Christopher Conway's lavishly illustrated Heroes of the Borderlands tells the surprising story of the Mexican Western for the first time, exploring how Mexican authors and artists reimagined US film and comic book Westerns to address Mexican politics and culture.

Presents portraits of unconventional figures in the Borderlands region who gained iconic status in folklore.

“A beautifully written evocation of Ukraine's brutal past and its shaky efforts to construct a better future.”—Financial Times Borderland tells the story of Ukraine. A thousand years ago it was the center of the first great Slav civilization, Kievan Rus. In 1240, the Mongols invaded from the east, and for the next seven centuries, Ukraine was split between warring neighbors: Lithuanians, Poles, Russians, Austrians, and Tatars. Again and again, borderland turned into battlefield: during the Cossack risings of the seventeenth century, Russia's wars with Sweden in the eighteenth, the Civil War of 1918-1920, and under Nazi occupation. Ukraine finally won independence in 1991, with the collapse of the Soviet Union. Bigger than France and a populous as Britain, it has the potential to become one of the most powerful states in Europe. In this finely written and penetrating book, Anna Reid combines research and her own experiences to chart Ukraine's tragic past. Talking to peasants and politicians, rabbis and racketeers, dissidents and paramilitaries, survivors of Stalin's famine and of Nazi labor camps, she reveals the layers of myth and propaganda that wrap this divided land. From the Polish churches of Lviv to the coal mines of the Russian-speaking Donbass, from the Galician shtetlech to the Tatar shantytowns of Crimea, the book explores Ukraine's struggle to build itself a national identity, and identity that faces up to a bloody past, and embraces all the peoples within its borders.

The epic story of Borderlands continues in this new series! Find out what happens after Roland, Mordecai, Lilith, and Brick step out of Marcus's bus. As soon as they arrive in the once-prosperous town of Fyrestone, they realize that Pandora is a far more dangerous planet than they first imagined.

"The periphery of a place can tell us a great deal about its heartland. along the edge of a nation's territory, its real prejudices, fears and obsessions - but also its virtues - irrepressibly bubble up as its people confront the 'other' whom they admire, or fear, or hold in contempt, and know little about. September 11, 2001, changed the United States utterly and nothing more so than the physical reality, the perception - and the meaning - of its borders." -from Borderlands Derek Lundy turns sixty at the end of a year in which three good friends have died. He feels the need to do something radical, and sets out on his motorcycle - a Kawasaki KLR 650 cc single-cylinder "thumper," which he describes as "unpretentious" and also "butt-ugly." Fascinated by the United States' post-9/11 passion for security, particularly on its two international borders, he chooses to investigate. He takes a firsthand look at both borders. The U.S.-Mexican borderlands, often disorderly and violent, operate according to their own ad hoc system of rules and conventions, and are distinct in many ways from the two countries the border divides. When security trumps trade, the economic well-being of both countries is threatened, and the upside is difficult to determine. American policy makers think the issues of drugs and illegals are ample reason to keep building fences to keep Mexicans out, even with no evidence that fences work or are anything but cruel. Mexicans' cheap labour keeps the wheels turning in the U.S. economy yet they are resented for trying to get into the country illegally (or legally). More people have died trying to cross this border than in the 9/11 attacks. At almost 9,000 kilometres, the U.S. border with Canada is the longest in the world. The northern border divides the planet's two biggest trading partners, and that relationship demands the fast, easy flow of goods and services in both directions. Since the events of 9/11, however, the United States has slowly and steadily choked the flux of trade: "just-in-time" parts shipments are in jeopardy; trucks must wait for inspection and clearance; people must be questioned. The border is "thickening." In prose that is compelling, impressive and at times frightening, Derek Lundy's incredible journey is illuminating enough to change minds, as great writing can sometimes do.

Hidden deep in the borderland forest, bandits lurk in the ruined castle of a long-dead border lord. Their incessant raids draw a band of neophyte heroes to the derelict keep. There they discover fouler, more odious dangers lurk below the ruins. Dare you brave the terrors of the Shadowed Keep to crush that which lurks within or will darkness shroud the surrounding lands Shadowed Keep on the Borderlands is an adventure for 1st-level characters compatible with the 5th edition of the world's most popular roleplaying game. Designed for the Duchy of Ashlar campaign setting the adventure can be easily inserted into a GM's home campaign.

2023 Ray and Pat Browne Award for Best Edited Collection in Popular and American Culture One of the greatest untold stories about the globalization of the Western is the key role of comics. Few American cultural exports have been as successful globally as the Western, a phenomenon commonly attributed to the widespread circulation of fiction, film, and television. The Comic Book Western centers comics in the Western's international success. Even as readers consumed translations of American comic book Westerns, they fell in love with local ones that became national or international sensations. These essays reveal the unexpected cross-pollinations that allowed the Western to emerge from and speak to a wide range of historical and cultural contexts, including Spanish and Italian fascism, Polish historical memory, the ideology of shōjo manga from Japan, British post-apocalypticism and the gothic, race and identity in Canada, Mexican gender politics, French critiques of manifest destiny, and gaucho nationalism in Argentina. The vibrant themes uncovered in The Comic Book Western teach us that international comic book Westerns are not hollow imitations but complex and aesthetically powerful statements about identity, culture, and politics.

Explains how Roland got on the bus with Mordecai, Lilith, and Brick. It also looks at the soldiers of Crimson Lance and what made him leave their ranks and search for the Vault.

The crossing of borders and frontiers between political states and between languages and cultures continues to inhibit and bedevil the freedom of movement of both ideas and people. This book addresses the issues arising from problems of translation and communication, the understanding of identity in hyphenated cultures, the relationship between landscape and character, and the multiplex topic of gender transition. Literature as a key to identity in borderland situations is explored here, together with analyses of semiotics, narratives of madness and abjection. The volume also examines the contemporary refugee crisis through first-hand “Personal Witness” accounts of migration, and political, ethnic and religious divisions in Kosovo, Greece, Portugal and North America. Another section, gathering together historical and current “Poetry of Exile”, offers poets’ perspectives on identity and tradition in the context of loss, alienation, fear and displacement.

Literary Nonfiction. Poetry. Latinx Studies. LGBTQIA Studies. Edited by Ricardo F. Vivancos-Pèrez and Norma Cantú. Rooted in Gloria Anzaldúa's experiences growing up near the U.S./Mexico border, BORDERLANDS/LA FRONTERA remaps our understanding of borders as psychic, social, and cultural terrains that we inhabit and that inhabit us all. Drawing heavily on archival research and a comprehensive literature review while contextualizing the book within her theories and writings before and after its 1987 publication, this critical edition elucidates Anzaldúa's complex composition process and its centrality in the development of her philosophy. It opens with two introductory studies; offers a corrected text, explanatory footnotes, translations, and four archival appendices; and closes with an updated bibliography of Anzaldúa's works, an extensive scholarly bibliography on Borderlands, a brief biography, and a short discussion of the Gloria E. Anzaldúa Papers. "Ricardo F. Vivancos-Pèrez's meticulous archival work and Norma Elia Cantú's life experience and expertise converge to offer a stunning resource for Anzaldúa scholars; for writers, artists, and activists inspired by her work; and for everyone. Hereafter, no study of Borderlands will be complete without this beautiful, essential reference."--Paola Bacchetta