"Herodotus and Imperial Greek Literature is the first monograph devoted to the reception of Herodotus among Imperial Greek writers. Using a broad reception model and focused largely on texts outside of historiography proper, this book analyzes the entanglements of criticism and imitation in select works by Dionysius of Halicarnassus, Plutarch, Dio of Prusa, Lucian, and Pausanias. It offers a new angle on Herodotus's intellectual afterlife, channeled through evocations both explicit and implicit in literary criticism, the moral essay, public oration, satire and periegetic literature. Herodotus and Imperial Greek Literature shifts focus from reputation only - what ancient authors explicitly had to say about Herodotus - toward the kinetic interrelation between Herodotus's reputation and his active reworking across genre and mode. It demonstrates how Herodotus was strategically construed and often implicitly summoned - as fabulist, classicist, moralizer, and evasive intellectual - and how such Herodotean presences played to the wider purposes of Imperial writers. Herodotus became a touchstone for writers concerned with a nimbus of questions that the Histories first helped to articulate. Imperial Greeks found Herodotus useful in puzzling through questions of authorial persona, mimesis, the relationship between aesthetic and ethical criticism, the self, and the contingent definitions of Hellenism under Rome. Ultimately, Herodotus and Imperial Greek Literature widens an incomplete reception history and reads bi-focally, examining how attention to the presence of Herodotus in various texts unveils new layers of meaning in those works, while also showing how ancient receptions offer insight into the Histories"--

Vol. 6, no. 4; The Prather memorial.

In this book one of the world's leading Hellenists brings together his many contributions over four decades to our understanding of major genres of Greek literature, above all the Greek novel, but also Attic Comedy, fifth-century historiography, and Hellenistic and Imperial Greek poetry. Many are already essential reading, such as the chapter on the figure of Lycidas in Theocritus' Idyll 7, or two chapters on the ancient readership of Greek novels. Discussions of Imperial Greek poetry published three decades ago opened up a world almost entirely neglected by scholars. Several chapters address literary and linguistic issues in Longus' novel Daphnis and Chloe, complementing the author's commentary published in 2019; two contribute to a better understanding of the enigmatic Aethiopica of Heliodorus; and many explore important questions arising from examination of the form of the Greek novel as a whole. This is the second of a planned three-volume collection.