Heroes and Villains is a unique collaboration with the caricaturist Gerald Scarfe, which will also be the subject of a documentary on BBC Four. In the book, portraits of well-known figures, selected from the National Portrait Gallery's collections, are quirkily juxtaposed with caricatures that depict their villainous side. Gerald Scarfe, Britain's best-known caricaturist, provides these artful, glib distortions, many of which have been specially commissioned. They reveal the wit and vision of an exceptional draughtsman at work. who argue their views for and against, on subjects as wide ranging as Henry VIII, Oswald Mosley, Virginia Woolf, Princess Diana and David and Victoria Beckham.

Heroes and Villains is the first collection of essays by David Hajdu' award - winning author of The Ten - Cent Plague' Positively 4th Street' and Lush Life. Eclectic and controversial' Hajdu's essays take on topics as varied as pop music' jazz' th...

Sharp-eyed Marianne lives in a white tower made of steel and concrete with her father and the other Professors. Outside, where the land is thickly wooded and wild beasts roam, live the Barbarians, who raid and pillage in order to survive. Marianne is strictly forbidden to leave her civilized world but, fascinated by these savage outsiders, decides to escape. There, beyond the wire fences, she will discover a decaying paradise, encounter the tattooed Barbarian boy Jewel and go beyond the darkest limits of her imagination. Playful, sensuous, violent and gripping, Heroes and Villains is an ambiguous and deliriously rich blend of post-apocalyptic fiction, gothic fantasy, literary allusion and twisted romance.

This volume presents three major social types in American society-heroes, villains, and fools-as models for American behaviour. Approaching these models primarily through language, Orrin E. Klapp explores what they may suggest about Americans as a people. Rather than study people, the author describes abstract types named and embedded in popular language. These social types are important symbols; and a way to attack a symbol is by identifying its meaning in various contexts. He further argues that the language surrounding heroes, villains, and fools reveals a social structure. We may not escape being ascribed a type, but we do have a choice of type. Known more commonly as "finding oneself," we can manipulate cues-with dress, facial expressions, style of life, or conspicuous public roles-to build an identity. This classic study has serious contemporary implications. For a public figure, an inevitable result of the typing process is the development of at least two selves, the public and the private. When the book originally appeared in 1962, the struggle to balance two images generally only plagued celebrities and politicians. Today, social media offers everyone the opportunity to develop an online persona. This volume will be of interest to sociologists as well as anyone who has a Facebook account.

Hercules, Jesus, James Bond, Luke Skywalker, Gandalf, Frodo, Harry Potter, Buffy Summers, Spiderman, Batman, Captain Kirk, Dr. Who, Darth Vader, Sauron, Voldemort, Lex Luthor, Dr. Doom, the Daleks, the Borg. Almost anybody living in the developed West would be able to group these individuals into two camps: the heroes and the villains. However, what criteria they may use to do this is less clear. Mike Alsford introduces us to a range of heroic and villainous archetypes on a journey through film, television, comic books, and literature. On the way, he addresses questions such as: What is a true hero? What is a true villain? Have we misunderstood these terms? What kind of societal values do our mythical heroes and villains represent? In trying to understand the extremes of hero and villain we are made more aware of our own ethical standards and given a space in which to explore contemporary concerns over notions of right and wrong, good and bad.

The author "reveals the gothic tale of drugs, sex, music, greed, booze, and genius behind the wholesome image of the Beach Boys."--Jacket.

Phil Grey has always been a kid with special talents and his family has always maintained their privacy. But after moving to a new neighborhood and leaving his old friends behind Phil meets other kids with similar talents and he is prompted to unveil his secrets to them. Together the children discover a connection between their families and a history that is linked to a bitter enemy who is determined to destroy Phil's family. In contrast to the enemy the children meet an ally who endows them with powerful tools and vows to help them defeat the rising foe. With his newfound comrades Phil begins a journey that takes him away from his home and on a path of self-discovery. While the enemy becomes stronger Phil realizes that he must protect his city and his loved ones from danger, and he finds a bravery he never knew. Now having the new ally as a mentor Phil begins to realize his fullest potential and the ultimate power of friendship.

Enjoy four fabulous full-colour stories featuring some of Roald Dahl's most magnificent heroes and monstrous villains: The Enormous Crocodile, The Giraffe and the Pelly and Me, The Twits, George's Marvellous Medicine In the good corner find inventive George who stands up to his grizzly, grumpy grandma by mixing a potion unlike any other. And meet Mr Muggle-Wump and his family, whose bravery and quick-thinking lead to extraordinary events. In the bad corner Mr and Mrs Twit are the most terrible twosome you could ever have the misfortune to meet. And beware the crafty, child-guzzling crocodile...

1 in 6 males will be sexually abused in their lifetime. This fact is often ignored or not believed. Heroes, Villains, and Healing is a guide to help male survivors of childhood sexual abuse understand and heal from the trauma of their past using DC Comic Book superheroes and villains. This helpful book is divided into three parts. The first is “Heroes,” which explains how some coping strategies of male survivors are similar to the archetypes of such DC superheroes as Superman, Batman, and the Flash. The second part, “Villains,” examines how other coping strategies may not be as positive, having traits and attitudes of villains such as Lex Luthor and the Joker. “Healing” is the final part, which explains how striving to live the life of a hero or a villain can be sustainable. To truly heal from childhood sexual abuse means working through the stages of healing and receiving help from a therapist or counselor. This final section includes writing exercises and examples that help male survivors know they are not alone, as they come to terms with their abuse and heal from past trauma. The book was written to help male survivors open up about their abuse, seek help, and stop suppressing their trauma through drug and alcohol abuse, or suicide.