When his best friend's family plans to move away, Herbie Jones does what he can to cope with the change.

Third grade isn't looking too good for Herbie Jones. Not only is he stuck being in Apples, the lowest reading group in class, but he has to get a birthday present for annoying Annabelle and be good for the entire field trip to the museum! How is Herbie ever going to make it through the year?

The holiday season is here, and the kids in Room 3B are learning about all the different ways people celebrate. In addition to Christmas and Hanukkah, there's Kwanzaa, Three Kings Day, Korean New Year, and more. All the talk about holidays has everyone feeling festive. Everyone, that is, except Harry. He doesn't seem to care about the holidays, the class pet, or even the new student in class. It's clear that something is bugging Harry—but what could it be?

Dean Jones was two men. He was the boyishly handsome star of the Walt Disney box-office hits - the hero of television shows and Saturday matinees, with a winsome smile every mother could trust. And he was the reckless, hard-living predator who prowled from one Hollywood romance to another - always stalked by deep regrets and a strange death wish that arose when on his motorcycle or behind the wheel of his sports car. Enter Lory Patrick. Loving, attractive, independent, different.

Harry leads a mission to place cobwebs all over school, shows the class how to make green slime, and stages a "deadly skit" that has everyone on the edge of their seats.

When Herbie Jones gets the dreaded girl disease and becomes lovesick for Annabelle Hodgekiss, it threatens his friendship with his good pal Raymond

A collection of twenty-one episodes from four Herbie Jones novels, adapted into scripts for reading aloud.

As the 1960s ended, Herbie Hancock embarked on a grand creative experiment. Having just been dismissed from the celebrated Miles Davis Quintet, he set out on the road, playing with his first touring group as a leader until he eventually formed what would become a revolutionary band. Taking the Swahili name Mwandishi, the group would go on to play some of the most innovative music of the 1970s, fusing an assortment of musical genres, American and African cultures, and acoustic and electronic sounds into groundbreaking experiments that helped shape the American popular music that followed. In You’ll Know When You Get There, Bob Gluck offers the first comprehensive study of this influential group, mapping the musical, technological, political, and cultural changes that they not only lived in but also effected. Beginning with Hancock’s formative years as a sideman in bebop and hard bop ensembles, his work with Miles Davis, and the early recordings under his own name, Gluck uncovers the many ingredients that would come to form the Mwandishi sound. He offers an extensive series of interviews with Hancock and other band members, the producer and engineer who worked with them, and a catalog of well-known musicians who were profoundly influenced by the group. Paying close attention to the Mwandishi band’s repertoire, he analyzes a wide array of recordings—many little known—and examines the group’s instrumentation, their pioneering use of electronics, and their transformation of the studio into a compositional tool. From protofunk rhythms to synthesizers to the reclamation of African identities, Gluck tells the story of a highly peculiar and thrillingly unpredictable band that became a hallmark of American genius.

All Herbie wanted to do at the bank was change his 568 pennies into $5.68. He didn't count on tripping a robber and foiling the crime! The best part of it all, though, is Herbie's reward: the robber's dog Hamburger Head. But can Herbie keep him?

Doug discovers that though being Harry's best friend in Miss Mackle's second grade class isn't always easy, as Harry likes to do horrible things, it is often a lot of fun.