Before and after writing Invisible Man, novelist and essayist Ralph Ellison fought to secure a place as a black intellectual in a white-dominated society. In this sophisticated analysis of Ellison's cultural politics, Jerry Watts examines the ways in which black artists and thinkers attempt to establish creative intellectual spaces for themselves. Using Ellison as a case study, Watts makes important observations about the role of black intellectuals in America today. Watts argues that black intellectuals have had to navigate their way through a society that both denied them the resources, status, and encouragement available to their white peers and alienated them from the rest of their ethnic group. For Ellison to pursue meaningful intellectual activities in the face of this marginalization demanded creative heroism, a new social and artistic stance that challenges cultural stereotypes. For example, Ellison first created an artistic space for himself by associating with Communist party literary circles, which recognized the value of his writing long before the rest of society was open to his work. In addition, to avoid prescriptive white intellectual norms, Ellison developed his own ideology, which Watts terms the 'blues aesthetic.' Watts's ambitious study reveals a side of Ellison rarely acknowledged, blending careful criticism of art with a wholesale engagement with society.

Focusing on his essays written after Invisible Man, explores how Ellison tried to establish himself as an American intellectual in a social climate that marginalized both blacks and creative pursuits, and forced him into the forms of a white discourse that progressively alienated him from his own people. Paper edition (unseen), $14.95. Annotation copyright by Book News, Inc., Portland, OR

In a chapter sure to prove controversial, Watts links Baraka's famous misogyny to an attempt to bury his own homosexual past."--BOOK JACKET.

Despite recent advances in the study of black thought, black women intellectuals remain often neglected. This collection of essays by fifteen scholars of history and literature establishes black women's places in intellectual history by engaging the work of writers, educators, activists, religious leaders, and social reformers in the United States, Africa, and the Caribbean. Dedicated to recovering the contributions of thinkers marginalized by both their race and their gender, these essays uncover the work of unconventional intellectuals, both formally educated and self-taught, and explore the broad community of ideas in which their work participated. The end result is a field-defining and innovative volume that addresses topics ranging from religion and slavery to the politicized and gendered reappraisal of the black female body in contemporary culture. Contributors are Mia E. Bay, Judith Byfield, Alexandra Cornelius, Thadious Davis, Corinne T. Field, Arlette Frund, Kaiama L. Glover, Farah J. Griffin, Martha S. Jones, Natasha Lightfoot, Sherie Randolph, Barbara D. Savage, Jon Sensbach, Maboula Soumahoro, and Cheryl Wall.

Across the centuries, the acts and arts of black heroism have inspired a provocative, experimental, and self-reflexive intellectual, political, and aesthetic tradition. In Characters of Blood, Celeste-Marie Bernier illuminates the ways in which six iconic men and women--Toussaint Louverture, Nathaniel Turner, Sengbe Pieh, Sojourner Truth, Frederick Douglass, and Harriet Tubman--challenged the dominant conceptualizations of their histories and played a key role in the construction of an alternative visual and textual archive. While these figures have survived as symbolic touchstones, Bernier contends that scholars have yet to do justice to their complex bodies of work or their multifaceted lives. Adopting a comparative and transatlantic approach to her subjects' remarkable life stories, the author analyzes a wealth of creative work--from literature, drama, and art to public monuments, religious tracts, and historical narratives--to show how it represents enslaved heroism throughout the United States, Africa, and the Caribbean. In mapping this black diasporic tradition of resistance, Bernier intends not only to reveal the limitations and distortions on record but also to complicate the definitions of black heroism that have been restricted by ideological boundaries between heroic and anti-heroic sites and sights of struggle.

The Metaphysical Club was a group that met in Massachusetts, in 1872. The group believed that ideas are not things out there waiting to be discovered but are tools people invent to make their way in the world. This book is the story of that idea.

Prior to the 1960s, when African Americans had little access to formal political power, black popular culture was commonly seen as a means of forging community and effecting political change. But as Richard Iton shows, despite the changes politics, black artists have continued to play a significant role in the making of critical social spaces.

Introduction: Fantastic Bullets -- I Am Nubia: Superhero Comics and the Paradigm of the Fantasy-Act -- Can the Black Superhero Be? -- Erotic Fantasy-Acts: The Art of Desire -- Conclusion: On Becoming Fantastical.

An A to Z presentation of over 400 articles on African American politics and notable people, from the abolitionist movement to Whitney Young.

This A-to-Z volume examines the role of African Americans in the political process from the early days of the American Revolution to the present. Focusing on basic political ideas, court cases, laws, concepts, ideologies, institutions, and political processes, this book covers all facets of African Americans in American government. Written by a nationally renowned scholar in the field, the Encyclopedia of African-American Politics, Third Edition will enlighten readers to the struggles and triumphs of African Americans in the American political system. Entries include: Abolitionist Movement African immigrants Barack Obama Black Lives Matter Black Panther Party Civil Rights Act of 1964 Emancipation Proclamation "Forty Acres and a Mule" Freedmen's Bureau Hurricane Katrina Institutional racism Integrationism Juneteenth Lynching Malcolm X Million Man March Raphael Warnock