Triaxial weaving is based on three axes, or directions, instead of the two directions used in most Western textiles. It is among the oldest forms of weaving, and in today's world, industry uses triaxial weaving to produce strong, stable fabrics. There is also a growing interest in triaxial weaving as an art form. Through more than 200 diagrams and photos, you will learn the basics of the two simplest forms of triaxial weaving - hex weave and mad weave. Practice your new skills with thirteen projects. The five hex weave projects are stationery stars, a tiny Christmas tree made from recycled holiday cards, an accordion journal, and a faux bull's eye clock. Eight mad weave projects cover pillows, tote and evening bags, a table runner, and eyeglass cases. Chapters include designing patterns, color, using paper, ribbons and yardage, and a troubleshooting section. This in-depth guide will inspire weavers, basket makers, quilters, and teachers alike.

Reprint: Originally published: Bayside, California: Press de LaPlantz, 1984.

The first book in a wildly inventive and mesmerizing new fantasy series from acclaimed author Josiah Bancroft where magical mysteries abound and only one team can solve them: The Hexologists. “Bancroft is a magician.” — Madeline Miller, New York Times bestselling author of Circe “Fantastic! The Hexologists fizzes eloquently with wit and elegance, but also has marvelous worldbuilding and an excellent plot - and a central pair of characters who I quite simply love. A cocktail of a book made with the very best champagne.” — Genevieve Cogman, author of The Invisible Library The Hexologists, Iz and Warren Wilby, are quite accustomed to helping desperate clients with the bugbears of city life. Aided by hexes and a bag of charmed relics, the Wilbies have recovered children abducted by chimney-wraiths, removed infestations of barb-nosed incubi, and ventured into the Gray Plains of the Unmade to soothe a troubled ghost. Well-acquainted with the weird, they never shy away from a challenging case. But when they are approached by the royal secretary and told the king pleads to be baked into a cake—going so far as to wedge himself inside a lit oven—the Wilbies soon find themselves embroiled in a mystery that could very well see the nation turned on its head. Their effort to expose a royal secret buried under forty years of lies brings them nose to nose with a violent anti-royalist gang, avaricious ghouls, alchemists who draw their power from a hell-like dimension, and a bookish dragon who only occasionally eats people. Armed with a love toughened by adversity and a stick of chalk that can conjure light from the darkness, hope from the hopeless, Iz and Warren Wilby are ready for a case that will test every spell, skill, and odd magical artifact in their considerable bag of tricks. "Bancroft is a wonder as ever! The Hexologists was a joyous delight on every page— buoyantly inventive, witty, poignant, gripping, and deeply satisfying." — Madeline Miller, New York Times bestselling author of Circe “Josiah Bancroft’s imagination will astound you. One of the most inventive fantasy authors out there.” — Fonda Lee, author of the Green Bone Saga “Bancroft has returned to the page in force, deploying his crystal prose and razored wit around a tale that mixes whimsy and threat in equal measure. He's a gift to the genre." — Mark Lawrence, author of The Book That Wouldn't Burn

“All I did was ask you for a role-playing game. You never warned me I’d be pitched into it for real! And I asked you for hobbits on a Grail quest, and not one hobbit have I seen!”

National Book Critics Circle Award Winner. “With dazzling clarity, [Chocano’s] commentary exposes the subliminal sexism on our pages and screens.”—O, The Oprah Magazine As a kid in the 1970s and 80s, Carina Chocano was confused by the mixed messages all around her that told her who she could be—and who she couldn’t. She grappled with sexed up sidekicks, princesses waiting to be saved, and morally infallible angels who seemed to have no opinions of their own. It wasn’t until she spent five years as a movie critic, and was laid off just after her daughter was born, however, that she really came to understand how the stories the culture tells us about what it means to be a girl limit our lives and shape our destinies. In You Play the Girl, Chocano blends formative personal stories with insightful and emotionally powerful analysis. Moving from Bugs Bunny to Playboy Bunnies, from Flashdance to Frozen, from the progressive ’70s through the backlash ’80s, the glib ’90s, and the pornified aughts—and at stops in between—she explains how growing up in the shadow of “the girl” taught her to think about herself and the world and what it means to raise a daughter in the face of these contorted reflections. In the tradition of Roxane Gay, Rebecca Solnit, and Susan Sontag, Chocano brilliantly shows that our identities are more fluid than we think, and certainly more complex than anything we see on any kind of screen. “If Hollywood’s treatment of women leaves you wanting, you’ll find good, heady company in You Play the Girl.”—Elle

To stripe a surface serves to distinguish it, to point it out, to oppose it or associate it with another surface, and thus to classify it, to keep an eye on it, to verify it, even to censor it. Throughout the ages, the stripe has made its mark in mysterious ways. From prisoners' uniforms to tailored suits, a street sign to a set of sheets, Pablo Picasso to Saint Joseph, stripes have always made a bold statement. But the boundary that separates the good stripe from the bad is often blurred. Why, for instance, were stripes associated with the devil during the Middle Ages? How did stripes come to symbolize freedom and unity after the American and French revolutions? When did the stripe become a standard in men's fashion? "In the stripe," writes author Michel Pastoureau, "there is something that resists enclosure within systems." So before putting on that necktie or waving your country's flag, look to The Devil's Cloth for a colorful history of the stripe in all its variety, controversy, and connotation.

"The Machine Stops" is a science fiction short story (12,300 words) by E. M. Forster. After initial publication in The Oxford and Cambridge Review (November 1909), the story was republished in Forster's The Eternal Moment and Other Stories in 1928. After being voted one of the best novellas up to 1965, it was included that same year in the populist anthology Modern Short Stories.[1] In 1973 it was also included in The Science Fiction Hall of Fame, Volume Two.The story, set in a world where humanity lives underground and relies on a giant machine to provide its needs, predicted technologies such as instant messaging and the Internet.

If you’re excited about the upcoming Disney film Beauty and the Beast, starring Emma Watson, don’t miss Cruel Beauty. The romance of Beauty and the Beast meets the adventure of Graceling in this dazzling fantasy novel about our deepest desires and their power to change our destiny. Perfect for fans of bestselling An Ember in the Ashes and A Court of Thorns and Roses, this gorgeously written debut infuses the classic fairy tale with glittering magic, a feisty heroine, and a romance sure to take your breath away. Betrothed to the evil ruler of her kingdom, Nyx has always known that her fate was to marry him, kill him, and free her people from his tyranny. But on her seventeenth birthday when she moves into his castle high on the kingdom's mountaintop, nothing is what she expected—particularly her charming and beguiling new husband. Nyx knows she must save her homeland at all costs, yet she can't resist the pull of her sworn enemy—who's gotten in her way by stealing her heart.

In this third book of the acclaimed series, Percy and his friends are escorting two new half-bloods safely to camp when they are intercepted by a manticore and learn that the goddess Artemis has been kidnapped.