For the first time in English, the introductory volume in a major French philosopher’s groundbreaking series of poetic transdisciplinary works Michel Serres is recognized as one of the giants of postwar French philosophy of knowledge, along with Gilles Deleuze, Jacques Derrida, Michel Foucault, and Gilbert Simondon. His early five-volume series Hermes, which appeared in the 1960s and 1970s, was an intellectual supernova in its proposition that culture and science shared the same mythic and narrative structures. Hermes I: Communication marks the start of a major publishing endeavor to introduce this foundational series into English. Building on the figure of the Greek god Hermes, who presides over the realms of communication and interpretation, Hermes I embarks on a reflection concerning the history of mathematics via Descartes and Leibniz and culminates by way of a Bachelardian logoanalytic reading of Homer, Dumas, Molière, Verne, and the story of Cinderella. We observe a singular poetic philosopher seeking to bridge the gap between the liberal arts and the sciences through a profound mathematical and poetic fable regarding information theory, history, and art, establishing a new way to think about the production of knowledge during the late twentieth century. In these pages, students and scholars of philosophy will discover an extraordinary project of thought as vital to critical reflection today as it was fifty years ago.

This title provides a group portrait of some of the greatest musicians of the 20th century, including Bruce Springsteen, Patti Smith, Grandmaster Flash and Bob Dylan.

The Asclepius is one of two philosophical books ascribed to the legendary sage of Ancient Egypt, Hermes Trismegistus, who was believed in classical and renaissance times to have lived shortly after Moses. The Greek original, lost since classical times, is thought to date from the 2nd or 3rd century AD. However, a Latin version survived, of which this volume is a translation. Like its companion, the Corpus Hermeticum (or The Way of Hermes), the Asclepius describes the most profound philosophical questions in the form of a conversation about secrets: the nature of the One, the role of the gods, and the stature of the human being. Not only does this work offer spiritual guidance, but it is also a valuable insight into the minds and emotions of the Egyptians in ancient and classical times. Many of the views expressed also reflect Gnostic beliefs which passed into early Christianity.

At birth, Hermes, son of Zeus and the Nymph Maia, says his first word: "Gimme!" In this brilliant, hilarious graphic novel about the mischievous, fun-loving messenger of the gods, Caldecott Medal winner Mordicai Gerstein, transports classical mythology to the 21st century. "The world!" the newly born Hermes says. "It's even better than I expected! I love it! I want it all!" This book is filled with joy, exuberance, and humor. On his first day of life, Hermes manages to trick a turtle into surrendering its shell and a ram into surrendering its horns, thereby inventing the lyre, music, and song! He also manages to steal his brother Apollo's precious cows, but later redeems himself by outwitting the giant brothers Otus and Ephialtes, who have kidnapped Mars. These adventures and more, all derived from classical mythology, are told with great humor as well as a twenty-first century sensibility by the colossally talented Mordicai Gerstein. The art in this graphic novel is truly spectacular, with 250 illustrations, executed by a master artist and filled with unique humor. A Bank Street Best Book of the Year

Hermes redresses the gap in modern English scholarship on this fascinating and complex god, presenting its readers with an introduction to Hermes’ social, religious and political importance through discussions of his myths, iconography and worship. It also brings together in one place an integrated survey of his reception and interpretation in contemporaneous neighbouring cultures in antiquity as well as discussion of his reception in the post-classical periods up to the present day. This volume is an invaluable resource for anyone wanting to explore the many facets of Hermes’ myth, worship and reception.

Hades tells the true story behind the myth of Pandora and Prometheus.

This book introduces the reader to Serres' unique manner of 'doing philosophy' that can be traced throughout his entire oeuvre: namely as a novel manner of bearing witness. It explores how Serres takes note of a range of epistemologically unsettling situations, which he understands as arising from the short-circuit of a proprietary notion of capital with a praxis of science that commits itself to a form of reasoning which privileges the most direct path (simple method) in order to expend minimal efforts while pursuing maximal efficiency. In Serres' universal economy, value is considered as a function of rarity, not as a stock of resources. This book demonstrates how Michel Serres has developed an architectonics that is coefficient with nature. Mathematic and Information in the Philosophy of Michel Serres acquaints the reader with Serres' monist manner of addressing the universality and the power of knowledge – that is at once also the anonymous and empty faculty of incandescent, inventive thought. The chapters of the book demarcate, problematize and contextualize some of the epistemologically unsettling situations Serres addresses, whilst also examining the particular manner in which he responds to and converses with these situations.

The Greek god Hermes has spent thousands of years in a mountain prison for disobeying Zeus. Emerging in a new world where the gods have been shunned by humankind, he hatches a plan straight from the comic books to revive the glory days of Olympus. As Mister Mercury, caped hero, he fights not for freedom, not for justice, but to put the Fear of the Gods back into the hearts of mortals everywhere- whether they believe it or not.