Phantom Lady featured the character of Sandra Knight, aka, the Phantom Lady, a character formerly published by Quality Comics. This series continus the numbering sequence from Wotalife Comics and continues as My Love Secret following issue #23. Phantom Lady appeared in Police Comics #1 to 23, and Feature Comics #69-71, where she teamed up with Spider-Widow. Phantom Lady's more modest (!) Quality Comics lookPhantom Lady then jumped ship from Quality, when the (now simply) Iger Studio recostumed her for use by Fox Features Syndicate, who gave the character her own title, Phantom Lady, which lasted from #1 (August, 1947) to #26 (April 1949). She also guested in All-Top Comics #8 to #15. Shortly afterwards, Fox went bust. Star Comics bought the rights to the Fox characters, and had Phantom lady turn up in a couple of their comics, then Farrell Publications got hold of her, and produced four issues of their own Phantom Lady series (unlike many of the characters they revived from other companies, they kept both costume and true identity unchanged). Eventually Charlton bought up most of the Fox characters, presumably including Phantom Lady. This Volume covers Phantom Lady adventures from 1947 - 1949 Approx 365 pages

NEW YORK TIMES BEST SELLER • Celebrated food blogger and best-selling cookbook author Deb Perelman knows just the thing for a Tuesday night, or your most special occasion—from salads and slaws that make perfect side dishes (or a full meal) to savory tarts and galettes; from Mushroom Bourguignon to Chocolate Hazelnut Crepe. “Innovative, creative, and effortlessly funny." —Cooking Light Deb Perelman loves to cook. She isn’t a chef or a restaurant owner—she’s never even waitressed. Cooking in her tiny Manhattan kitchen was, at least at first, for special occasions—and, too often, an unnecessarily daunting venture. Deb found herself overwhelmed by the number of recipes available to her. Have you ever searched for the perfect birthday cake on Google? You’ll get more than three million results. Where do you start? What if you pick a recipe that’s downright bad? With the same warmth, candor, and can-do spirit her award-winning blog, Smitten Kitchen, is known for, here Deb presents more than 100 recipes—almost entirely new, plus a few favorites from the site—that guarantee delicious results every time. Gorgeously illustrated with hundreds of her beautiful color photographs, The Smitten Kitchen Cookbook is all about approachable, uncompromised home cooking. Here you’ll find better uses for your favorite vegetables: asparagus blanketing a pizza; ratatouille dressing up a sandwich; cauliflower masquerading as pesto. These are recipes you’ll bookmark and use so often they become your own, recipes you’ll slip to a friend who wants to impress her new in-laws, and recipes with simple ingredients that yield amazing results in a minimum amount of time. Deb tells you her favorite summer cocktail; how to lose your fear of cooking for a crowd; and the essential items you need for your own kitchen. From salads and slaws that make perfect side dishes (or a full meal) to savory tarts and galettes; from Mushroom Bourguignon to Chocolate Hazelnut Crepe Cake, Deb knows just the thing for a Tuesday night, or your most special occasion. Look for Deb Perelman’s latest cookbook, Smitten Kitchen Keepers!

You know MAD. Do you know Humbug? Harvey Kurtzman changed the face of American humor when he created the legendary MAD comic. As editor and chief writer from its inception in 1952, through its transformation into a slick magazine, and until he left MAD in 1956, he influenced an entire generation of cartoonists, comedians, and filmmakers. In 1962, he co-created the long-running Little Annie Fanny with his long-time artistic partner Will Elder forPlayboy, which he continued to produce until his virtual retirement in 1988. Between MAD and Annie Fanny, Kurtzman’s biographical summaries will note that he created and edited three other magazines―Trump, Humbug, and Help!―but, whereas his MAD and Annie Fanny are readily available in reprint form, his major satirical work in the interim period is virtually unknown. Humbug, which had poor distribution, may be the least known, but to those who treasure the rare original copies, it equals or even exceeds MAD in displaying Kurtzman’s creative genius. Humbug was unique in that it was actually published by the artists who created it: Kurtzman and his cohorts from MAD, Will Elder, Jack Davis, and Al Jaffee, were joined by universally acclaimed cartoonist Arnold Roth. With no publisher above them to rein them in, this little band of creators produced some of the most trenchant and engaging satire of American culture ever to appear on American newsstands.

A consensus has recently emerged among academics and policymakers that US copyright law has fallen out of balance. Lawmakers have responded by taking up proposals to reform the Copyright Act. But how should they proceed? This book offers a new and insightful view of copyright, marking the path toward a world less encumbered by legal restrictions and yet richer in art, music, and other expressive works. Two opposing viewpoints have driven the debate over copyright policy. One side questions copyright for the same reasons it questions all restraints on freedoms of expression, and dismisses copyright, like other forms of property, as a mere plaything of political forces. The opposing side regards copyrights as property rights that deserve—like rights in houses, cars, and other forms of property—the fullest protection of the law. Each of these viewpoints defends important truths. Both fail, however, to capture the essence of copyright. In Intellectual Privilege, Tom W. Bell reveals copyright as a statutory privilege that threatens our natural and constitutional rights. From this fresh perspective come fresh solutions to copyright’s problems. Published by the Mercatus Center at George Mason University.

In this insightful book you will discover the range wars of the new information age, which is today's battles dealing with intellectual property. Intellectual property rights marks the ground rules for information in today's society, including today's policies that are unbalanced and unspupported by any evidence. The public domain is vital to innovation as well as culture in the realm of material that is protected by property rights.

"Doug Sneyd's scintillating cartoons have graced the pages of Playboy magazine since the early 1960s. This collection features nearly three hundred of the most sumptuous, striking, and hilarious of Doug's full-page, full-color cartoons. Readers will be charmed by the gorgeous, scantily (and even non-) clad 'Sneyd' girls and the clever one-liners they so ably illustrate."--Page 4 of cover.

You can enjoy again - or for the first time - The comic reprints from Escamilla Comics are reproduced from actual classic comics, and sometimes reflect the imperfection of books that are decades old. These books are constantly updated with the best version available

Rarely before and rarely since has comics seen a talent as innovative as Jim Steranko. Blending together influences from Pop Art to Salvador Dali and Will Eisner to Wally Wood, Steranko's boundary-breaking style is an incomparable visual language that continues influence and inspire storytellers decades later. Now, for the first time ever, Marvel is proud to offer the complete Steranko Nick Fury, Agent of S.H.I.E.L.D. in one volume! COLLECTING: STRAN GE TALES (1951) 151-168 & NICK FURY, AGENT OF S.H.I.E.L.D. (1968) 1-3, 5