“H. D's wit, sense of rhythm, and control of language prove the inadequacy of the imagist label that is so often applied to this writer.” —Library Journal This autobiographical novel, an interior self-portrait of the poet H. D. (1886-1961) is what can best be described as a "find,' a posthumous treasure. In writing HERmione, H.D. returned to a year in her life that was "peculiarly blighted." She was in her early twenties––"a disappointment to her father, an odd duckling to her mother, an importunate, overgrown, unincarnated entity that had no place… Waves to fight against, to fight against alone…'I am Hermione Gart, a failure’––she cried in her dementia, 'l am Her, Her, Her."' She had failed at Bryn Mawr, she felt hemmed in by her family, she did not yet know what she was going to do with her life. The return from Europe of the wild-haired George Lowndes (Ezra Pound) expanded her horizons but threatened her sense of self. An intense new friendship with Fayne Rabb (Frances Josepha Gregg), an odd girl who was, if not lesbian, then certainly of bisexual bent, brought an atmosphere that made her hold on everyday reality more tenuous. This stormy course led to mental breakdown, then to a turning point and a new beginning as her own true self, as "Her”––the poet H.D. Perdita Schaffner, H.D.'s daughter, who can remember back to the time in 1927 when her mother was barricaded with her typewriter behind a locked door, working on this very novel, has provided a charming and telling introduction.

“Using an alchemy all of her own, Eyre’s postmodern take on the 17th century renders it dazzlingly fresh and contemporary.” —Guardian (UK) Venetia Stanley was the great beauty of her day, so dazzling she inspired Ben Jonson to poetry and Van Dyck to painting. But now she is married, the adoration to which she has become accustomed has curdled to scrutiny, and she fears her powers are waning. Her devoted husband, Sir Kenelm Digby—explorer, diplomat, philosopher, alchemist— refuses to prepare a beauty tonic for her, insisting on her continued perfection. Venetia, growing desperate, secretly engages an apothecary to sell her “viper wine”—a strange potion said to bolster the blood and invigorate the skin. The results are instant, glorious, and addictive, and soon the ladies of the court of Charles I are looking unnaturally youthful. But there is a terrible price to be paid, as science clashes with magic, puritans rebel against the decadent monarchy, and England slides into civil war. Based on real events and written with anachronistic verve, Viper Wine is an intoxicating brew of love, longing and vanity, where the 17th and 21st centuries mix and mingle in the most enchanting and mind-bending ways.

Relive all the magic of Harry's world. The Essential Film Companion for HARRY POTTER that's perfect for the youngest fans! This hardcover guidebook features your favorite scenes and quotes from all eight Harry Potter movies!The experience of this eBook will be best if viewed on a tablet.

A New York Times Book Review Editors' Choice "A radiant first novel. . . . [Neon in Daylight] has antecedents in the great novels of the 1970s: Renata Adler’s Speedboat, Elizabeth Hardwick’s Sleepless Nights, Joan Didion’s Play It as It Lays. . . . Precision—of observation, of language—is Hoby’s gift. Her sentences are sleek and tailored. Language molds snugly to thought." —Parul Sehgal, The New York Times "What do you get when a writer of extreme intelligence, insight, style and beauty chronicles the lives of self–absorbed hedonists—The Great Gatsby, Bright Lights, Big City, and now Neon in Daylight. Hermione Hoby paints a garish world that drew me in and held me spellbound. She is a marvel."" —Ann Patchett, author of Commonwealth New York City in 2012, the sweltering summer before Hurricane Sandy hits. Kate, a young woman newly arrived from England, is staying in a Manhattan apartment while she tries to figure out her future. She has two unfortunate responsibilities during her time in America: to make regular Skype calls to her miserable boyfriend back home, and to cat–sit an indifferent feline named Joni Mitchell. The city has other plans for her. In New York's parks and bodegas, its galleries and performance spaces, its bars and clubs crowded with bodies, Kate encounters two strangers who will transform her stay: Bill, a charismatic but embittered writer made famous by the movie version of his only novel; and Inez, his daughter, a recent high school graduate who supplements her Bushwick cafe salary by enacting the fantasies of men she meets on Craigslist. Unmoored from her old life, Kate falls into an infatuation with both of them. Set in a heatwave that feels like it will never break, Neon In Daylight marries deep intelligence with captivating characters to offer us a joyful, unflinching exploration of desire, solitude, and the thin line between life and art.

A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • One of our most brilliant biographers takes on one of our greatest living playwrights, drawing on a wealth of new materials and on many conversations with him. “An extraordinary record of a vital and evolving artistic life, replete with textured illuminations of the plays and their performances, and shaped by the arc of Stoppard’s exhilarating engagement with the world around him, and of his eventual awakening to his own past.” —Harper's Tom Stoppard is a towering and beloved literary figure. Known for his dizzying narrative inventiveness and intense attention to language, he deftly deploys art, science, history, politics, and philosophy in works that span a remarkable spectrum of literary genres: theater, radio, film, TV, journalism, and fiction. His most acclaimed creations—Rosencrantz and Guildenstern are Dead, The Real Thing, Arcadia, The Coast of Utopia, Shakespeare in Love—remain as fresh and moving as when they entranced their first audiences. Born in Czechoslovakia, Stoppard escaped the Nazis with his mother and spent his early years in Singapore and India before arriving in England at age eight. Skipping university, he embarked on a brilliant career, becoming close friends over the years with an astonishing array of writers, actors, directors, musicians, and political figures, from Peter O'Toole, Harold Pinter, and Stephen Spielberg to Mick Jagger and Václav Havel. Having long described himself as a "bounced Czech," Stoppard only learned late in life of his mother's Jewish family and of the relatives he lost to the Holocaust. Lee's absorbing biography seamlessly weaves Stoppard's life and work together into a vivid, insightful, and always riveting portrait of a remarkable man.

This title focuses on Hermione Granger from the Harry Potter franchise and gives information related to her backstory, journey, and legacy. This hi-lo title is complete with electrifying and colorful photographs, simple text, glossary, and an index. Aligned to Common Core Standards and correlated to state standards. Fly! is an imprint of Abdo Zoom, a division of ABDO.

The new essays in this book make two central claims. First, for some people, the word "feminist" has been either poorly defined or even demonized. Hermione Granger, of the Harry Potter series, serves as an outstanding example of what modern young feminism looks like: activist, powerful and full of agency, yet feminine, romantic and stylish--a new kind of feminism for a new kind of girl. The second claim the essays make is that our young, emergent feminist Hermione Granger is a pivotal character upon whom the entire series rests--not Harry Potter himself (or, at least, not Harry Potter solely). It is Hermione who solves every difficult puzzle, performs every difficult spell, and to whom her two male companions look for guidance and advice. On several occasions throughout the series, Hermione literally saves the world through her actions. This is an outstanding model for young women (and for young men as well) who are confused about how feminism manifests and operates in 2012.

The bestselling author of the Young Royals books “delves into Greek mythology with a retelling of the Trojan War from the point of view of Hermione” (Booklist). What is it like to be the daughter of the most beautiful woman in the world? Hermione knows . . . her mother is Helen of Troy, the famed beauty of Greek myth. Helen is not only beautiful but also impulsive, and when she falls in love with charming Prince Paris, she runs off with him to Troy, abandoning her distraught daughter. Determined to reclaim their enchanting queen, the Greek army sails for Troy. Hermione stows away in one of the thousand ships in the fleet and witnesses the start of the legendary Trojan War. In the rough Greek encampment outside the walls of Troy, Hermione’s life is far from that of a pampered princess. Meanwhile, her mother basks in luxury in the royal palace inside the city. Hermione desperately wishes for the gods and goddesses to intervene and end the brutal war—and to bring her love. Will she end up with the handsome archer Orestes, or the formidable Pyrrhus, leader of a tribe of fierce warriors? And will she ever forgive her mother for bringing such chaos to her life and the lives of so many others? “Beauty’s Daughter burrows into the recent interest in Greek mythology and builds a fictional account of the young woman’s quest to find her lost love.” —VOYA “This title would make a great pairing for students studying Greek mythology or reading the Iliad or Odyssey and will appeal particularly to students interested in ancient history.” —School Library Journal

Regarded as a witch and alienated by the majority of her peers, fourteen-year-old orphan Alexandria Richardson wants to be anybody but herself. However, this all changes one day, when the mysterious fountain in her school transports her and her three classmates to a world of magic— the Otherworld. The four of them are brought to the palace of the Otherworld on the rulers' orders, and the shocking truth of Alexandria's identity and parentage is revealed. As Alexandria then participates in a miraculous adventure with her companions, she explores the depths of courage, kindness, and friendship. But will she make it safely back to the Otherworld? Or will she eventually yield to her biggest enemy, someone no other than herself? It's not just an adventure. It's a journey of growth and redemption.