An examination of the ways in which works of Classical literature influenced and were received by the native Irish tradition. Original, innovative work which elucidates a number of individual narratives; but more significantly, by placing these texts in their proper intellectual context, the author demonstrates how the world of learning in eleventh- andtwelfth-century Ireland really worked. He illuminates a world of medieval education and scholarship; he tells us (as no-one has done previously) what medieval Irish classicism was all about. Dr Máire ni Mhaonaigh, St John's College, University of Cambridge. The puzzle of Ireland's role in the preservation of classical learning into the middle ages has always excited scholars, but the evidence from the island's vernacular literature - as opposed to that in Latin - for the study of pagan epic has largely escaped notice. In this book the author breaks new ground by examining the Irish texts alongside the Latin evidence for the study of classical epic in medieval Ireland, surveying the corpus of Irish texts based on histories and poetry from antiquity, in particular Togail Troi, the Irish history of the Fall of Troy. He argues that Irish scholars' study of Virgil and Statius in particularleft a profound imprint on the native heroic literature, especially the Irish prose epic Táin Bó Cúailnge ("The Cattle-Raid of Cooley"). BRENT MILES is a Fellow in Early and Medieval Irish, University College Cork.

Selected by Choice Magazine as an Outstanding Academic Title From Odysseus to Aeneas, from Beowulf to King Arthur, from the Mahâbhârata to the Ossetian "Nart" tales, epic heroes and their stories have symbolized the power of the human imagination. Drawing on diverse disciplines including classics, anthropology, psychology, and literary studies, this product of twenty years' scholarship provides a detailed typology of the hero in Western myth: birth, parentage, familial ties, sexuality, character, deeds, death, and afterlife. Dean A. Miller examines the place of the hero in the physical world (wilderness, castle, prison cell) and in society (among monarchs, fools, shamans, rivals, and gods). He looks at the hero in battle and quest; at his political status; and at his relationship to established religion. The book spans Western epic traditions, including Greek, Roman, Nordic, and Celtic, as well as the Indian and Persian legacies. A large section of the book also examines the figures who modify or accompany the hero: partners, helpers (animals and sometimes monsters), foes, foils, and even antitypes. The Epic Hero provides a comprehensive and provocative guide to epic heroes, and to the richly imaginative tales they inhabit.

“Drawing on historical events, including King Olaf’s reign in Norway and the burning of Chartres Cathedral, Laxness revises and renews the bloody sagas of Icelandic tradition, producing not just a spectacular historical novel but one of coal-dark humor and psychological depth.” – Publishers Weekly First published in 1952, Halldór Laxness’s Wayward Heroes offers an unlikely representation of modern literature. A reworking of medieval Icelandic sagas, the novel is set against the backdrop of the medieval Norse world. Laxness satirizes the spirit of sagas, criticizing the global militarism and belligerent national posturing rampant in the postwar buildup to the Cold War. He does that through the novel’s main characters, the sworn brothers Þormóður Bessason and Þorgeir Hávarsson, warriors who blindly pursue ideals that lead to the imposition of power through violent means. The two see the world around them only through a veil of heroic illusion: kings are fit either to be praised in poetry or toppled from their thrones, other men only to kill or be killed, women only to be mythic fantasies. Replete with irony, absurdity, and pathos, the novel more than anything takes on the character of tragedy, as the sworn brothers’ quest to live out their ideals inevitably leaves them empty-handed and ruined.

Inherited through the line of the berserker Angantýr and his war-loving daughter Hervor, the ever-lethal, shining sword Tyrfing and its changes of hands frame the uncanny story of The Saga of Hervor and Heiđrek. A second heroic saga, Hrólf Kraki and His Champions, recounts the daring deeds of the members and entourage of the ancient Danish house of Skjoldung. Passed down orally in pre-Christian Norse times, transmitted in writing in medieval Iceland, and here wielded by the hand of Jackson Crawford, the tales told in this volume retain their sharp edges and flashes of glory that never fail to slay.

Born upon the deathbed of his Valkyrie mother, raised beneath the unyielding hand of his Berserker grandfather, a boy, one day to be known as RIGSEN, is set upon the path to achieve his destiny of the greatest Viking warrior of all time.The boy, only nine-years-old, survives alone in the harsh Viking world after the death of his grandfather. When he has grown to a stalwart man of nineteen, he meets the love of his life, Sassa, and in their love they have two splendid daughters.Life is good for the small family until one day Norway's King Harald Hardrada comes to Trondheim gathering an army to invade England and usurp the English throne. The man is torn: he is loath to leave his family, yet he knows the only way to gain the favor of the gods and be with the ones he loves for eternity in the afterlife is to become a hero worthy of Valhalla. It is an excruciating decision, but the man leaves his family to go to war.Armed with his grandfather's legendary battleaxe, the man quickly distinguishes himself in battle against the Saxons of England, but it is not until a small contingent of the Norwegian army is caught by surprise by the whole of the fifteen-thousand man English army does the true scale of his heroic legend rise: The man takes to a narrow bridge to stand against the charge of the English to allow his countrymen to retreat to the far side of the river. Trapped on the bridge alone facing an entire army, it seems the man's fate is sealed: a quick death and the massacre of his countrymen. Yet the man does not fall...Based on the true story of the greatest one man stand in history.

Readers of Beowulf have noted inconsistencies in Beowulf's depiction, as either heroic or reckless. Heroic Identity in the World of Beowulf resolves this tension by emphasizing Beowulf's identity as a foreign fighter seeking glory abroad. Such men resemble wreccan, "exiles" compelled to leave their homelands due to excessive violence. Beowulf may be potentially arrogant, therefore, but he learns prudence. This native wisdom highlights a king's duty to his warband, in expectation of Beowulf's future rule. The dragon fight later raises the same question of incompatible identities, hero versus king. In frequent reference to Greek epic and Icelandic saga, this revisionist approach to Beowulf offers new interpretations of flyting rhetoric, the custom of "men dying with their lord," and the poem's digressions.

""Nothing without Heracles!" was a popular saying among the ancient Greeks. Heracles, known better by his Roman name Hercules, was the subject of more poetry, prose and art than any other ancient god or hero. Astoundingly, not a single epic work about the legendary hero has come down to us ... until now!."--Cover.

The arrival of an unlikely traveler to the Abyssal ice world of Gathos creates a tear in the Amaranthine Barrier, allowing an unspeakable evil to enter the Mortal Realm and unleash a world of horror on humankind. Only one man can stop the madness, but the demigod, Aetenos, has vanished and hasn't been seen for over a hundred years.Kasai Ch'ou and his mentor, blind Master Choejor, must flee the burning Monastery of Ordu in a desperate attempt to escape the wicked creatures of nightmare who have overrun the holy sanctuary. The two fugitives must reach the city of Gethem and warn the Grandmaster of the Seventh Heaven before the remaining monasteries of Aetenos fall to the same deadly fate.But to reach Gethem, they must travel across the dangerous wilderness and through dark forests, prowled by preternatural beasts and haunted by witches. Meanwhile, other sinister forces vie for power to overthrow the king and plunge the land into darkness. A new hero must rise, or all is lost.The Chaos Gate is the first book in a dark fantasy series featuring unwilling heroes, crafty devils, capricious witches, and terrifying demons. If you like fast-paced, action adventures, with high court intrigue and highly imaginative worlds, you'll love the first installment in Jeff Pantanella's page-turning Ever Hero Saga.