But what if it wasn’t an accident at all? What if Barthes was . . . murdered? In The Seventh Function of Language, Laurent Binet spins a madcap secret history of the French intelligentsia, starring such luminaries as Jacques Derrida, Umberto Eco, Gilles Deleuze, Michel Foucault, Judith Butler, and Julia Kristeva—as well as the hapless police detective Jacques Bayard, whose new case will plunge him into the depths of literary theory (starting with the French version of Roland Barthes for Dummies). Soon Bayard finds himself in search of a lost manuscript by the linguist Roman Jakobson on the mysterious “seventh function of language.” A brilliantly erudite comedy, The Seventh Function of Language takes us from the cafés of Saint-Germain to the corridors of Cornell University, and into the duels and orgies of the Logos Club, a secret philosophical society that dates to the Roman Empire. Binet has written both a send-up and a wildly exuberant celebration of the French intellectual tradition.

“Captivating . . . [HHhH] has a vitality very different from that of most historical fiction.” —James Wood, The New Yorker The basis for the major motion picture, "The Man with the Iron Heart " available on streaming and home video. HHhH: "Himmlers Hirn heisst Heydrich," or "Himmler's brain is called Heydrich." The most lethal man in Hitler's cabinet, Reinhard Heydrich seemed indestructible—until two exiled operatives, a Slovak and a Czech, killed him and changed the course of history. In Laurent Binet's mesmerizing debut, we follow Jozef Gabcík and Jan Kubiš from their dramatic escape from Nazi-occupied Czechoslovakia to their fatal attack on Heydrich and their own brutal deaths in the basement of a Prague church. A seamless blend of memory, actuality, and Binet's own remarkable imagination, HHhH is at once thrilling and intellectually engrossing—a fast-paced novel of the Second World War that is also a profound meditation on the debt we owe to history. A Finalist for the National Book Critics Circle Award for Fiction A Financial Times Best Book of the Year A New York Times Book Review Editors' Choice

What if V-E Day didn’t end World War II in Europe? What if, instead, the Allies had to face a potent, even fanatical, postwar Nazi resistance? Such a movement, based in the fabled Alpine Redoubt, was in fact a real threat, ultimately neutralized by Germany’s flagging resources and squabbling officials. But had SS Obergruppenführer Reinhard Heydrich, the notorious Man with the Iron Heart, not been assassinated in 1942, fate might have taken a different turn. We might likely have seen a German guerrilla war launched against the conquerors, presaging by more than half a century the protracted conflict with an unrelenting enemy that now engulfs the United States and its allies in Iraq. How might today’s clash of troops versus terrorists have played out in 1945? In this imagined world, Nazi forces resort to unconventional warfare, using the quick and dirty tactics of terrorism–booby traps, time bombs, mortar and rocket strikes in the night, assassinations, even kamikaze-style suicide attacks–to overturn what seemed to be a decisive Allied victory. In November 1945, a truck bomb blows up the Nuremberg Palace of Justice, where high-ranking Nazi officials are about to stand trial for war crimes. None of the accused are there when the bomb goes off, but their judges, all of them present and accounted for, are annihilated. Worse acts of terrorism follow all over Europe. Suddenly the Allies–especially the United States–must battle an invisible enemy and sacrifice countless lives in a long, seemingly pointless, unwinnable conflict. On the home front, patriotism corrodes, political fortunes are made and lost in the face of an antiwar backlash, and a once-proud country wonders how the righteous fight for freedom overseas has collapsed into a hopeless quagmire. At once a novel of thrilling military suspense, intriguing alternate history, and profound insight into contemporary affairs, The Man with the Iron Heart is a tour de force by a storyteller of exceptional imaginative power.

It's world history. But not as we know it. c.1000AD- Erik the Red's daughter heads south from Greenland 1492- Columbus does not discover America 1531- the Incas invade Europe Freydis is the leader of a band of Viking warriors who get as far as Panama. Nobody knows what became of them. Five hundred years later, Christopher Columbus is sailing for the Americas, dreaming of gold and conquest. Even when captured, his faith in his mission is unshaken. Thirty years after that, Atahualpa, the last Inca emperor, arrives in a Europe ready for revolution. Fortunately, he has a recent guidebook to acquiring power - Machiavelli's The Prince. So, the stage is set for a Europe ruled by Incas and, when the Aztecs arrive on the scene, for a great war that will change history forever. 'Binet's best book yet- the work of a major writer just hitting his stride. A delightful counterfactual novel' ***** - Daily Telegraph

The son of a singer mother whose career forcibly separated her from her family and an influential father who runs an orphan work camp, Pak Jun Do rises to prominence using instinctive talents and eventually becomes a professional kidnapper and romantic rival to Kim Jong Il. By the author of Parasites Like Us.

INTERNATIONAL BESTSELLER • The New York Times bestselling author of American Psycho delivers a riveting, tour-de-force sequel to Less Than Zero, set on the seedy side of Los Angeles. • "A haunting vision of disillusionment, twenty-first-century style" (People). Returning to Los Angeles from New York, Clay, now a successful screenwriter, is casting his new movie. Soon he is running with his old circle of friends through L.A.’s seedy side. His ex-girlfriend, Blair, is married to Trent, a bisexual philanderer and influential manager. Then there's Julian, a recovering addict, and Rip, a former dealer. Then when Clay meets a gorgeous young actress who will stop at nothing to be in his movie, his own dark past begins to shine through, and he has no choice but to dive into the recesses of his character and come to terms with his proclivity for betrayal. Look for Bret Easton Ellis’s new novel, The Shards!

“Oh my human brothers, let me tell you how it happened.” Dr. Max Aue, the man at the heart of Jonathan Littell’s stunning and controversial novel The Kindly Ones, personifies the evils of the Second World War and the Holocaust. Highly educated and cultured, he was an ambitious SS officer, a Nazi and mass murderer who was in the upper echelons of the Third Reich. He tells us of his experience during the war. He was present at Auschwitz and Babi Yar, witnessed the battle of Stalingrad, and survived the fall of Berlin — receiving a medal from Hitler personally in the last days of Nazi Germany. Long after the war, he is living a comfortable bourgeois life in France, married with two children, managing a lace factory. And now, having evaded justice, he speaks out, giving a precise and accurate record of his life. The tone of his account is detached, lapidary, and for the most part unrepentant, whether he is describing his participation in mass murder on the Eastern Front, his bureaucratic investigations of labour productivity in the death camps, his casual murder of civilians as he tries to break through Russian lines towards the end of the war, or his fervid and convoluted relationship with his twin sister. Over its course, by entwining Aue’s life with those of historical figures such as Eichmann and Speer, Himmler and indeed Hitler, The Kindly Ones comes to depict the entire architecture of Nazism — from its grandest intellectual pretensions to its most minute, most chilling managerial details and executions. The Kindly Ones presents — with unprecedented realism, meticulous research that is both fascinating and compelling, and brilliant literary accomplishment — the greatest horrors imaginable. “War and murder are a question, a question without an answer, for when you cry out in the night, no one answers,” Aue says. In the same way, this powerfully affecting, powerfully challenging book confronts the reader with the most profound questions about history, morality, and art without offering any easy resolution. Written originally in French, and published now in English for the first time, The Kindly Ones has already sold to date well over a million copies in Europe. In France it won two prestigious prizes, including the Goncourt, and has been compared to War and Peace and other great classics of literature.

At the beginning, even though Shelley is only twelve, about to turn thirteen, don't let her age fool you. She's a vivacious, passionate little bombshell, always searching for her one true love. Along the way, she faces many temptations, and struggles with moral issues, as a result of her strict upbringing. What paths will she follow? Will she ever make the "right" choice, or throw her chances for happiness and success away? Follow her from her first kiss to womanhood, go with her from happy and sad, see her through jams and situations, and watch her mature into a grown woman. After all is said and done, will she have found "Mr. Right"? An interesting read.

A passionate, thought-provoking exploration of walking as a political and cultural activity, from the author of Orwell's Roses Drawing together many histories--of anatomical evolution and city design, of treadmills and labyrinths, of walking clubs and sexual mores--Rebecca Solnit creates a fascinating portrait of the range of possibilities presented by walking. Arguing that the history of walking includes walking for pleasure as well as for political, aesthetic, and social meaning, Solnit focuses on the walkers whose everyday and extreme acts have shaped our culture, from philosophers to poets to mountaineers. She profiles some of the most significant walkers in history and fiction--from Wordsworth to Gary Snyder, from Jane Austen's Elizabeth Bennet to Andre Breton's Nadja--finding a profound relationship between walking and thinking and walking and culture. Solnit argues for the necessity of preserving the time and space in which to walk in our ever more car-dependent and accelerated world.