Literary History in America has been built around individual names, titles, and dates, such as the years in which significant works of fiction were published. Yet most of the fiction published from 1850 to 1900 first appeared in a number of installment formats. That books were first made available to the public in parts has been dismissed as an interesting but critically irrelevant fact of literary history, but now scholars recognize that modes of production shape literary meanings, not just for individual works, but in the larger culture as well. Lund explains how most American novels were published and read between 1850 and 1900, then provides the titles of several hundred serial works, their parts' divisions, and the dates of publication. Lund considers 69 authors and 285 titles, making America's Continuing Story the most complete study of its kind to date.

Peter Leroy recalls a childhood journey of discovery that he made from the mouth of the Bolotomy River to its source, traveling with his best (and imaginary) friend Rodney "Raskol" Lodkochnikov. The journey begins with the work of turning a packing case (which Cap'n Andrew Leech intends to use, later, as a coffin) into a shallow-draft boat, it involves encounters with a philosophical vagrant and a gaggle of beautiful nymphs, and it ends with the metaphor of life as a river turned on its head.

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In 1962, as a college sophomore, Eric Kraft fell asleep in the library. Among the books surrounding him, he began to dream...of a nameless boy, sitting on a dilapidated dock in the warm sun of a summer day, playing a game: He was trying to bring the soles of his bare feet as close as he could to the surface of the water, without touching it. That boy became Peter Leroy, and from Kraft's dream grew one of the most delightful, unusual projects in contemporary literature. Funny, touching, witty, mythic, and profound, Kraft's novels, featuring Peter, his friends and family, and the seaside town of Babbington create an alternate reality-a world in which we see ourselves, darkened and wavering, as reflected by deep water. Little Follies gathers nine Peter Leroy novellas into one volume: the perfect introduction to an irresistible cycle of books by an author sometimes compared to Cheever, Proust, Twain, Borges, Russel Baker, and Garrison Keillor, but who is uniquely Eric Kraft.

Peter Leroy returns in memory to the fifth grade, where he finds himself gazing at Veronica McCall across the Gulf of Puberty. Remembering Veronica, the hottest little number in Babbington's elementary grades at that time, inevitably leads him to reflect on the many varieties of love and lust to which the human animal is subject, to consider the roots of the animosity between Babbington's clamdiggers and chicken-farmers, to recall the occasion of his first meeting Porky White, who was to become the brains behind the Kap'n Klam chain of bivalve-based fast-food restaurants, and forces him to recreate his attempt to skate on ice.

Peter Leroy, working on the principle of the panopticon, constructs a plausible life for Ariane Lodkochnikov, the sultry older sister of his imaginary childhood friend, maker of her own self and her own myth. • “Poignant. Dizzying. Wise. Mr. Kraft has created a heroine as complex as his narrative. [He] is a master at illuminating the shoals and shallows of a young person's heart. [His] work is a weird wonder, successfully mating tales from the kind of small-town life that hardly exists anymore with a never-ending examination of what it's like to create such a world.” — Karen Karbo, The New York Times Book Review • A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • Length: novel, about 100,000 words

Peter Leroy recalls his childhood affection for the Larry Peters series of adventure books. As a boy, he entered the world of the books so completely that he went from wanting to be Larry Peters to believing, sometimes, that he was. As Larry, he relished the company of his wisecracking sister Lucy and his square-jawed and capable pal, Rocky King. Later, when he had become a grownup, circumstances led to his taking his place as the last in a line of pseudonymous authors of the series, so that, in a way, he really did become Larry Peters.

Peter Leroy recalls an episode from his grade-school years, an episode that he would really rather forget, one of the dark, gritty bits that one finds at the bottom of the chowder bowl of life. It involves the Young Tars, an organization originally intended to raise the morale of students at the new Babbington Central Upper Elementary School, and the treacherous Mr. Summers, a teacher whose armamentarium of instructional techniques featured "humility sessions" and a toy weapon that fired ping-pong balls.